Head Of A Woman (Delacroix)
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Head Of A Woman (Delacroix)
''Head of an Old Greek Woman'' is a painting completed in 1824 by the French Romantic artist Eugène Delacroix.Head of an Old Greek Woman, Eugène Delacroix, French, 1824
. . Retrieved 16 March 2023
It is a study for his large oil painting '''' ("Scène des massacres de Scio"); a depiction of the which occurred ...
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Delacroix Head Of A Woman
Delacroix is a French surname that derives from ''de la Croix'' ("of the Cross"). It may refer to: People * Caroline Delacroix (1883–1945), French-Romanian mistress of Leopold II of Belgium * Charles-François Delacroix (1741–1805), French ambassador to the Netherlands * Eugène Delacroix (1798–1863), French artist, leader of the French Romantic school * Gustave Delacroix de Ravignan (1795–1858), French Jesuit preacher and author * Hiroyuki Sakai from ''Iron Chef'', referred to as the ''Delacroix of French cuisine''. * Jean-François Delacroix (1753–1794), French revolutionary politician * Léon Delacroix (1867–1929), Belgian statesman * Michel Delacroix (painter) (born 1933), French painter * Michel Delacroix (politician), Belgian politician Fictional characters * Bruno Delacroix, character from the video game '' Call of Duty: Black Ops 4 Voyage of Despair'' * Eduard Delacroix, character from the serial novel '' The Green Mile'' and its film adaptation * ...
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Eugène Delacroix
Ferdinand Victor Eugène Delacroix ( , ; 26 April 1798 – 13 August 1863) was a French Romantic artist regarded from the outset of his career as the leader of the French Romantic school.Noon, Patrick, et al., ''Crossing the Channel: British and French Painting in the Age of Romanticism'', p. 58, Tate Publishing, 2003. In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Dramatic and romantic content characterized the central themes of his maturity, and led him not to the classical models of Greek and Roman art, but to travel in North Africa, in search of the exotic. Friend and spiritual heir to Théodore Géricault, Delacroix was also inspired by Lord Byron, with whom he shared a strong identification with the "forces of the sublime", of nature in ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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The Massacre At Chios
''The Massacre at Chios'' (french: Scène des massacres de Scio) is the second major oil painting by the French artist Eugène Delacroix. The work is more than four meters tall, and shows some of the horror of the wartime destruction visited on the Island of Chios in the Chios massacre. A frieze-like display of suffering characters, military might, ornate and colourful costumes, terror, disease and death is shown in front of a scene of widespread desolation. Unusual for a painting of civil ruin during this period,'' The Massacre at Chios'' has no heroic figure to counterbalance the crushed victims, and there is little to suggest hope among the ruin and despair. The vigour with which the aggressor is painted, contrasted with the dismal rendition of the victims, has drawn comment since the work was first hung, and some critics have charged that Delacroix might have tried to show some sympathy with the brutal occupiers. The painting was completed and displayed at the Salon of 1824 ...
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Chios Massacre
The Chios massacre (in el, Η σφαγή της Χίου, ) was a catastrophe that resulted to the death, enslavement, and refuging of about four-fifths of the total population of Greeks on the island of Chios by Ottoman troops, during the Greek War of Independence in 1822. Greeks from neighboring islands had arrived on Chios and encouraged the Chiotes (the native inhabitants of the island) to join their revolt. In response, Ottoman troops landed on the island and killed thousands. The massacre of Christians provoked international outrage across the Western world, and led to increasing support for the Greek cause worldwide. Background For over 2,000 years, merchants and shipowners from Chios had been prominent in trade and diplomacy throughout the Black Sea, the Aegean, and the Mediterranean. The Ottoman Empire allowed Chios almost complete control over its own affairs as Chioten trade and the very highly valued mastic plant, harvested only on Chios, were of great value t ...
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Greek War Of Independence
The Greek War of Independence, also known as the Greek Revolution or the Greek Revolution of 1821, was a successful war of independence by Greek revolutionaries against the Ottoman Empire between 1821 and 1829. The Greeks were later assisted by the British Empire, Bourbon Restoration in France, Kingdom of France, and the Russian Empire, while the Ottomans were aided by their North African vassals, particularly the eyalet of Egypt Eyalet, Egypt. The war led to the formation of modern Greece. The revolution is Celebration of the Greek Revolution, celebrated by Greeks around the world as Greek Independence Day, independence day on 25 March. Greece, with the exception of the Ionian Islands, came under Ottoman rule in the 15th century, in the decades before and after the fall of Constantinople. During the following centuries, there were sporadic but unsuccessful Ottoman Greece#Uprisings before 1821, Greek uprisings against Ottoman rule. In 1814, a secret organization called Filiki Et ...
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Salon (Paris)
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ...
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Théodore Géricault
Jean-Louis André Théodore Géricault (; 26 September 1791 – 26 January 1824) was a French painter and lithographer, whose best-known painting is ''The Raft of the Medusa''. Although he died young, he was one of the pioneers of the Romantic movement. Early life Born in Rouen, France, Géricault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guérin, a rigorous classicist who disapproved of his student's impulsive temperament while recognizing his talent. Géricault soon left the classroom, choosing to study at the Louvre, where from 1810 to 1815 he copied paintings by Rubens, Titian, Velázquez and Rembrandt. During this period at the Louvre he discovered a vitality he found lacking in the prevailing school of Neoclassicism.See , p. 1. Much of his time was spent in Versailles, where he found the stables of the palace open to him, and where he gained his knowledge of the anatomy and action of horses. ...
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Eugene Delacroix - Scenes From Massacre At Chios- Detail 1824 Louvre
Eugene may refer to: People and fictional characters * Eugene (given name), including a list of people and fictional characters with the given name * Eugene (actress) (born 1981), Kim Yoo-jin, South Korean actress and former member of the singing group S.E.S. * Eugene (wrestler), professional wrestler Nick Dinsmore * Franklin Eugene (producer), American film producer * Gene Eugene, stage name of Canadian born actor, record producer, engineer, composer and musician Gene Andrusco (1961–2000) * Wendell Eugene (1923–2017), American jazz musician Places Canada * Mount Eugene, in Nunavut; the highest mountain of the United States Range on Ellesmere Island United States * Eugene, Oregon, a city ** Eugene, OR Metropolitan Statistical Area ** Eugene (Amtrak station) * Eugene Apartments, NRHP-listed apartment complex in Portland, Oregon * Eugene, Indiana, an unincorporated town * Eugene, Missouri, an unincorporated town Business * Eugene Green Energy Standard, an intern ...
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Bust (sculpture)
A bust is a sculpted or cast representation of the upper part of the human figure, depicting a person's head and neck, and a variable portion of the chest and shoulders. The piece is normally supported by a plinth. The bust is generally a portrait intended to record the appearance of an individual, but may sometimes represent a type. They may be of any medium used for sculpture, such as marble, bronze, terracotta, plaster, wax or wood. As a format that allows the most distinctive characteristics of an individual to be depicted with much less work, and therefore expense, and occupying far less space than a full-length statue, the bust has been since ancient times a popular style of life-size portrait sculpture. It can also be executed in weaker materials, such as terracotta. A sculpture that only includes the head, perhaps with the neck, is more strictly called a "head", but this distinction is not always observed. Display often involves an integral or separate display stan ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Graphite
Graphite () is a crystalline form of the element carbon. It consists of stacked layers of graphene. Graphite occurs naturally and is the most stable form of carbon under standard conditions. Synthetic and natural graphite are consumed on large scale (300 kton/year, in 1989) for uses in pencils, lubricants, and electrodes. Under high pressures and temperatures it converts to diamond. It is a weak conductor of heat and electricity. Types and varieties Natural graphite The principal types of natural graphite, each occurring in different types of ore deposits, are * Crystalline small flakes of graphite (or flake graphite) occurs as isolated, flat, plate-like particles with hexagonal edges if unbroken. When broken the edges can be irregular or angular; * Amorphous graphite: very fine flake graphite is sometimes called amorphous; * Lump graphite (or vein graphite) occurs in fissure veins or fractures and appears as massive platy intergrowths of fibrous or acicular crystalline ...
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