Harlem Shuffle
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Harlem Shuffle
"Harlem Shuffle" is an R&B song written and originally recorded by the duo Bob & Earl in 1963. In 1986, it was covered by the British rock band The Rolling Stones on their album '' Dirty Work''. Bob & Earl The original single, arranged by Gene Page, peaked at on the ''Billboard'' Hot 100 chart and on the ''Cash Box'' chart. The record was a commercial failure when first released in the UK in 1963, but on reissue in 1969 peaked at . It was released on Marc Records, a subsidiary of Titan Records. Barry White stated in a 1995 interview with the ''Boston Herald'' that, despite some claims to the contrary, he had no involvement with "Harlem Shuffle", though Page and White later worked extensively together.White, Barry"Telephone interview with Larry Katz."June 1 or 2, 1995. ''The Katz Tapes.'' Retrieved June 4, 2015.Nelson, Valerie J"'Harlem Shuffle' co-writer was part of the soul duo Bob & Earl."Los Angeles Times, July 25, 2008. Retrieved January 16, 2016. In 2003, the original ...
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Bob & Earl
Bob & Earl were an American music singing duo in the 1960s, best known for writing and recording the original version of " Harlem Shuffle". Career The original duo were Bobby Byrd and Earl Nelson. They had both been members of The Hollywood Flames, a prolific doo-wop group in Los Angeles, California whose major hit was "Buzz-Buzz-Buzz" in 1958, on which Nelson sang lead. By 1957, Byrd had started a parallel solo career, writing and recording for contractual reasons as Bobby Day. He wrote and recorded the original version of "Little Bitty Pretty One", and had a hit of his own with " Rockin' Robin" (1958). In 1957, Day/Byrd and Nelson began recording together as Bob & Earl, on the Class record label. However, these releases had relatively little success, and Day/Byrd restarted his solo career. In 1962, Nelson recruited a second "Bob", Bobby Relf, who also used the stage names of Bobby Garrett and Bobby Valentino. Relf had already led several Los Angeles based acts in his career ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Ronnie Wood
Ronald David Wood (born 1 June 1947) is an English rock musician, best known as an official member of the Rolling Stones since 1975, as well as a member of Faces and the Jeff Beck Group. Wood began his career in 1964, playing guitar with a number of British rhythm and blues bands in short succession, including the Birds and the Creation. He joined the Jeff Beck Group in 1967 as a guitarist and bassist. Their two albums, ''Truth'' and '' Beck-Ola'', are both highly praised. The group split in 1969 and Wood departed along with lead vocalist Rod Stewart to join former Small Faces members Ronnie Lane, Ian McLagan, and Kenney Jones in a new group named Faces with Wood now primarily on lead guitar. The group found great success in the UK and mainland Europe, though achieved only cult status in the US. Wood sang and co-wrote the popular title track from their final LP, '' Ooh La La'', released in 1973. He also worked extensively on Stewart's first few solo albums. As the group ...
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Keith Richards
Keith Richards (born 18 December 1943), often referred to during the 1960s and 1970s as "Keith Richard", is an English musician and songwriter who has achieved international fame as the co-founder, guitarist, secondary vocalist, and co-principal songwriter of the Rolling Stones. His Jagger–Richards, songwriting partnership with Mick Jagger is one of the most successful in history. His career spans over six decades, and his guitar playing style has been a trademark of the Rolling Stones throughout the band's career. Richards gained press notoriety for his romantic involvements and illicit drug use, and he was often portrayed as a Counterculture, countercultural figure. Richards was born in and grew up in Dartford, Kent. He studied at the Wilmington Grammar School for Boys, Dartford Technical School and Sidcup Art College. After graduating, Richards befriended Jagger, Bill Wyman, Charlie Watts, and Brian Jones and joined the Rolling Stones. As a member of the Rolling Stones, R ...
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Bobby Womack
Robert Dwayne Womack (; March 4, 1944 – June 27, 2014) was an American singer, songwriter, musician, and record producer. Starting in the early 1950s as the lead singer of his family musical group the Valentinos and as Sam Cooke's backing guitarist, Womack's career spanned more than 60 years and multiple styles, including rhythm and blues, R&B, jazz, soul music, soul, rock and roll, doo-wop, and gospel music, gospel. Womack was a prolific songwriter who wrote and originally recorded, (with his brothers, the Valentinos), the Rolling Stones' first UK number one hit ("It's All Over Now") and New Birth (band), New Birth's "I Can Understand It". As a singer, he is most notable for the hits "Lookin' for a Love", "That's the Way I Feel About Cha", "Woman's Gotta Have It (song), Woman's Gotta Have It", "Harry Hippie", "Across 110th Street (song), Across 110th Street", and his 1980s hits "If You Think You're Lonely Now" and "I Wish He Didn't Trust Me So Much". In 2009, Womack was induc ...
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One Hit (To The Body)
"One Hit (To the Body)" is the opening track to the English rock band the Rolling Stones' 1986 album '' Dirty Work''. The first Rolling Stones single to feature a Ron Wood co-writing credit with Jagger and Richards, it charted in the U.S., Netherlands and Australia. Reaching number 80 in the UK, it was their poorest charting single at the time. Recording Credited to lead singer Mick Jagger, guitarist Keith Richards and guitarist Ron Wood, "One Hit (To the Body)" was largely the work of Richards and Wood. Both guitarists contributed heavily to ''Dirty Work'' overall, with Wood receiving credit alongside Jagger and Richards on another three songs. A sign of Wood's heavy contribution is the song's distinctive opening of an acoustic piece. Wood used Richards' own 1967 Martin D-18 to perform the jam in an attempt to come up with a proper electric riff, but the acoustic version remained. The band is known for their use of acoustic guitars to "shadow" their electric guitars; "Brown Sug ...
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She Was Hot
"She Was Hot" is a song by the English rock band the Rolling Stones from their 1983 album ''Undercover''. Recording on "She Was Hot" first began in late 1982. Written by Mick Jagger and Keith Richards, the song is a traditional rock 'n' roll number from the band. The song is notable as both original Rolling Stones pianist Ian Stewart and pianist Chuck Leavell perform on the recording. "She Was Hot" was released as the second single from the album in late January 1984. The B-side to the single was an ''Emotional Rescue'' outtake, "I Think I'm Going Mad." The single did not perform well, reaching only number 44 on the U.S. Charts and number 42 on the U.K. Charts. ''Cash Box'' said that "with the band at its raunchy best, Jagger serves up a string of brief vignettes, all with pretty much the same story line. Hot on the 'pleasure trail,' he's 'taking passion where you find it' and providing colorful detail in the play-by-play action reports which comprise the choruses." A memorab ...
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The Glimmer Twins
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Steve Lillywhite
Stephen Alan Lillywhite, (born 15 March 1955) is a British record producer. Since he began his career in 1977, Lillywhite has been credited on over 500 records, and has collaborated with a variety of musicians including new wave acts XTC, Big Country, Siouxsie and the Banshees, Simple Minds, the Psychedelic Furs, Toyah, David Byrne, Talking Heads and Kirsty MacColl, as well as U2, the Rolling Stones, the Pogues, Blue October, Steel Pulse, the La's, Peter Gabriel, Morrissey, the Killers, Dave Matthews Band, Phish, Counting Crows and Joan Armatrading. He has won six Grammy Awards, including Producer of the Year, Non-Classical in 2006. In 2012, he was made a Commander of the Order of The British Empire (CBE) for his contributions to music. Career Early years Lillywhite entered the music industry in 1972, when he worked as a tape operator for PolyGram. He produced a demo recording for Ultravox!, which led to them being offered a recording contract with Island Records. Lillywhi ...
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Rolling Stones Records
Rolling Stones Records was the record label formed by the Rolling Stones members Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts and Bill Wyman in 1970, after their recording contract with Decca Records expired. The label was initially headed by Marshall Chess, the son of Chess Records founder Leonard Chess. It was first distributed in the United States by Atlantic Records subsidiary Atco Records. On April 1, 1971, the band signed a distribution deal for five albums with Ahmet Ertegun, acting on behalf of Atlantic Records. In the US, the albums were distributed by Atlantic until 1984. In the UK, Rolling Stones Records was distributed by WEA from 1971 to 1977 and by EMI from 1978 to 1984. In 1986, Columbia Records started distributing it in the United States and CBS for the rest of the world until 1991. It was discontinued in 1992 when the band signed to Virgin Records, but the tongue and lips logo remains on all post-1970 Rolling Stones releases. History In its orig ...
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Dance-rock
Dance-rock is a dance-infused genre of rock music. It is a post-disco genre connected with pop rock and post-punk with fewer rhythm and blues influences. It originated in the early 1980s, following the decline in popularity of both punk and disco. Examples of early dance-rock include Gina X's "No G.D.M.", Russ Ballard's "On the Rebound", artists such as Dinosaur L, Liquid Liquid and Polyrock, and the compilation album '' Disco Not Disco''. Definitions Michael Campbell, in his book ''Popular Music in America'', defines the genre as "post-punk/post-disco fusion". Campbell also cited Robert Christgau, who described dance-oriented rock (or DOR) as an umbrella term used by various DJs in the 1980s. However, AllMusic defines "dance-rock" as 1980s and 1990s music practiced by rock musicians, influenced by Philly soul, disco and funk, fusing those styles with rock and dance. Artists like the Rolling Stones, David Bowie, Duran Duran, Simple Minds, INXS, Eurythmics, Depeche Mode, the C ...
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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ...
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