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Hard Rain (film)
''Hard Rain'' is a 1998 disaster heist action thriller film directed by former cinematographer-turned director Mikael Salomon, written by Graham Yost, produced by Ian Bryce, Mark Gordon, and Gary Levinsohn, and starring Morgan Freeman, Christian Slater, Randy Quaid, Minnie Driver, and Ed Asner. An international co-production among the United States, the United Kingdom, Denmark, Germany, and Japan, the plot centers around a heist and man-made treachery amidst a natural disaster in a small Indiana town. Plot During a heavy rainstorm, Tom and Uncle Charlie, two armored truck drivers, are collecting money from banks in the town of Huntingburg, Indiana, which has been evacuated due to flooding. They are ambushed by Jim and his gang of armed robbers, Kenny, Mr. Mehlor, and Ray. Charlie calls the National Guard and is shot dead by Kenny as Tom escapes and hides the cash in a cemetery. The gang chases Tom, who takes refuge in a nearby church. There he is mistaken for a looter by Kar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikael Salomon
Mikael Salomon (born 24 February 1945) is a Danish cinematographer, director and producer of film and television. After a long cinematography career in Danish cinema, he transitioned to the Hollywood film industry in the late 1980s earning two Academy Award nominations. He is also a television director whose credits include dozens of series, films and miniseries including '' Band of Brothers, Salem's Lot, Rome,'' and ''The Andromeda Strain''. His awards and nominations include a Primetime Emmy Award and a Directors Guild of America Award. Life and career Born in Copenhagen, Denmark, Salomon photographed dozens of films in his native country, earning awards including the Robert Award and Bodil Awards. In the late 1980s, he relocated to Hollywood and shot his first mainstream American film with ''Torch Song Trilogy'', a 1988 comedy-drama starring Harvey Fierstein, Anne Bancroft, and Matthew Broderick. The following year, he shot the James Cameron-helmed science fiction film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marubeni
(, OSE: 8002, NSE: 8002) is a ''sōgō shōsha'' (general trading company) headquartered in Nihonbashi, Chuo, Tokyo, Japan. It is one of the largest ''sogo shosha'' and has leading market shares in cereal and paper pulp trading as well as a strong electrical and industrial plant business. Marubeni is a member of the Mizuho keiretsu. History Marubeni was founded in 1858, where the founder Chubei Itoh moved out of the family business and started a linen trading business with his uncle. It was established in 1918 as Itochu Shoten, Ltd. in a spin-off of certain sales divisions of C. Itoh & Co. (Itochu) into a separate entity. Itochu Shoten merged with Itoh Chobei Shoten in 1921 to form Marubeni Shoten, Ltd. under the leadership of Chobei Itoh IX. Marubeni started out as a textile trading firm and expanded to trade in other consumer and industrial goods during the 1920s. Marubeni was re-combined with Itochu during World War II to form Sanko Kabushiki Kaisha Ltd. (1941–44) and Dai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heist Film
The heist film or caper film is a subgenre of crime film focused on the planning, execution, and aftermath of a significant robbery. One of the early defining heist films was ''The Asphalt Jungle'' (1950), which ''Film Genre 2000'' wrote "almost single-handedly popularized the genre for mainstream cinema". It featured robbers whose personal failings ultimately led to the failure of their robbery. Similar films using this formula were ''Armored Car Robbery'' (1950), '' The Killing'' (1956), and '' The Getaway'' (1972). By the 1990s, heist films began to "experiment and play with these conventions," incorporating things like comedy into heist stories. Characteristics of the genre While there is sometimes some confusion as to what counts as a heist film, there are characteristics that most films in the genre follow. The most basic of these is that films in the genre tend to follow the planning, execution and aftermath of one large robbery. While there can be smaller crimes lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disaster Film
A disaster film or disaster movie is a film genre that has an impending or ongoing disaster as its subject and primary plot device. Such disasters may include natural disasters, accidents, military/terrorist attacks or global catastrophes such as a pandemic. A subgenre of action films, these films usually feature some degree of build-up, the disaster itself, and sometimes the aftermath, usually from the point of view of specific individual characters or their families or portraying the survival tactics of different people. These films often feature large casts of actors and multiple plot lines, focusing on the characters' attempts to avert, escape or cope with the disaster and its aftermath. The genre came to particular prominence during the 1970s with the release of high-profile films such as ''Airport'' (1970), followed in quick succession by '' The Poseidon Adventure'' (1972), ''Earthquake'' (1974) and ''The Towering Inferno'' (1974). The casts are generally made up of familia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Box Office Mojo
Box Office Mojo is an American website that tracks box-office revenue in a systematic, algorithmic way. The site was founded in 1998 by Brandon Gray, and was bought in 2008 by IMDb, which itself is owned by Amazon. History Brandon Gray began the site on August 7, 1998, making forecasts of the top-10 highest-grossing films in the United States for the following weekend. To compare his forecasts to the actual results, he started posting the weekend grosses and wrote a regular column with box-office analysis. In 1999, he started to post the Friday daily box-office grosses, sourced from Exhibitor Relations, so that they were publicly available online on Saturdays and posted the Sunday weekend estimates on Sundays. Along with the weekend grosses, he was publishing the daily grosses, release schedules, and other charts, such as all-time charts, international box-office charts, genre charts, and actor and director charts. The site gradually expanded to include weekend charts going b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AFI Catalog Of Feature Films
The ''AFI Catalog of Feature Films'', also known as the ''AFI Catalog'', is an ongoing project by the American Film Institute (AFI) to catalog all commercially-made and theatrically exhibited American motion pictures from the birth of cinema in 1893 to the present. It began as a series of hardcover books known as ''The American Film Institute Catalog of Motion Pictures'', and subsequently became an exclusively online filmographic database. Each entry in the catalog typically includes the film's title, physical description, production and distribution companies, production and release dates, cast and production credits, a plot summary, song titles, and notes on the film's history. The films are indexed by personal credits, production and distribution companies, year of release, and major and minor plot subjects. To qualify for the "Feature Films" volumes, a film must have been commercially produced either on American soil or by an American company. In accordance with the Intern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmportal
filmportal.de is an online database of information related to German film. It includes extensive information on films and filmmakers as well as articles on film issues. The website was released on occasion of the 54th Berlin International Film Festival on 11 February 2005. ''filmportal.de'' was revised and expanded in 2011/2012. Content The database provides information on about 85 000 German cinema and television films (as of June 2015) from 1895 to the present. About 8 000 films are presented in detail with content descriptions, stills and/or posters. In addition, ''filmportal.de'' catalogues about 190 000 names of filmmakers, 5 000 of these entries feature a biography. The lexical information is supplemented by trailers, film clips from German classics, and, increasingly, full-length films. Moreover, editorial texts link the information with the history of film in the Weimar Republic, Nazi Germany and the GDR. Organising institutions ''filmportal.de'' was established by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Classification Board
The Australian Classification Board (ACB or CB) is an Australian government statutory body responsible for the classification and censorship of films, video games and publications for exhibition, sale or hire in Australia. The ACB was established in 1970 and was once part of the Office of Film and Literature Classification (OFLC), which was dissolved in 2006. The Department of Communications and the Arts provided administrative support to the ACB from 2006 until 2020, when it was merged into the 'mega department' of the Department of Infrastructure, Transport, Regional Development and Communications. Decisions made by the ACB may be reviewed by the Australian Classification Review Board. The ACB now operates under the ''Commonwealth Classification Act 1995''. The ACB is made up of a director, a deputy director, and three other board members, appointed by the government for three- or four-year terms, and temporary board members. The ACB is located in Sydney, New South Wales. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danish Film Institute
The Danish Film Institute ( da, Det Danske Filminstitut) is the national Danish agency responsible for supporting and encouraging film and cinema culture, and for conserving these in the national interest. Also known as ''Filmhuset'' ("the film house"), it is located in Gothersgade in central Copenhagen. Facilities directed at the general public include a library and Cinemateket which is Denmark's national film museum. It is an institution under the Danish Ministry of Cultural Affairs. The current director of the film institute is Claus Ladegaard. The institute is a member of European Film Promotion, the network of European film organisations for the worldwide promotion of European film. History The Danish Film Institute was founded in 1972, replacing the Danish Film Foundation (Danish: Den Danske Filmfond). In 1996 a new Danish Film Act merged the Film Institute with Statens Filmcentral and the National Danish Film Museum with effect from the following year and at the same ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paramount Pictures
Paramount Pictures Corporation is an American film and television production company, production and Distribution (marketing), distribution company and the main namesake division of Paramount Global (formerly ViacomCBS). It is the fifth-oldest film studio in the world, the second-oldest film studio in the United States (behind Universal Pictures), and the sole member of the Major film studio, "Big Five" film studios located within the city limits of Los Angeles. In 1916, film producer Adolph Zukor put 24 actors and actresses under contract and honored each with a star on the logo. In 1967, the number of stars was reduced to 22 and their hidden meaning was dropped. In 2014, Paramount Pictures became the first major Hollywood studio to distribute all of its films in digital form only. The company's headquarters and studios are located at 5555 Melrose Avenue, Hollywood, California. Paramount Pictures is a member of the Motion Picture Association of America, Motion Picture Associ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nordisk Film
Nordisk Film A/S (lit. "Nordic Film") is a Danish entertainment company established in 1906 in Copenhagen by filmmaker Ole Olsen. It is the fourth-oldest film studio in the world behind the Gaumont Film Company, Pathé, and Titanus, and the oldest studio to be continuously active. History Olsen started his company in the Copenhagen suburb of Valby under the name "Ole Olsen's Film Factory" but soon changed it to the Nordisk Film company. In 1908, Olsen opened an affiliate branch in New York, the Great Northern Film Company, to handle the distribution of his films to the American market. In 1909 having been excluded from the MPPC cartel in the United States, which Olsen had hoped to join, Nordisk participated in the Paris Film Congress in a failed attempt by major European producers to form a similar monopoly. As Nordisk Film, it became a publicly traded company in 1911. In 1992, it merged with the Egmont media group, operating as electronic media production an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UGC (cinema Operator)
UGC is a cinema operator in France and Belgium, operating 57 cinemas as of 2022. It is also a major film production and distribution company. France & Belgium UGC was originally an exclusively French operator, created in 1971 from a merger of several regional cinema companies running 22 cinemas. The name originally stood for ''Union Générale Cinématographique'', but today only the initials are used. The company is focused on the business side of the film business and French-dubbed versions, showing little interest in the screening of artistic cinema, on the contrary to Pathé and Gaumont cinemas, except in some UGC Paris theatres where the programming is very diversified and includes both subtitled and dubbed versions. Out of Paris, in some cities like Nantes or Lyon, a part of this diversified programming does exist, but mostly UGC cinemas are like Pathé and Gaumont cinemas. Its competitors include EuroPalaces, Cinéville, CGR and Kinepolis Group. In 2016, Kinepolis Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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