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Hatakeyama Memorial Museum Of Fine Art
The is a private museum established in October 1964 in Tokyo, Japan. History The first museum director, Hatakeyama Issē (28 December 1881 - 17 November 1971）was the founder of Ebara Corporation. In 1937, Hatakeyama purchased the landlot once Count Terashima Munenori resided, and relocated and rebuilt an old guest house from Hannyaji in Nara which he named "Hannyaen", where a house warming tea ceremony was held in 1943. As Hatakeyama practiced Hōshō school noh since he was young, he acquired a private noh theater and reassembled on the property. There are noh costumes among the collection. Hatakeyama's collection was moved to a museum he built in 1964 next to his residence as he planned to preserve it for many years and hold exhibitions for the public as well as support researchers. There is a tea house called Shō-an in the museum building, and those in the garden are for rent; Sara-an, Sui-an, Meigetsuken, Shin zashiki, Jōrakutei and Bishamondō. Once a year, a gui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minato, Tokyo
is a special ward in Tokyo, Japan. It is also called Minato City in English. It was formed in 1947 as a merger of Akasaka, Azabu and Shiba wards following Tokyo City's transformation into Tokyo Metropolis. The modern Minato ward exhibits the contrasting Shitamachi and Yamanote geographical and cultural division. The Shinbashi neighborhood in the ward's northeastern corner is attached to the core of Shitamachi, the original commercial center of Edo-Tokyo. On the other hand, the Azabu and Akasaka areas are typically representative Yamanote districts. , it had an official population of 243,094, and a population density of 10,850 persons per km2. The total area is 20.37 km2. Minato hosts many embassies. It is also home to various domestic companies, including Honda, Mitsubishi Heavy Industries, MinebeaMitsumi, Mitsubishi Motors Corporation, NEC, Nikon, Sony, Fujitsu, Yokohama Rubber Company, as well as the Japanese headquarters of a number of multi-national firms, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara No Sukemasa
was a Japanese noble, statesman, and renowned calligrapher of the middle Heian period. Grandson and adopted son of the ''daijō-daijin'' Fujiwara no Saneyori and son of major general of the imperial guard , he is honored as one of the Sanseki, a group of outstanding calligraphers. Life In 961, Sukemasa was conferred the and appointed as a chamberlain. He passed through two minor military positions until, in 967, his adoptive father Fujiwara no Saneyori was appointed as regent to the newly ascended Emperor Reizei. Sukemasa was promoted that year to , and again in 968 to . In 969, Emperor En'yū ascended to the throne, and Sukemasa rose gradually as a in the ''Daijō-kan''. In 978 he was promoted to '' sangi'', joining the ranks of the '' kugyō'', and in 984 gained the . In the following courts of Emperor Kazan and Emperor Ichijō, Sukemasa was repeatedly passed over for promotion in favor of Kazan's relative Fujiwara no Yoshichika and then Ichijō's relatives Fujiwara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokin Wakashū
The , commonly abbreviated as , is an early anthology of the ''waka'' form of Japanese poetry, dating from the Heian period. An imperial anthology, it was conceived by Emperor Uda () and published by order of his son Emperor Daigo () in about 905. Its finished form dates to 920, though according to several historical accounts the last poem was added to the collection in 914. The compilers of the anthology were four court poets, led by Ki no Tsurayuki and also including Ki no Tomonori (who died before its completion), Ōshikōchi no Mitsune, and Mibu no Tadamine. Significance The ''Kokinshū'' is the first of the , the 21 collections of Japanese poetry compiled at Imperial request. It was the most influential realization of the ideas of poetry at the time, dictating the form and format of Japanese poetry until the late nineteenth century; it was the first anthology to divide itself into seasonal and love poems. The primacy of poems about the seasons pioneered by the ''Kokinsh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hideyoshi Toyotomi
, otherwise known as and , was a Japanese samurai and ''daimyō'' (feudal lord) of the late Sengoku period regarded as the second "Great Unifier" of Japan.Richard Holmes, The World Atlas of Warfare: Military Innovations that Changed the Course of History, Viking Press 1988. p. 68. Hideyoshi rose from a peasant background as a retainer of the prominent lord Oda Nobunaga to become one of the most powerful men in Japan. Hideyoshi succeeded Nobunaga after the Honnō-ji Incident in 1582 and continued Nobunaga's campaign to unite Japan that led to the closing of the Sengoku period. Hideyoshi became the ''de facto'' leader of Japan and acquired the prestigious positions of Chancellor of the Realm and Imperial Regent by the mid-1580s. Hideyoshi launched the Japanese invasions of Korea in 1592 to initial success, but eventual military stalemate damaged his prestige before his death in 1598. Hideyoshi's young son and successor Toyotomi Hideyori was displaced by Tokugawa Ieyasu at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Important Cultural Property (Japan)
An The term is often shortened into just is an item officially classified as Tangible Cultural Property by the Japanese government's Agency for Cultural Affairs ( Ministry of Education, Culture, Sports, Science and Technology) and judged to be of particular importance to the history, arts, and culture of the Japanese people. Classification of Cultural Properties To protect the cultural heritage of Japan, the Law for the Protection of Cultural Properties was created as a under which important items are appropriated as Cultural Properties,In this article, capitals indicate an official designation as opposed to a simple, unofficial definition, e.g "Cultural Properties" as opposed to "cultural properties". thus imposing restrictions to their alteration, repair and export. Besides the "designation system", there exists a , which guarantees a lower level of protection and support to Registered Cultural Properties. Cultural Properties are classified according to their nature. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bokuseki
''Bokuseki'' (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy (''shodō'') and more specifically a style of ''zenga'' developed by Zen monks. ''Bokuseki'' is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher's pure state of mind (see ''Samadhi''). The aim in making ''Bokuseki'' is to represent ones single-moment awareness by brushing each word or passage with a single breath, ultimately realizing Zen and manifesting ones ''zazen'' practice into physical and artistic action. Fundamentally ''bokuseki'' is a reflection of one's spontaneous action (see: Buddha-nature, '' katsu'') free from one's superficial or rationally oriented mind. Gallery See also *Japanese calligraphy **''Zenga'' **''Hitsuzendō is believed by Zen Buddhists to be a method of achieving samādhi (Japanese: 三昧 ''sanmai''), which is a unification with the highest reality. Hitsuzendo refers specif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamakura Period
The is a period of Japanese history that marks the governance by the Kamakura shogunate, officially established in 1192 in Kamakura by the first ''shōgun'' Minamoto no Yoritomo after the conclusion of the Genpei War, which saw the struggle between the Taira and Minamoto clans. The period is known for the emergence of the samurai, the warrior caste, and for the establishment of feudalism in Japan. During the early Kamakura period, the shogunate continued warfare against the Northern Fujiwara which was only defeated in 1189. Then, the authority to the Kamakura rulers waned in the 1190s and power was transferred to the powerful Hōjō clan in the early 13th century with the head of the clan as regent (Shikken) under the shogun which became a powerless figurehead. The later Kamakura period saw the invasions of the Mongols in 1274 and again in 1281. To reduce the amount of chaos, the Hōjō rulers decided to decentralize power by allowing two imperial lines – Northern and Southern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuan Dynasty
The Yuan dynasty (), officially the Great Yuan (; xng, , , literally "Great Yuan State"), was a Mongol-led imperial dynasty of China and a successor state to the Mongol Empire after its division. It was established by Kublai, the fifth khagan-emperor of the Mongol Empire from the Borjigin clan, and lasted from 1271 to 1368. In orthodox Chinese historiography, the Yuan dynasty followed the Song dynasty and preceded the Ming dynasty. Although Genghis Khan had been enthroned with the Han-style title of Emperor in 1206 and the Mongol Empire had ruled territories including modern-day northern China for decades, it was not until 1271 that Kublai Khan officially proclaimed the dynasty in the traditional Han style, and the conquest was not complete until 1279 when the Southern Song dynasty was defeated in the Battle of Yamen. His realm was, by this point, isolated from the other Mongol-led khanates and controlled most of modern-day China and its surrounding areas, including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Dynasty
The Song dynasty (; ; 960–1279) was an imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Taizu of Song following his usurpation of the throne of the Later Zhou. The Song conquered the rest of the Ten Kingdoms, ending the Five Dynasties and Ten Kingdoms period. The Song often came into conflict with the contemporaneous Liao, Western Xia and Jin dynasties in northern China. After retreating to southern China, the Song was eventually conquered by the Mongol-led Yuan dynasty. The dynasty is divided into two periods: Northern Song and Southern Song. During the Northern Song (; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now Eastern China. The Southern Song (; 1127–1279) refers to the period after the Song lost control of its northern half to the Jurchen-led Jin dynasty in the Jin–Song Wars. At that time, the Song court retreated south of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muqi Fachang
Muqi or Muxi (; Japanese: Mokkei; 1210?–1269?), also known as Fachang (), was a Chinese Chan Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty (1127–1279). Today, he is considered to be one of the greatest Chan painters in history. His ink paintings, such as the Daitokuji triptych and '' Six Persimmons'' are regarded as essential Chan paintings. Muqi's style of painting has also profoundly impacted painters from later periods to follow, especially monk painters in Japan. According to Chinese secondary sources, Muqi's surname was thought to be Li. "Muqi" was his art name, and "Fachang" was, in fact, his formal name in the monastery system. Biography Muqi was born in the early 13th century, approximately around 1200–1210, toward the end of Southern Song Dynasty in China. According to Dr. Aaron Rio, specific life details of Muqi are commonly unknown. However, the scholar stated that Muqi was initially from Sichuan, China. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agency For Cultural Affairs
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
