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Haydn Quartets (Mozart)
The "Haydn" Quartets by Wolfgang Amadeus Mozart are a set of six string quartets published in 1785 in Vienna as his Op. 10, dedicated to the composer Joseph Haydn. They contain some of Mozart's most memorable melodic writing and refined compositional thought. The six quartets * String Quartet No. 14 in G major, ("Spring"), K. 387, Op. 10, No. 1 (31 December 1782) * String Quartet No. 15 in D minor, K. 421/417b, Op. 10, No. 2 (17 June 1783) * String Quartet No. 16 in E-flat major, K. 428/421b, Op. 10, No. 4 (June–July 1783) * String Quartet No. 17 in B-flat major ("Hunt"), K. 458, Op. 10, No. 3 (9 November 1784) * String Quartet No. 18 in A major, K. 464, Op. 10, No. 5 (10 January 1785) * String Quartet No. 19 in C major ("Dissonance"), K. 465, Op. 10, No. 6 (14 January 1785) The quartets were published in a set (labelled Mozart's "Op. 10") in Vienna, 1785. Dates of completion are shown in parentheses above. Mozart arranged the six quartets in the order of composition, exce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Christoph Koch
Heinrich Christoph Koch (10 October 1749 – 19 March 1816) was a German music theorist, musical lexicographer and composer. In his lifetime, his music dictionary was widely distributed in Germany and Denmark; today his theory of form and syntax is used to analyse music of the 18th and 19th centuries. Life Koch was born in Rudolstadt, in the federal state of Thüringen. In his youth, he was a violinist in the Rudolstadt court orchestra and from 1772 as a chamber musician. He was taught music by his father - a valet to John Frederick, Prince of Schwarzburg-Rudolstadt, Johann Friedrich von Schwarzburg-Rudolstadt, prince of the small state of Schwarzburg-Rudolstadt; later he was tutored in violin and composition by Christian Gotthelf Scheinpflug, the prince's band leader. Although his lowly circumstances precluded a university education, the prince - and his successors - encouraged his musical training and sent him to different German cities. He studied for periods in Weimar (with Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artaria
Artaria & Co. () was one of the most important music publishing firms of the late 18th and 19th century. Founded in the 18th century in Vienna, the company is associated with many leading names of the classical era. History Artaria & Co. was founded as a publishing house for art and maps by Carlo Artaria (1747–1808) in 1770 in Vienna, then the capital of the Habsburg monarchy. The company expanded its business to include music in 1778. Its most important early collaboration was with the Austrian composer Joseph Haydn, who published more than 300 works through Artaria, including many of the composer's string quartets (such as the Opus 33), which were a popular seller. The value of Haydn's works helped push Artaria to the top of the music publishing world in the late 18th century. This important relationship helped Artaria secure the rights to the works of other important classical composers such as Luigi Boccherini and, most notably, Wolfgang Amadeus Mozart. During his lifetim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Sarti
Giuseppe Sarti (also Sardi; baptised 1 December 1729 – 28 July 1802) was an Italian opera composer. Biography He was born at Faenza. His date of birth is not known, but he was baptised on 1 December 1729. Some earlier sources say he was born on 28 December, but his baptism certificate proves the later date impossible. Already organist at Faenza at age 13, he was invited to receive an education by Padre Martini in Bologna. Resigning his appointment in Faenza in 1750, Sarti devoted himself to the study of dramatic music, becoming director of the Faenza theatre in 1752. Opera In 1752 he produced his first documented opera, ''Il re pastore'' (because the date of ''Pompeo in Armenia'' is not certain). In 1753 Sarti went to Copenhagen with Pietro Mingotti and in 1755 King Frederick V of Denmark appointed him Hofkapellmeister and director of the opera. Here he produced his ''Ciro riconosciuto''. In 1765 he travelled to Italy to engage some new singers; meanwhile the death of King F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Kozeluch
Leopold may refer to: People * Leopold (given name) * Leopold (surname) Arts, entertainment, and media Fictional characters * Leopold (''The Simpsons''), Superintendent Chalmers' assistant on ''The Simpsons'' * Leopold Bloom, the protagonist of James Joyce's ''Ulysses'' * Leopold "Leo" Fitz, a character on the television series ''Agents of S.H.I.E.L.D.'' * Leopold "Butters" Stotch, a character on the television series ''South Park'' * General Leopold von Flockenstuffen, a character in the BBC sitcom Allo 'Allo!'' * Leopold the Cat, Russian cartoon character Other arts, entertainment, and media * Leopold (prize), a biennial German prize for music for children * ''Kate & Leopold'', 2001 romantic comedy film * ''King Leopold's Ghost'', popular history book by Adam Hochschild * "King Leopold's Soliloquy", 1905 pamphlet by Mark Twain. * ''Leopold the Cat'', television series * Léopold Nord & Vous, Belgian musical band Brands and enterprises *Leopold (publisher), a Netherlands-b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Buffa
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's ''Zeitoper'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sturm Und Drang
''Sturm und Drang'' (, ; usually translated as "storm and stress") was a proto- Romantic movement in German literature and music that occurred between the late 1760s and early 1780s. Within the movement, individual subjectivity and, in particular, extremes of emotion were given free expression in reaction to the perceived constraints of rationalism imposed by the Enlightenment and associated aesthetic movements. The period is named after Friedrich Maximilian Klinger's play of the same name, which was first performed by Abel Seyler's famed theatrical company in 1777. The philosopher Johann Georg Hamann is considered to be the ideologue of ''Sturm und Drang''; other significant figures were Johann Anton Leisewitz, Jakob Michael Reinhold Lenz, H. L. Wagner, and Friedrich Maximilian Klinger. Johann Wolfgang von Goethe and Friedrich Schiller were notable proponents of the movement early in their lives, although they ended their period of association with it by initiating what wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantabile
In music, ''cantabile'' , an Italian word, means literally "singable" or "songlike". In instrumental music, it is a particular style of playing designed to imitate the human voice. For 18th-century composers, ''cantabile'' is often synonymous with "cantando" (singing) and indicates a measured tempo and flexible, legato playing. For later composers, particularly in piano music, ''cantabile'' is the drawing out of one particular musical line against the accompaniment (compare counterpoint). Felix Mendelssohn's six books of '' Songs Without Words'' are short lyrical piano pieces with song-like melodies written between 1829 and 1845. A modern example is an instrumental by Harry James & His Orchestra, called "Trumpet Blues and Cantabile". A cantabile movement, or simply a "cantabile", is the first half of a double aria, followed by a cabaletta. The cantabile movement would be slower and more free-form to contrast with the structured and generally faster cabaletta. Louis Spohr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation Form
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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