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Heart To Heart (Alan Broadbent Album)
''Heart to Heart'' is a solo piano album by Alan Broadbent. It was recorded in 2012 and released by Chilly Bin Records. Recording and music The album of solo piano performances by Broadbent was recorded in concert in Portland in 2012. The album ''Lennie Tristano'' is an influence on some tracks, for the strict left-hand tempo that they feature. "Cherokee" is played at high speed; " Lonely Woman" "operates in a minor chord fog and goes through several permutations". "Now and Then" is played as a waltz. Release and reception ''Heart to Heart'' was released by Chilly Bin Records in 2013. '' DownBeat'', in a five-star review, wrote: "Like few other practicing keyboardists, Broadbent's playing on this tour de force truly fulfills the potential of the instrument as an orchestra in a box". Track listing #"Hello My Lovely" (Charlie Haden) #"Heart to Heart" (Alan Broadbent) #" Alone Together" (Arthur Schwartz) #"Now and Then" (Broadbent) #"Journey Home" (Broadbent) #" Blue in Green" ( Bil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Broadbent
Alan Leonard Broadbent (born 23 April 1947) is a New Zealand jazz pianist, arranger, and composer known for his work with artists such as Sue Raney, Charlie Haden, Woody Herman, Chet Baker, Irene Kral, Sheila Jordan, Natalie Cole, Warne Marsh, Bud Shank, and many others. Early life Born in Auckland in 1947, Broadbent studied piano and music theory in his own country, but in 1966 went to the United States to study at the Berklee College of Music. Later life and career During the 1990s, Broadbent recorded on Natalie Cole's album '' Unforgettable... with Love'', then became her pianist and conductor for the tour. His arrangement for her video "When I Fall in Love" won the Grammy Award for Best Orchestral Arrangement Accompanying a Vocal. Also during the 1990s, he recorded on the album '' Quartet West'' by Charlie Haden. Around this time he won a Grammy Award for his arrangement of Leonard Bernstein's " Lonely Town" that was recorded by Shirley Horn. He wrote arrangements for G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lennie Tristano (album)
''Lennie Tristano'', also known as ''Tristano'', is a 1956 album by jazz pianist Lennie Tristano. At its release, the album was controversial for its innovative use of technology, with Tristano overdubbing piano and manipulating tape speed for effect on the first four tracks. The final five songs are concert recordings. Originally released as Tristano's Atlantic Records debut, the album was released on CD in 1994 by Rhino Records in combined form with Tristano's 1960 follow-up, '' The New Tristano'', and as part of a collection, ''The Complete Atlantic Recordings of Lennie Tristano, Lee Konitz & Warne Marsh'', in 1997. It was subsequently re-issued in original form and track-list order by Warner Jazz (2002), Rhino (2003) and Collectables (2004). In 1997, ''The New York Times'' dubbed the album a masterpiece. AMG describes the album as "gorgeous... with a beautiful juxtaposition between the first half and the second half between the rhythmic and intervallic genius of Tristano as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cherokee (Ray Noble Song)
"Cherokee" (also known as "Cherokee (Indian Love Song)") is a jazz standard written by the British composer and band leader Ray Noble and published in 1938. It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue). Structure The composition has a 64-bar AABA construction. The A-section harmony is straightforward by the standards of 1930s songs, but the B-section is more sophisticated. This is because "it cadences (via ii-7–V7–I progressions) into the keys of B Major, A Major and G Major before moving toward the B tonic." Recordings "Cherokee" has been recorded over the years by many jazz musicians and singers. Charlie Barnet and His Orchestra's 1939 version reached No. 15 on the pop charts; he later re-recorded it in Hi Fi stereo for Everest Records in 1958. It was later recorded by Charlie Parker, the Count Basie Orchestra, Duke Ellington, Sarah Vaughan (1955), Dakota Staton (1958), Art Tatum and Keely Smit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonely Woman (composition)
"Lonely Woman" is a jazz composition by Ornette Coleman. Coleman's recording of it was the opening track on his 1959 Atlantic Records album ''The Shape of Jazz to Come''. Alongside Coleman's alto saxophone, the recording featured Don Cherry on cornet, Charlie Haden on double bass and Billy Higgins on drums. Origin In an interview with Jacques Derrida, Coleman spoke of the origin of the composition: Other versions Haden and Cherry revisited the song on ''Old and New Dreams'' (ECM, 1979), Haden doing so again on '' Etudes'' (1987) and '' In Angel City'' (1988). Pianist John Lewis first recorded the song in January 1962 with the Modern Jazz Quartet for their album of the same name which was one of the earliest recorded covers of a Coleman number.jazzdisco.org entry for Lonely Woman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DownBeat
' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm which it covered exclusively in previous years. The publication was established in 1934 in Chicago, Illinois. It is named after the " downbeat" in music, also called "beat one", or the first beat of a musical measure. ''DownBeat'' publishes results of annual surveys of both its readers and critics in a variety of categories. The ''DownBeat'' Jazz Hall of Fame includes winners from both the readers' and critics' poll. The results of the readers' poll are published in the December issue, those of the critics' poll in the August issue. Popular features of ''DownBeat'' magazine include its "Reviews" section where jazz critics, using a '1-Star to 5-Star' maximum rating system, rate the latest musical recordings, vintage recordings, and books; articles on individual musicians and music forms; and its famous "Blindfold Test" column, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Haden
Charles Edward Haden (August 6, 1937 – July 11, 2014) was an American jazz double bass player, bandleader, composer and educator whose career spanned more than 50 years. In the late 1950s, he was an original member of the ground-breaking Ornette Coleman Quartet. Haden revolutionized the harmonic concept of bass playing in jazz. German musicologist Joachim-Ernst Berendt wrote that Haden's "ability to create serendipitous harmonies by improvising melodic responses to Coleman's free-form solos (rather than sticking to predetermined harmonies) was both radical and mesmerizing. His virtuosity lies (…) in an incredible ability to make the double bass 'sound out'. Haden cultivated the instrument's gravity as no one else in jazz. He is a master of simplicity which is one of the most difficult things to achieve." Haden played a vital role in this revolutionary new approach, evolving a way of playing that sometimes complemented the soloist and sometimes moved independently. In thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alone Together (1932 Song)
"Alone Together" is a song composed by Arthur Schwartz with lyrics by Howard Dietz. It was introduced in the Broadway musical '' Flying Colors'' in 1932 by Jean Sargent. The song soon became a hit, with Leo Reisman and His Orchestra's 1932 recording (vocal by Frank Luther) being the first to reach the charts. It has become a jazz standard. The first jazz musician to record the song was Artie Shaw in 1939. Other versions * Pepper Adams - ''Conjuration: Fat Tuesday's Session'' (1957) * Chet Baker - Chet (1959) * Tony Bennett - recorded on February 28, 1960 for his album '' Alone Together'' (1960). * Pat Boone - for his album ''The Touch of Your Lips'' (1964). * Ray Charles and Betty Carter – ''Ray Charles and Betty Carter'' (1961) * Vic Damone - for his album ''This Game of Love'' (1959). * Miles Davis – ''Blue Moods'' (1955) * Paul Desmond with Jim Hall – ''Take Ten'' (1963) * Judy Garland - ''That's Entertainment!'' (1960) * Dizzy Gillespie – (1950) * Charlie Haden – ''N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Schwartz
Arthur Schwartz (November 25, 1900 – September 3, 1984) was an American composer and film producer, widely noted for his songwriting collaborations with Howard Dietz. Biography Early life Schwartz was born in Brooklyn, New York City, on November 25, 1900. He taught himself to play the harmonica and piano as a child, and began playing for silent films at age 14. He earned a B.A. in English at New York University and an M.A. in Architecture at Columbia. Forced by his father, an attorney, to study law, Schwartz graduated from NYU Law School with a Doctorate in Jurisprudence and was admitted to the bar in 1924. Career While studying law, he supported himself by teaching English in the New York school system. He also worked on songwriting concurrently with his studies and published his first song ("Baltimore, Md., You're the Only Doctor for Me", with lyrics by Eli Dawson) by 1923. Acquaintances such as Lorenz Hart and George Gershwin encouraged him to stick with composing. He att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue In Green
"Blue in Green" is the third tune on Miles Davis' 1959 album, ''Kind of Blue''. One of two ballads on the LP (the other being "Flamenco Sketches"), the melody of "Blue in Green" is very modal, incorporating the presence of the Dorian, Mixolydian, and Lydian modes. This is the only tune on which Cannonball Adderley sits out. Background It has long been speculated that pianist Bill Evans wrote "Blue in Green", even though the LP and most jazz fakebooks credit only Davis with its composition. In his autobiography, Davis maintains that he alone composed the pieces on ''Kind of Blue.'' The version on Evans' trio album ''Portrait in Jazz'', recorded in 1959, credits the tune to "Davis-Evans". Earl Zindars, in an interview conducted by Win Hinkle, stated that "Blue in Green" was indeed "100-percent Bill's." In a radio interview broadcast on May 27, 1979, Evans himself said that he had written the piece. On being asked about the issue by interviewer Marian McPartland, he said: "The t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
