|
Happy (Ashanti Song)
"Happy" is a song by American singer Ashanti from her self-titled debut album (2002). The track was written by Ashanti, Chink Santana, and Irv Gotti, with production overseen by Santana and Gotti, and contains a sample of Gap Band's "Outstanding" (1982), written by Raymond Calhoun. "Happy" was released as the album's second single on June 17, 2002, reaching number eight on the US ''Billboard'' Hot 100 and number six on the ''Billboard'' Hot R&B/Hip-Hop Songs chart. Elsewhere, the single entered the top 10 in the Netherlands while reaching the top 20 in Ireland, New Zealand, and the United Kingdom. Remix The remix of "Happy", titled "I'm So Happy", was produced by Santana and features rapper Charli Baltimore and further integrates a sample of "Outstanding". This version was later included on the Murder Inc. remix-compilation ''Irv Gotti Presents: The Remixes''. Track listings UK CD single # "Happy" (radio edit featuring Ja Rule) – 3:59 # "I'm So Happy" (remix featuring Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashanti (singer)
Ashanti Shequoiya Douglas (born October 13, 1980) is an American singer, songwriter and actress. She was first discovered as a teenager and later signed to Murder Inc. Records in 2002. That year, she was featured on Fat Joe's "What's Luv?" and Ja Rule's "Always on Time", both of which became two of the biggest hit songs of 2002. She became the first female artist to occupy the top two positions on the U.S. ''Billboard'' Hot 100 chart simultaneously with " Foolish" and "What's Luv?" at numbers one and two, respectively. In 2002, Ashanti released her eponymous debut album, which sold over 505,000 copies throughout the U.S. in its first week of release. The album earned her many awards, including eight ''Billboard'' Music Awards, two American Music Awards, and a Grammy Award in 2003 for Best Contemporary R&B Album. The album has since been certified triple platinum in the United States and sold six million copies worldwide by the end of 2003. The lead single for the album, " F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs Written By Ashanti (singer)
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashanti (singer) Songs
Ashanti may refer to: * Ashanti people, an ethnic group in West Africa ** Ashanti Empire, a pre-colonial West African state in what is now southern Ghana ** Ashanti dialect or Asante, a literary dialect of the Akan language of southern Ghana ** Ashanti Region, a region within Ghana ** Ashanti (Crown Colony), a United Kingdom colony 1901–1957 in what is now Ghana * Ashanti (singer) (born 1980), American singer-songwriter and actress ** ''Ashanti'' (album), a 2002 album by Ashanti * ''Ashanti'' (1979 film), an American film * ''Ashanti'' (1982 film), an Indian film * HMS ''Ashanti'' (F51), a Tribal-class destroyer launched in 1937 * HMS ''Ashanti'' (F117), a Tribal-class frigate launched in 1959 People with the given name * Ashanti Alston (born 1954), former Black Panther Party member * Ashanti Johnson, American geochemist and chemical oceanographer * Ashanti Obi (born 1952), Nigerian sprinter See also * Asante (other) * Ashanti Gold SC, a football club in Obuasi, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Radio
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MegaCharts
Dutch Charts, GfK Dutch Charts, MegaCharts is a chart company responsible for producing a number of official charts in the Netherlands, of which the Single Top 100 and the Album Top 100 are the most known ones. Dutch Charts are also part of GfK Benelux Marketing Services. The Mega Charts ;Singles and Tracks *Single Top 100 *Single Tip ;Albums * Album Top 100 *Compilation Top 30 *Combi Album Top 100 *Backcatalogue Top 50 ;DVDs and others *Dance Top 30 *Midprice Top 50 *Music DVD Top 30 *Film DVD Top 30 *Game Top 10 References External links * Music organisations based in the Netherlands {{music-company-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
