Hearsay (album)
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Hearsay (album)
''Hearsay'' is the second solo studio album by American recording artist Alexander O'Neal. It was originally released in July 1987, on the labels Tabu and Epic as the follow-up to O'Neal's critically and commercially successful 1985 album ''Alexander O'Neal''. ''Hearsay'' explores similar genres to those of ''Alexander O'Neal'' including pop, R&B, soul, post-disco, funk, and adult contemporary music, while also incorporating a newer genre, new jack swing. The songs were recorded from 1986 to 1987 in sessions that took place at Flyte Time Productions, Inc. Studio A & B in Minneapolis, Minnesota, assisted by R&B songwriting and record production team Jimmy Jam and Terry Lewis. It features contributions from guest musicians, including Cherrelle, David Eiland, and Lisa Keith, and is generally regarded as the culmination of the smoother, more adult-oriented sound of O'Neal's early work. On release, the album was received favourably by the majority of music critics. O'Neal's most comm ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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(What Can I Say) To Make You Love Me
"(What Can I Say) To Make You Love Me" is a song written by Jimmy Jam and Terry Lewis and recorded by American recording artist Alexander O'Neal. It is the fifth single from the singer's second solo album, ''Hearsay'' (1987). The song's distinctive backing vocals were performed by Lisa Keith. Following the successful chart performances of the ''Hearsay'' singles "Fake", "Criticize", "Never Knew Love Like This", and "The Lovers", "(What Can I Say) To Make You Love Me" was released as the album's fifth single. Release The song O'Neal's eleventh top 40 single which reached #27 in the UK Singles Chart in July 1988, and #68 on the R&B chart in O'Neal's native United States. Track listing * 12" Single (Tabu 652852 6) # "(What Can I Say) To Make You Love Me" – 4:25 # "A Broken Heart Can Mend" – 3:40 # " You Were Meant to Be My Lady (Not My Girl) (Extended Dance Remix)" – 9:50 * 12" Single Promo (Tabu ZAS 1429) # "(What Can I Say) To Make You Love Me (Hateful Club Mix)" – 6:47 # " ...
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David Eiland
''For the baseball player of the same name, see Dave Eiland'' David Eiland (born in St. Louis, Missouri) is a musician, composer, recording artist and producer. Eiland is a multi-instrumentalist playing saxophones, guitar, bass, drums, Aerophone, Lyricon and EWI amongst other instruments. Biography David Eiland has enjoyed a successful career in the music business for over 35 years. In the 1970s he was member in a variety of bands in the Twin Cities, he was also a founding member of the funk band Flyte Tyme. Throughout his career Eiland has recorded and performed with national artists such as Janet Jackson, David Bowie, Human League, Jonny Lang, Thelma Houston, Alexander O'Neal, Baby and The Pacifiers, and Cherrelle Cheryl Anne Norton (born October 13, 1958), better known by her stage name Cherrelle, is an American R&B singer and songwriter who gained fame in the mid-1980s. Her signature hits include "I Didn't Mean to Turn You On", "Where Do I Run To", " Ev .... He also w ...
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Cherrelle
Cheryl Anne Norton (born October 13, 1958), better known by her stage name Cherrelle, is an American R&B singer and songwriter who gained fame in the mid-1980s. Her signature hits include "I Didn't Mean to Turn You On", "Where Do I Run To", " Everything I Miss at Home", and duets with R&B singer Alexander O'Neal such as "Saturday Love" and "Never Knew Love Like This", as well as "Always" with her cousin Pebbles. Biography Cherrelle began her career working with jazz/R&B artists Norman Connors and Michael Henderson, as well as touring with Luther Vandross. After Tabu Records founder Clarence Avant heard her demo, he signed her to Tabu Records in 1983. Cherrelle decided on her stage name after a boss from a previous job hollered "Cher-relle, you're late again!" In 1984, under the production of Jimmy Jam and Terry Lewis, Cherrelle released her debut album, ''Fragile''. It featured her first R&B top 10 single, "I Didn't Mean to Turn You On". That song (with a music video homage to ...
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Adult Contemporary Music
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence. Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music. Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated. It is usually melodic enough to get a listener's attention, and is inoffensive and pleasurable enough to work well as background music. Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure. The format is heavy on romantic sentimental ballads which mostly use acoustic instruments (though bass guitar is usually used) such as aco ...
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Post-disco
Post-disco (also called boogie, synth-funk, or electro-funk) is a term to describe an aftermath in popular music history circa 1979–1985, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither ...
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Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ...
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Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', ''Creem'', ''Newsday'', ''Playboy'', ''Rolling Stone'', ''Billboard'', NPR, ''Blender'', and ''MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrat ...
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BBC IPlayer
BBC iPlayer (stylised as iPLAYER or BBC iPLAYER) is a video on demand service from the BBC. The service is available on a wide range of devices, including mobile phones and tablets, personal computers and smart televisions. iPlayer services delivered to UK-based viewers feature no commercial advertising. The terms BBC iPlayer, iPlayer, and BBC Media Player refer to various methods of viewing or listening to the same content. Viewing or recording live television broadcasts from any UK broadcaster or viewing BBC TV catch-up or BBC TV on-demand programmes in the UK without a TV licence is a criminal offence. In 2015, the BBC reported that it was moving towards playing audio and video content via open HTML5 standards in web browsers rather than via Flash or its Media Player mobile app. On 17 October 2018, the BBC iPlayer Radio brand was replaced with BBC Sounds. In 2019, the BBC improved the format quality, taking the highest available on iPlayer to 1080p (full HD) from 720p (sta ...
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