Havelok
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Havelok
''Havelok the Dane'', also known as ''Havelok'' or ''Lay of Havelok the Dane'', is a thirteenth-century Middle English romance considered to be part of the Matter of England.''Boundaries in medieval romance'', Neil Cartlidge, DS Brewer, 2008, , 9781843841555. pp. 29-42 The story, however, is also known in two earlier Anglo-Norman versions, one by Geffrei Gaimar and another known as the ''Lai d'havelok''. The name "Havelok" also has many variations in spelling, and can be found as "Haveloc", "Havelock", or "Aybloc". Development of the story The story of ''Havelok'' is first told in lines 37–818 of Geoffrey Gaimar's Anglo-Norman ''Estoire des Engleis'' of about 1135–40. This was the basis for another Anglo-Norman poem, the ''Lai d'havelok'', which in turn may have influenced ''Havelok the Dane''. ''Havelok'' is the second oldest surviving romance written in English, after King Horn; it is believed to have been composed somewhere between 1285–1310. The romance survives in one ...
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Havelok
''Havelok the Dane'', also known as ''Havelok'' or ''Lay of Havelok the Dane'', is a thirteenth-century Middle English romance considered to be part of the Matter of England.''Boundaries in medieval romance'', Neil Cartlidge, DS Brewer, 2008, , 9781843841555. pp. 29-42 The story, however, is also known in two earlier Anglo-Norman versions, one by Geffrei Gaimar and another known as the ''Lai d'havelok''. The name "Havelok" also has many variations in spelling, and can be found as "Haveloc", "Havelock", or "Aybloc". Development of the story The story of ''Havelok'' is first told in lines 37–818 of Geoffrey Gaimar's Anglo-Norman ''Estoire des Engleis'' of about 1135–40. This was the basis for another Anglo-Norman poem, the ''Lai d'havelok'', which in turn may have influenced ''Havelok the Dane''. ''Havelok'' is the second oldest surviving romance written in English, after King Horn; it is believed to have been composed somewhere between 1285–1310. The romance survives in one ...
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Havelok Is Discovered
''Havelok the Dane'', also known as ''Havelok'' or ''Lay of Havelok the Dane'', is a thirteenth-century Middle English romance considered to be part of the Matter of England.''Boundaries in medieval romance'', Neil Cartlidge, DS Brewer, 2008, , 9781843841555. pp. 29-42 The story, however, is also known in two earlier Anglo-Norman versions, one by Geffrei Gaimar and another known as the ''Lai d'havelok''. The name "Havelok" also has many variations in spelling, and can be found as "Haveloc", "Havelock", or "Aybloc". Development of the story The story of ''Havelok'' is first told in lines 37–818 of Geoffrey Gaimar's Anglo-Norman ''Estoire des Engleis'' of about 1135–40. This was the basis for another Anglo-Norman poem, the ''Lai d'havelok'', which in turn may have influenced ''Havelok the Dane''. ''Havelok'' is the second oldest surviving romance written in English, after King Horn; it is believed to have been composed somewhere between 1285–1310. The romance survives in one ...
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Havelok (Oxford Bodleian Library MS Laud Miscellaneous 108, Folio 207v)
''Havelok the Dane'', also known as ''Havelok'' or ''Lay of Havelok the Dane'', is a thirteenth-century Middle English romance considered to be part of the Matter of England.''Boundaries in medieval romance'', Neil Cartlidge, DS Brewer, 2008, , 9781843841555. pp. 29-42 The story, however, is also known in two earlier Anglo-Norman versions, one by Geffrei Gaimar and another known as the ''Lai d'havelok''. The name "Havelok" also has many variations in spelling, and can be found as "Haveloc", "Havelock", or "Aybloc". Development of the story The story of ''Havelok'' is first told in lines 37–818 of Geoffrey Gaimar's Anglo-Norman ''Estoire des Engleis'' of about 1135–40. This was the basis for another Anglo-Norman poem, the ''Lai d'havelok'', which in turn may have influenced ''Havelok the Dane''. ''Havelok'' is the second oldest surviving romance written in English, after King Horn; it is believed to have been composed somewhere between 1285–1310. The romance survives in one ...
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Geoffrey Gaimar
Geoffrey Gaimar ( fl. 1130s), also written Geffrei or Geoffroy, was an Anglo-Norman chronicler. His contribution to medieval literature and history was as a translator from Old English to Anglo-Norman. His ''L'Estoire des Engleis'', or ''History of the English People'', written about 1136–1140, was a chronicle in eight-syllable rhyming couplets, running to 6,526 lines. Overview of his work The ''L'Estoire des Engleis'' opens with a brief mention of King Arthur, whose actions affect the plot of the interpolated tale of Havelok the Dane. That aside, most of the first 3,500 lines are translations out of a variant text of the '' Anglo-Saxon Chronicle'' and subsequent portions from other (Latin and French) sources that remain unidentified. Gaimar claims to have also written a version of the '' Brut'' story, a translation of Geoffrey of Monmouth's chronicle ''Historia Regum Britanniae'' (c. 1136) into Anglo-Norman verse, which was commissioned by Constance, wife of Ralph FitzGilbe ...
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King Horn
''King Horn'' is a Middle English chivalric romance dating back to the middle of the thirteenth century. It survives in three manuscripts: London, British Library, MS. Harley 2253; Oxford, Bodleian Library, MS. Laud. Misc 108; and Cambridge, Cambridge University Library, MS. Gg. iv. 27. 2. It is thought to be based on the Anglo-Norman ''Romance of Horn'' (1170). The story was retold in later romances and ballads, and is considered part of the Matter of England.''Boundaries in medieval romance'', Neil Cartlidge, DS Brewer, 2008, , 9781843841555. pp. 29–42 The poem is currently believed to be the oldest extant romance in Middle English. Synopsis The hero, named Horn, is the son of King Murry of Suddene and Queen Godhild. Suddene lies by the sea, and is ruled by King Murry until he is killed by Saracen invaders. The throne eventually passes to Murry's son Horn, who after many adventures in other lands returns and defeats the Saracen occupiers with the aid of an army of Irish knights ...
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Romance (heroic Literature)
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ...
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Matter Of England
''Matter of England'', romances of English heroes and romances derived from English legend are terms that 20th century scholars have given to a loose corpus of Medieval literature''Medieval insular romance: translation and innovation'', Judith Weiss, Jennifer Fellows, Morgan Dickson, Boydell & Brewer, 2000, , . pp. 29-31''Boundaries in medieval romance'', Neil Cartlidge, DS Brewer, 2008, , 9781843841555. pp. 29-42 that in general deals with the locations, characters and themes concerning England, English history, or English cultural mores. It shows some continuity between the poetry and myths of the pre-Norman or " Anglo-Saxon" era of English history as well as themes motifs and plots deriving from English folklore. The term ''Matter of England'' was coined in reference to the earlier ''Three Matters'' as termed by the French author Jean Bodel; the Matter of Britain (concerning King Arthur and his knights), of France (concerning Charlemagne and his paladins) and of Rome (retel ...
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Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ...
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Constantine (Briton)
Constantine (, cy, Cystennin, fl. 520–523) was a 6th-century king of Dumnonia in sub-Roman Britain, who was remembered in later British tradition as a legendary King of Britain. The only contemporary information about him comes from Gildas, who castigated him for various sins, including the murder of two "royal youths" inside a church. The historical Constantine is also known from the genealogies of the Dumnonian kings, and possibly inspired the tradition of Saint Constantine, a king-turned-monk venerated in Southwest Britain and elsewhere. In the 12th century, Geoffrey of Monmouth included Constantine in his pseudohistorical chronicle ''Historia Regum Britanniae'', adding details to Gildas' account and making Constantine the successor to King Arthur as King of Britain. Under Geoffrey's influence, Constantine appeared as Arthur's heir in later chronicles. Less commonly, he also appeared in that role in medieval Arthurian romances and prose works, and in some modern vers ...
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Walter Skeat
Walter William Skeat, (21 November 18356 October 1912) was a British philologist and Anglican deacon. The pre-eminent British philologist of his time, he was instrumental in developing the English language as a higher education subject in the United Kingdom. Life Skeat was born in London to architectInterpreters of Early Medieval Britain, ed. Michael Lapidge, Oxford University Press (on behalf of the British Academy), 2002, p. 37 William Skeat, of Perry Hill, Sydenham, later of Mount Street, Park Lane, City of Westminster, and his wife Sarah, daughter of Timothy Bluck. The Skeat family were a branch of an ancient Surrey family, and were resident in the parish of St George Hanover Square since the 1700s. He was educated at King's College School ( Wimbledon), Highgate School, and Christ's College, Cambridge. He became a fellow at Christ's College in July 1860. In 1860, Skeat was ordained an Anglican deacon and married Bertha Clara. In December 1860, he became a curate a ...
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Amleth
Amleth (; Latinized as ''Amlethus'') is a figure in a medieval Scandinavian legend, the direct inspiration of the character of Prince Hamlet, the hero of William Shakespeare's tragedy ''Hamlet, Prince of Denmark''. The chief authority for the legend of Amleth is Saxo Grammaticus, who devotes to it parts of the third and fourth books of his ''Gesta Danorum'', completed at the beginning of the 13th century. Saxo's version is similar to the one in the 12th-century ''Chronicon Lethrense''. In both versions, prince Amleth (''Amblothæ'') is the son of Horvendill (''Orwendel''), king of the Jutes. It has often been assumed that the story is ultimately derived from an Old Icelandic poem, but no such poem has been found; the extant Icelandic versions, known as the ''Ambales-saga'', or ''Amloda-saga'' are considerably later than Saxo. Name The Old Icelandic form ''Amlóði'' is recorded once in the Prose Edda. The 12th-century ''Amlethus'', ''Amblothæ'' may easily be latinizations of th ...
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Amlaíb Cuarán
Amlaíb mac Sitric (d. 980; non, Óláfr Sigtryggsson ), commonly called Amlaíb Cuarán (O.N.: ), was a 10th-century Norse-Gael who was King of Northumbria and Dublin. His byname, ''cuarán'', is usually translated as "sandal". His name appears in a variety of anglicized forms, including Olaf Cuaran, Anlaf Sihtricson and Olaf Sihtricson, particularly in relation to his short-lived rule in York. He was the last of the Uí Ímair to play a major part in the politics of the British Isles. Amlaíb was twice, perhaps three times, ruler of Northumbria and twice ruler of Dublin and its dependencies. His reign over these territories spanned some forty years. He was a renowned warrior and a ruthless pillager of churches, but ended his days in retirement at Iona Abbey. Born when the Uí Ímair ruled over large areas of the British Isles, by his death the kingdom of Dublin was a minor power in Irish politics. At the same time, Dublin became a major centre of trade in Atlantic Europe and ...
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