Haydn And Folk Music
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Haydn And Folk Music
This article discusses the influence of folk music on the work of the composer Joseph Haydn (1732–1809). Background Haydn was of humble family, perhaps unusually so for a famous composer. His parents were working people (his mother Anna Maria was a former cook, his father Mathias a master wheelwright). They lived in an obscure rural village, and had no musical training. This is not to say they were unmusical, however. Mathias was evidently a folk musician; according to Haydn's own testimony, his father 'played the harp without reading a note of music', having taught himself the instrument while a journeyman. According to the oldest biographies of Haydn (written with the help of interviews with the composer), the Haydn family frequently sang together as well as with their neighbors. The early Haydn biographer Georg August Griesinger, based on interviews with the composer, wrote Nature ... had endowed athiaswith a good tenor voice, and his wife, Anne-Marie nna Maria used to sing ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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25 In G Major
5 (five) is a number, numeral (linguistics), numeral and numerical digit, digit. It is the natural number, and cardinal number, following 4 and preceding 6, and is a prime number. It has attained significance throughout history in part because typical humans have five Digit (anatomy), digits on each hand. In mathematics 5 is the third smallest prime number, and the second super-prime. It is the first safe prime, the first good prime, the first balanced prime, and the first of three known Wilson primes. Five is the second Fermat prime and the third Mersenne prime exponent, as well as the third Catalan number, and the third Sophie Germain prime. Notably, 5 is equal to the sum of the ''only'' consecutive primes, 2 + 3, and is the only number that is part of more than one pair of twin primes, (3, 5) and (5, 7). It is also a sexy prime with the fifth prime number and first Repunit#Decimal repunit primes, prime repunit, 11 (number), 11. Five is the third factorial prime, an alternat ...
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Eisenstadt
Eisenstadt (; hu, Kismarton; hr, Željezni grad; ; sl, Železno, Bavarian language, Austro-Bavarian: ''Eisnstod'') is a city in Austria, the state capital of Burgenland. It had a recorded population on 29 April 2021 of 15,074. In the Habsburg monarchy, Habsburg Empire's Kingdom of Hungary, Kismarton (Eisenstadt) was the seat of the House of Esterházy, Eszterházy Hungarian nobility, Hungarian noble family. The composer Joseph Haydn lived there as ''Hofkapellmeister'' under Esterházy patronage. Geography Eisenstadt lies on a plain leading down to the river Wulka, at the south foot of the Leitha Mountains, about from the Hungary, Hungarian border. It is the 38st largest city in Austria. Subdivisions Eisenstadt is divided into three districts ''(Stadtbezirke)'': *Eisenstadt-Stadt * Kleinhöflein im Burgenland ( hu, Kishöflány; hr, Mala Holovajna) – a town that lies to the west of Eisenstadt proper * St. Georgen am Leithagebirge (''Lajtaszentgyörgy''; ''Svetojurje' ...
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Marie Bobillier
Marie Bobillier, real name Antoinette Christine Marie Bobillier (12 April 1858 – 4 November 1918) was a French musicologist, music critic, writing under her pseudonym Michel Brenet. Biography Born in Lunéville of a military father, captain and then colonel in the artillery, Marie Bobillier, a single daughter, lived her childhood in several cities, including Strasbourg and Metz, before finally settling in Paris in 1871. She learned to play the piano, but a scarlet fever contracted at the age of thirteen rendered her disabled, influencing her decision to devote her life to research, after having been to the Pasdeloup concerts. She was one of the first French women musicologists. Her first publication, ''Histoire de la symphonie à orchestre'' (1882), won a prize in Brussels (Royal Academy of Science, Letters and Fine Arts of Belgium), engaging her ever-increasing reputation in the French musicological world. With a rigorous method that drew on the most reliable sources and docum ...
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Gott Erhalte Franz Den Kaiser
"" (; ) was a personal anthem to Francis II, Holy Roman Emperor, Francis II, Emperor of the Holy Roman Empire and later of the Austrian Empire, with lyrics by Lorenz Leopold Haschka (1749–1827) and music by Joseph Haydn. It is sometimes called the "Kaiserhymne" (; Emperor's Hymn). Haydn's tune has since been widely employed in other contexts: in works of classical music, in Hymn, Christian hymns, in alma mater (song), alma maters, and as the tune of the "Deutschlandlied", the national anthem of Germany. Words and music \new Staff \layout \midi The lyrics are as follows: Gott erhalte Franz den Kaiser, unsern guten Kaiser Franz! Lange lebe Franz der Kaiser, in des Glückes hellstem Glanz! Ihm erblühen Lorbeerreiser, wo er geht, zum Ehrenkranz! Gott erhalte Franz den Kaiser, unsern guten Kaiser Franz! God save Francis the Emperor, our good Emperor Francis! Long live Francis the Emperor in the brightest splendor of bliss! May laurel branches bloom for him, wherever he goes, ...
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Das Lied Der Deutschen
The "" (; "Song of Germany"), officially titled "" (; "The Song of the Germans"), has been the national anthem of Germany either wholly or in part since 1922, except for a seven-year gap following World War II in West Germany. In East Germany, the national anthem was "Auferstanden aus Ruinen" ("Risen from Ruins") between 1949 and 1990. After World War II and the fall of Nazi Germany, only the third stanza has been used as the national anthem. Its incipit "" ("Unity and Justice and Freedom") is considered the unofficial national motto of Germany, and is inscribed on modern German Army belt buckles and the rims of some German coins. The music is the hymn "Gott erhalte Franz den Kaiser", written in 1797 by the Austrian composer Joseph Haydn as an anthem for the birthday of Francis II, Holy Roman Emperor, Francis II, Emperor of the Holy Roman Empire and later of Austrian Empire, Austria. In 1841, the German linguist and poet August Heinrich Hoffmann von Fallersleben wrote the l ...
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Oj, Jelena, Jelena, Jabuka Zelena
"Oj, Jelena, Jelena, jabuka zelena" is a well known Croatian folk song. In English the title means "Oh, Helen, Helen, green apple of mine". It has been claimed that the main theme of the finale of Joseph Haydn's "London" symphony ( No. 104 in D major) is based on this song. For general discussion of the appearance of Croatian folk songs in Haydn's music, see Haydn and folk music. References * A CROATIAN COMPOSER, 1897, London (Seely and co. limited) by Sir William Henry Hadow Sir William Henry Hadow (27 December 1859 – 8 April 1937) was a leading educational reformer in Great Britain, a musicologist and a composer. Life Born at Ebrington in Gloucestershire and baptised there on 29 January 1860 by his father, ... (1859-1937) External links *http://www.hr/darko/etf/hadow.html. Excerpts from Hadow's book. *https://web.archive.org/web/20051127153029/http://members.chello.at/lagraf1/Amerikalied/Kroatische-Lieder/Oj-Jelena.htm Croatian folk songs {{Croatia-stub ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Ethnic Enclave
In sociology, an ethnic enclave is a geographic area with high ethnic concentration, characteristic cultural identity, and economic activity. The term is usually used to refer to either a residential area or a workspace with a high concentration of ethnic firms.Portes, Alejandro, and Leif Jensen. "Disproving the Enclave Hypothesis: Reply." ''American Sociological Review''. Vol. 57. no. 3 (1992): 418-420. Their success and growth depends on self-sufficiency, and is coupled with economic prosperity. The theory of social capital and the formation of migrant networks creates the social foundation for ethnic enclaves. Douglas Massey describes how migrant networks provide new immigrants with social capital that can be transferred to other tangible forms.Massey, Douglas S. "Annals of the American Academy of Political and Social Science." Annals of the American Academy of Political and Social Science. Vol. 510. World Population: Approaching the Year 2000 (Jul., 1990): pp. 60. As immigran ...
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Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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William Henry Hadow
Sir William Henry Hadow (27 December 1859 – 8 April 1937) was a leading educational reformer in Great Britain, a musicologist and a composer. Life Born at Ebrington in Gloucestershire and baptised there on 29 January 1860 by his father, he was the eldest child of the Reverend William Elliot Hadow (1826–1906) and his wife Mary Lang Cornish (1835–1917). His grandfather, the Reverend William Thomas Hadow, had married Eleanor Ann Bethune, daughter of Colonel John Drinkwater Bethune. He studied at Malvern College, followed by Worcester College, Oxford, where he taught and became Dean (1889). In 1905, Hadow was elected the first Old Malvernian member of the Council of Malvern College. In 1909, he was appointed principal of Armstrong College in the Newcastle Division of Durham University before succeeding, as Warden and vice-chancellor of the University of Durham in 1916. In 1919, he was appointed the Vice-Chancellor of Sheffield University (1919–30). As chairman of seve ...
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