Haydée Balza
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Haydée Balza
''Haydée, ou Le secret'' is an ''opéra comique'' by the French composer Daniel Auber, first performed by the Théâtre Royal de l'Opéra-Comique at the Salle Favart in Paris on 28 December 1847. The libretto (in three acts) is by Auber's regular collaborator, Eugène Scribe and is based on a short story by Prosper Mérimée, ''La Partie de trictrac'' (1830). The opera was performed regularly by the Opéra-Comique up to the end of the 19th century, achieving over 520 performances there.Wolff S. ''Un demi-siècle d'Opéra-Comique.'' André Bonne, Paris, 1953. Roles Synopsis The story is set during the 16th-century wars between the Republic of Venice and the Ottoman Empire and concerns a Venetian admiral, Lorédan, who can never forgive himself for once having cheated at dice. The title character is a Cypriot slave girl; her name is taken from Haidée, the pirate king's daughter, in Byron's poem ''Don Juan''. Lorédan is the commander of a naval fleet, with a ward named Raf ...
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Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ...
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Operas By Daniel Auber
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Théâtre Impérial De Compiègne
The Théâtre Impérial de Compiègne is a theater in Compiègne, France. Origins The Emperor Napoleon III decided to construct a theater in Compiègne to entertain his court in 1866. He chose the location and the architect of the building, Gabriel-Auguste Ancelet. Work began in 1867 and went well until the outbreak of the 1870 Franco-Prussian War. The Battle of Sedan ruined the Empire and eliminated the possibility of completing the building on schedule. The walls were built, but the project for decorating the theater was suspended. The sculptures by Gustave Crauck Gustave Adolphe Désiré Crauck (or Crauk; 16 July 1827 – 17 November 1905) was a French sculptor with a long distinguished career. He was born and died at Valenciennes, where a special museum for his works was erected in his honor. Educat ... were made on time, but the ceiling, which was to include paintings by Élie Delaunay, remained bare. Reconstruction In 1987 the association for the Théâtre Impé ...
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Bruno Comparetti
Bruno Comparetti is a contemporary Franco-Sicilian tenor. He studied singing in Barcelona with the Spanish tenor Eduardo Gimenez who taught him the art of bel canto as well as the singing technique inherited from his friend and teacher, Spanish tenor Alfredo Kraus. Biography Comparetti was born in France to Sardinian and Sicilian parents. He began his career in 1999, in the role of Count Almaviva. in Rossini's '' Barbier de Séville'' at the Concertgebouw of Amsterdam. Very quickly, he sang on lyrical stages such as the Opéra de Lyon, the Opéra de Marseille, the Capitole de Toulouse, the , the Opéra de Tours, the Opéra de Besançon, the Théâtre du Châtelet, the Toulon Opera, the Théâtre Impérial de Compiègne, the Opéra d'Avignon, the Angers-Nantes Opéra as well as abroad, Liverpool Opera, the Theater Freiburg, the Bremen Opera and also at the Gdansk Opera. From 2001 to 2003, he was artist-in-residence at the Opéra National de Lyon. These roles include among othe ...
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Doge Of Venice
The Doge of Venice ( ; vec, Doxe de Venexia ; it, Doge di Venezia ; all derived from Latin ', "military leader"), sometimes translated as Duke (compare the Italian '), was the chief magistrate and leader of the Republic of Venice between 726 and 1797. Doges of Venice were elected for life by the Venetian nobility. The ''doge'' was neither a duke in the modern sense, nor the equivalent of a nobility, hereditary duke. The title "doge" was the title of the senior-most elected official of Republic of Venice, Venice and Republic of Genoa, Genoa; both cities were republics and elected doges. A doge was referred to variously by the titles "My Lord the Doge" ('), "Most Serene Prince" ('), and "Serene Highness, His Serenity" ('). History of the title Byzantine era The office of doge goes back to 697. The first historical Venetian doge, Orso Ipato, Ursus, led a revolt against the Byzantine Empire in 726, but was soon recognised as the () and (a honorific title derived from the Greek w ...
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Council Of Ten
The Council of Ten ( it, Consiglio dei Dieci; vec, Consejo de i Diexe), or simply the Ten, was from 1310 to 1797 one of the major governing bodies of the Republic of Venice. Elections took place annually and the Council of Ten had the power to impose punishments upon nobles. The Council of Ten had a broad jurisdictional mandate over matters of state security. The Council of Ten and the Full College constituted the inner circle of oligarchical patricians who effectively ruled the Republic of Venice. Origins The Council of Ten was created in 1310 by Doge Pietro Gradenigo.David Chambers & Brian Pullan with Jennifer Fletcher (eds.). ''Venice: A Documentary History, 1450-1630'' (2001, reprinted 2004). University of Toronto Press/Renaissance Society of America. p. 55. Originally created as a temporary body to investigate the plot of Bajamonte Tiepolo and Marco Querini, the powers of the Council were made formally permanent in 1455.Edward Muir (1981). ''Civic Ritual in Renaissance Ven ...
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