Heidi Ryom
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Heidi Ryom
Heidi Ryom Kristensen (26 August 1955 – 5 October 2013) was a Danish ballerina and educator for the Royal Danish Ballet. She began dancing at the Royal Danish Ballet school and became an in 1972 before being made a corps dancer at the Royal Danish Ballet two years later. In 1982, Ryom was appointed principal solo dancer at the Royal Danish Theatre before retiring from her position as a solo dancer in 1997 and became a character dancer and educator. She was appointed Knight of the Order of the Dannebrog in 1988 and was promoted to Knight First Class of the Order of the Dannebrog eight years later. Biography On 26 August 1955, Ryom was born Heidi Ryom Kristensen in Copenhagen. She was the daughter of the car dealer Kurt Kristensen and Jette Ryom. Ryom was educated at the Royal Danish Ballet school, which is situated on the grounds of the Danish Royal Theatre. In 1972, she became an aspirant, and graduated in 1974. Ryom was made a corps dancer at the Royal Danish Ballet that s ...
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Order Of The Dannebrog
The Order of the Dannebrog ( da, Dannebrogordenen) is a Danish order of chivalry instituted in 1671 by Christian V. Until 1808, membership in the order was limited to fifty members of noble or royal rank, who formed a single class known as ''White Knights'' to distinguish them from the ''Blue Knights'' who were members of the Order of the Elephant. In 1808, the Order was reformed and divided into four classes. The ''Grand Commander'' class is reserved to persons of princely origin. It is awarded only to royalty with close family ties with the Danish Royal House. The statute of the Order was amended in 1951 by a Royal Ordinance so that both men and women could be members of the Order. Today, the Order of the Dannebrog is a means of honouring and rewarding the faithful servants of the modern Danish state for meritorious civil or military service, for a particular contribution to the arts, sciences or business life, or for working for Danish interests. Insignia The ''badg ...
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A Midsummer Night's Dream (ballet)
''A Midsummer Night's Dream'' is a two-act ballet choreographed by George Balanchine to Felix Mendelssohn's music to Shakespeare's play of the same name. History ''A Midsummer Night's Dream'', Balanchine's first completely original full-length ballet, premiered at New York City Ballet on 17 January 1962, with Edward Villella in the role of Oberon, Melissa Hayden in the role of Titania, and Arthur Mitchell in the role of Puck. They were joined by Francisco Moncion in the role of Theseus- Duke of Athens. Description In addition to the incidental music, Balanchine incorporated other Mendelssohn works into the ballet, including the Overtures to ''Athalie'', '' Son and Stranger'', and ''The Fair Melusine'', the "String Symphony No. 9 in C minor" and '' The First Walpurgis Night''. The ballet employs a large children's corps de ballet. Act I tells Shakespeare's familiar story of lovers and fairies while Act II presents a strictly classical dance wedding celebration. The ball ...
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Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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La Sylphide
''La Sylphide'' ( en, The Sylph; da, Sylfiden) is a romantic ballet in two acts. There were two versions of the ballet; the original choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836. Bournonville's is the only version known to have survived and is one of the world's oldest surviving ballets. Taglioni version On 12 March 1832 the first version of ''La Sylphide'' premiered at the Salle Le Peletier of the Paris Opéra with choreography by the groundbreaking Italian choreographer Filippo Taglioni and music by Jean Schneitzhoeffer, Jean-Madeleine Schneitzhoeffer. Taglioni designed the work as a showcase for his daughter Marie Taglioni, Marie. ''La Sylphide'' was the first ballet where dancing ''en pointe'' had an aesthetic rationale and was not merely an acrobatic stunt, often involving ungraceful arm movements and exertions, as had been the approach of dancers in the late 1820s. Marie was known for shortening her skirts ...
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Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ...
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Onegin (Cranko)
''Onegin'' is a ballet created by John Cranko for the Stuttgart Ballet, premiered on 13 April 1965 at Staatstheater Stuttgart. The ballet was based on Alexander Pushkin's 1825-1832 novel ''Eugene Onegin'', to music by Pyotr Ilyich Tchaikovsky and arrangements by Kurt-Heinz Stolze. The ballet had since been in the repertoires of The Australian Ballet, National Ballet of Canada, American Ballet Theatre and The Royal Ballet. Background and production Cranko first discovered Alexander Pushkin's verse-novel ''Eugene Onegin'' when he choreographed the dances for Tchaikovsky's opera of the same name in 1952. He first proposed a ballet based on Pushkin's story to the Royal Opera House board in the 1960s, but it was turned down, and he pursued the idea when he moved to Stuttgart. The Stuttgart Ballet premiered the work in 1965. The Royal Ballet did not present the work until 2001. The choreography for his ballet includes a wide range of styles, including folk, modern, ballroom and acrob ...
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Julio Bocca
Julio Adrián Lojo Bocca (born March 6, 1967) is an Argentine ballet dancer. Bocca spent twenty years as a principal dancer with American Ballet Theatre. From 2010 to 2018 he served as artistic director of the National Ballet of Uruguay, administered by SODRE, the country's broadcasting and cultural authority. Bocca has been called one of the most popular Argentine dancers of all time. Early life and career Born in the Munro neighborhood of the Greater Buenos Aires, he started ballet lessons at the age of four, and at the age of seven entered the National School of Dance, progressing to the Teatro Colón's Advanced Arts Institute a year later. His mother was a dance teacher who encouraged his studies. Bocca joined the Chamber Ballet Company at the Colón Theatre in 1981. A year later, he began performing as a soloist in a production directed by Danish choreographer Flemming Flindt. In 1985, aged 18, he won the gold medal at the International Ballet Competition in Moscow and ...
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John Neumeier
John Neumeier (born February 24, 1939) is an American ballet dancer, choreographer, and director. He has been the director and chief choreographer of Hamburg Ballet since 1973. Five years later he founded the Hamburg Ballet School, which also includes a boarding school for students. In 1996, Neumeier was made ballet director of Hamburg State Opera. Biography Neumeier was born in Milwaukee, Wisconsin, where he received his first ballet training. He continued his dance training in Chicago at the Stone-Camyrn School of Ballet and performed with Sybil Shearer and Ruth Page. After completing a B.A. in English literature and theater studies at Marquette University in 1961, he continued his training in Copenhagen with Vera Volkova and at the Royal Ballet School in London. In 1963 he joined the Stuttgart Ballet under John Cranko, rising to the rank of soloist. In 1969 Neumeier became director of the Frankfurt Ballet, before becoming director and chief choreographer at the Hamburg Ballet ...
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Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ...
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Études (ballet)
''Études'' is a one-act ballet choreographed by Danish dancer and choreographer Harald Lander to piano studies by Carl Czerny arranged for orchestra by Knudåge Riisager. It is considered Lander's most famous choreographic work and brought him international fame. The work premiered on 15 January 1948 at the Royal Danish Theatre in Copenhagen with the Royal Danish Ballet, with scenery and costumes by Rolf Gerard and lighting by Nananne Porcher. ''Études'' is considered an homage to classical ballet training. It begins with traditional ballet exercises at the ''barre'' and ends with spectacular bravura displays.Matthew Naughtin, ''Ballet Music,'' 2014, p. 219 The original cast included: Margot Lander, Hans Brenaa, Svend Erik Jensen, Inge Sand and Inge Goth. Its ABT premiere at the 54th Street Theatre in New York took place on 5 October 1961 and featured dancers Toni Lander, Royes Fernandez, Bruce Marks, Eleanor D'Antuono and Elisabeth Carroll. Sections The order of the vario ...
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Toni Lander
Toni Lander née Pihl Petersen (1931–1985) was a Danish ballerina who specialized in the ballets of August Bournonville. After becoming a solo dancer with the Royal Danish Ballet in 1950, she was a guest dancer with the Original Ballet Russe in 1951. She was then engaged by the Paris Opera Ballet until 1954. Lander also appeared with the London Festival Ballet in the late 1950s and with the American Ballet Theatre in the 1960s. After a few years back in Denmark in the early 1970s, in 1976 she joined the Ballet West in Salt Lake City. After a short illness, she died there of cancer in May 1985. Early life Born in Gentofte on 19 June 1931, Toni Pihl Petersen was the daughter of Knud Åge Carl Pihl Petersen (1905–1972) and Agnes Margrethe Andersen (1907–1950). When she was six, she began training under Leif Ørnberg (1904–1977), who immediately recognized her talents. In 1939, as an eight-year-old, she was admitted to the Royal Danish Ballet School where she advanced quickly. ...
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Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel ''Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new version of ''Don Quixote'' in Vienna to ...
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