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Hans Grüß
Hans Ludwig Kurt Reinhold Grüß (4 March 1929 – 24 November 2001) was a German musicologist and ensemble leader. Life Childhood and studies He spent his childhood and adolescence in Freiberg since his father taught as professor of mathematics and technical mechanics at the Freiberg University of Mining and Technology, Bergakademie Freiberg from 1936. As a grammar school student he was drafted to the Volkssturm and was only able to take his Abitur after he had been a prisoner of war. First he studied German language and literature, musicology and pedagogy at the Humboldt University of Berlin from 1947, and from 1949 at the Leipzig University and the University of Music and Theatre Leipzig, Musikhochschule. Early on, he became interested in performance practice of early music and received his doctorate in 1956 with a work on Josquin des Prez. Professional activity In 1957 Grüß was given a lectureship at the University of Leipzig. Because of political disagreements he w ...
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Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ...
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German Conductors (music)
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ...
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Musicologists From Berlin
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthet ...
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Sächsische Akademie Der Wissenschaften
The Saxon Academy of Sciences and Humanities in Leipzig (german: Sächsische Akademie der Wissenschaften zu Leipzig) is an institute which was founded in 1846 under the name ''Royal Saxon Society for the Sciences'' (german: Königlich Sächsische Gesellschaft der Wissenschaften). Notable members * Eberhard Ackerknecht * Kurt Aland * Annette Beck-Sickinger * Walther Bothe * Alexander Cartellieri * James Chadwick * Otto Clemen * Bernard Comrie * Peter Debye * Johann Paul von Falkenstein * Theodor Frings * Horst Fuhrmann * Bernhard Hänsel * Werner Heisenberg * Gustav Hertz * Archibald Vivian Hill * Cuno Hoffmeister * Ernst Joest *Elisabeth Karg-Gasterstädt * Jörg Kärger * Hermann Kolbe * Foteini Kolovou * Walter König * Hermann August Korff * Hellmut Kretzschmar * August Krogh * Christoph Krummacher * Ursula Lehr * Volker Leppin * Rolf Lieberwirth * Heiner Lück * Heinrich Magirius * Karl Mannsfeld * Theodor Mommsen * August Ferdinand Möbius * Karl Alexander Müller * ...
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Kunstpreis Der Stadt Leipzig
From 1959 to 1989, the city of Leipzig awarded the Kunstpreis der Stadt Leipzig, which was given for outstanding merits in the artistic field to persons who promoted the reputation of the city beyond the region: architects, visual artists, composers, musicians, singers, actors and writers as well as literary and art critics. Prize winners * 1959 Walter Arnold, "Neuland unterm Pflug"-Schauspielerkollektiv, Heinz Rusch and Rudolf Fischer * 1960 Fritz Geißler, Paul Joachim Schneider, Walter Münze, Hanns Maaßen and the Kollektiv Architekt Berthold Schneider * 1961 Heinrich Witz, Emmy Köhler-Richter, Ferdinand May and Wilhelm Weismann * 1962 Gabriele Meyer-Dennewitz * 1963 Hildegard Maria Rauchfuß * 1964 Georg Maurer * 1965 Hans Pfeiffer, Ottmar Gerster, Ingeborg Ottmann and Kollektiv Kurt Nowotny, Alfred Rammler, Rudolf Rohrer * 1966 Annerose Schmidt, Georg Kretzschmar * 1967 Gerhard W. Menzel * 1968 Carlernst Ortwein, Hans Sandig, Wolfgang Mattheuer, Hans-Joac ...
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Much, North Rhine-Westphalia
Much () is a municipality in the Rhein-Sieg district, in North Rhine-Westphalia, Germany. It is situated approximately north-east of Bonn, and south-west of Gummersbach. Twin towns * Doullens, France, since 1976 * Groß Köris, Brandenburg Brandenburg (; nds, Brannenborg; dsb, Bramborska ) is a state in the northeast of Germany bordering the states of Mecklenburg-Vorpommern, Lower Saxony, Saxony-Anhalt, and Saxony, as well as the country of Poland. With an area of 29,480 sq ..., since 1991 References External links

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Martin Krumbiegel
Martin Krumbiegel (born 1963) is a German classical tenor, conductor and musicologist. A member of the Thomanerchor as a boy, he is mostly active in oratorios, cantatas and vocal chamber music of the 17th and 18th century. Career Martin Krumbiegel was born in Leipzig, the brother of Sebastian Krumbiegel, and he was a member of the Thomanerchor from 1973 to 1982. He studied musicology at the University of Leipzig and graduated in 1994 with a doctorate. He also undertook private voice training with Andreas Sommerfeld. Since 1987 he has performed as a concert and oratorio singer, including appearances at the Leipzig Gewandhaus, the Berlin Schauspielhaus, the Semperoper in Dresden and the Kölner Philharmonie. He has regularly collaborated as a soloist with the Bach cantata performances of the Thomanerchor. Tours abroad led him to the Czech Republic, France, the Netherlands, Sweden and Lithuania. As a teacher, he was first a lecturer at the University of Music and Theatre Leipz ...
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Peter Schreier
Peter Schreier (29 July 1935 – 25 December 2019) was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century. Schreier was a member of the Dresdner Kreuzchor conducted by Rudolf Mauersberger, performing as an alto soloist. He became a tenor, focused on concert and lieder singing, well known internationally for the Evangelist parts in Bach's ''Christmas Oratorio'' and Passion. A member of the Berlin State Opera from 1963, he appeared in Mozart roles such as Belmonte in ''Die Entführung aus dem Serail'' and Tamino in ''Die Zauberflöte'', and in the title role of Pfitzner's ''Palestrina'', among others. He appeared at the Vienna State Opera and the Metropolitan Opera, among others, as one of few singers from the German Democratic Republic to perform internationally. Schreier made many recordings, especially of Bach's works as both a singer and a conductor, even simultaneously. He recorded many lieder i ...
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Winfried Schrammek
Winfried Schrammek (7 June 1929 – 4 March 2017) was a German musicologist and organist. Life Education Born in Breslau, Schrammek, son of a surveying engineer, received his first organ lessons as a pupil of the Herzog-Friedland-Gymnasium in Żagań by his music teacher Gustav Mikeleitis. At the age of 15 he was called up for military service. After the end of the war he and his parents were expelled from the Silesian homeland. In Jena he passed his high school diploma in 1948 and began a two-year study of church music at the Hochschule für Musik Franz Liszt, Weimar, which he completed with the Mittlere Staatliche Prüfung für Kirchenmusiker. He then studied musicology, German studies and ethnology at the University of Jena until 1953. . After a three-year aspirancy at the University of Jena, he received his doctorate there in 1956 under Heinrich Besseler. His dissertation topic was: ''Das deutsche Lied in den deutschen Orgel tablatures des 15. Jahrhunderts unter besond ...
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