Heart Of Darkness (EP)
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Heart Of Darkness (EP)
''Heart of Darkness'' is an extended play by no wave musicians No Trend and Lydia Lunch, released as a 10" vinyl in 1985 through Lunch's own Windowspeak label. The record includes four tracks that would all later appear on No Trend's sophomore studio album ''A Dozen Dead Roses'', which shows a significant change in sound compared to the band's previous releases. Track listing All lyrics and music written by No Trend ''No Trend'' was an American noise rock and hardcore punk group from Ashton, Maryland, formed in 1982. They were considered anti-hardcore, with the members, especially guitarist and lyricist Frank Price, vehement about their abhorrence towards th ... Personnel Performers *Jeff Mentges - Vocals, lyrics, layout (Credited as Jefferson Scott) *Lydia Lunch - Vocals *Dean Evangelista - Guitar *Robert "Smokeman" Marymont - Bass *Benard Demassy - Saxophone *Danny "Spidako" Demetro - Keyboards *Kenn Rudd - Drums Production *Don Zientara - Recording, mixing *Richard Bangh ...
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No Trend
''No Trend'' was an American noise rock and hardcore punk group from Ashton, Maryland, formed in 1982. They were considered anti-hardcore, with the members, especially guitarist and lyricist Frank Price, vehement about their abhorrence towards the punk youth subculture. The band was known for their confrontational stage performances, which normally involved aggressively baiting their punk audience. They were influenced by Public Image Ltd. and Flipper. They released three full-length albums, two released independently and one issued through Touch and Go Records. A fourth album that was recorded in 1987 but never released was finally issued as ''More'' in 2001. History No Trend formed in 1982 in Ashton, Maryland and consisted of Jeff Mentges (vocals), Bob Strasser (bass), Frank Price (guitar), and Michael Salkind (drums). Prior to No Trend, Mentges, Salkind, Strasser and Brad Pumphrey (guitar) were a band called the Aborted; they nearly played out with Government Issue. No Tre ...
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Lydia Lunch
Lydia Lunch (born Lydia Anne Koch; June 2, 1959)Martin Charles Strong. ''The Great Indie Discography''. 2003, page 85 is an American singer, poet, writer, actress and self-empowerment speaker. Her career began during the 1970s New York City no wave scene as the singer and guitarist of Teenage Jesus and the Jerks. Her work typically features provocative and confrontational noise music delivery, and has maintained an anti-commercial ethic, operating independently of major labels and distributors. The ''Boston Phoenix'' named Lunch one of the ten most influential performers of the 1990s. Her collaboration with Sonic Youth called " Death Valley '69" was named one of "The 50 Most Evil Songs Ever" by ''Kerrang!'' Biography Lunch was born on June 2, 1959, in Rochester, New York and is of German and Italian descent. She moved to New York City at the age of 16 and eventually moved into a communal household of artists and musicians. After befriending Alan Vega and Martin Rev at Max's K ...
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Jazz Rock
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Too Many Humans
''Too Many Humans.....'' is the debut studio album by the American noise rock band No Trend, released through their own No Trend Records in 1984 on vinyl format. The album is known for its brash, misanthropic lyrics, as evident on tracks such as "Reality Breakdown" and "Mindless Little Insects". It has been described as "nightmarish" and has been compared to other noisy bands such as Flipper and Public Image Ltd. The title track would serve as inspiration for Godflesh during the recording of their 1988 album ''Streetcleaner''. The album was long thought to never be reissued due to the supposed destruction of the original master tapes. However, on May 29, 2020, Drag City released a box set reissue and remaster of the album, along with both versions of '' Teen Love''. Music and lyrics The album has been described as violent, misanthropic, noisy, and mean-spirited. Most lyrics mock punk subculture and the social normalities of human life; such as marriage, fashion, and so on. A ...
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A Dozen Dead Roses
''A Dozen Dead Roses'' is the second album, studio album by American post-punk band No Trend, released in 1985 through their very own No Trend Records. The album features a dramatic musical and stylistic shift from previous releases, being more funk influenced when compared to their previous noise rock, noisy records such as ''Too Many Humans....., Too Many Humans''. The album features Lydia Lunch performing vocals on numerous tracks. The track "For the Fun of It All" originated from their previous release, ''Too Many Humans''. History After the release of ''Too Many Humans'', Frank Price and Michael Salkins left the group, leaving Jeff Mentges and Bob Strasser. Mentges would later recruit other musicians to help with the recording of ''A Dozen Dead Roses''. This album features a dramatic change in sound, featuring influences of jazz and funk music. The sudden change in sound has been described as a prank on the fan base they've attained from the release of ''Too Many Humans''. '' ...
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The Drowning Of Lucy Hamilton
''The Drowning of Lucy Hamilton'' an album by Lydia Lunch and Lucy Hamilton. It was released in 1985 through Widowspeak. It is the soundtrack to the Richard Kern film ''The Right Side of My Brain''. Content ''Trouser Press'' wrote that the album "consists of eerie instrumentals orchestrated with piano, honking bass clarinet ..and guitars that sound like they're being played with ice picks and hedge clippers." Reception ''Trouser Press'' described it as "something rather different for Lunch, and less like background music than most soundtracks." ''The Rough Guide to Rock'' called the album "an eerie and twisted instrumental tribute to film noir." Track listing Personnel ;Musicians * Lucy Hamilton – guitar, bass clarinet *Lydia Lunch – guitar, piano ;Production and additional personnel *Steve McAllister – engineering *Roli Mosimann – engineering *Marcia Resnick – photography *Patrick Roques – design *J.G. Thirlwell Ja ...
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Hysterie
''Hysterie'' is a compilation album by American singer-songwriter Lydia Lunch, released in 1986 by record label Widowspeak. Track listing Personnel *Birrer – photography *Gary Hobish – mastering *Lydia Lunch Lydia Lunch (born Lydia Anne Koch; June 2, 1959)Martin Charles Strong. ''The Great Indie Discography''. 2003, page 85 is an American singer, poet, writer, actress and self-empowerment speaker. Her career began during the 1970s New York City no ... – vocals Charts References External links * {{Authority control 1986 compilation albums Lydia Lunch albums Teenage Jesus and the Jerks albums ...
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Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78
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LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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