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Halica
''Halica:'' ''Bliss Out v.11'', often referred to as just ''Halica'' is the debut album from experimental pop group Sweet Trip, and was released by Darla Records in November 1998. It was the eleventh entry in the label's ''Bliss Out'' series of ambient Ambient or Ambiance or Ambience may refer to: Music and sound * Ambience (sound recording), also known as atmospheres or backgrounds * Ambient music, a genre of music that puts an emphasis on tone and atmosphere * ''Ambient'' (album), by Moby * ...-style records. Background In Sweet Trip's early years as a three piece, the band initially started out as a "traditional guitar, bass, and drums" group, albeit struggling to find a bass player for the songs they were writing. During this period, they created many 4-track recordings, with the songs containing many elements of pop, rock, electronic and ambient. Five of these tracks were printed onto cassette tapes and sent to several indie labels, one of which was Darla Records. Acc ...
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Sweet Trip
Sweet Trip was an American electronic music, electronic/experimental rock act formed in 1993 in the Bay Area of California, United States, by musicians Valerie Cooper and Roberto Burgos. They are known for their dreamy soundscapes and dense production techniques, often blending alternative rock subgenres with intelligent dance music; they are also known for their cult following online, specifically around their second album, ''Velocity : Design : Comfort.'' Background The band released four studio albums with Darla Records during its run: 1998's ''Halica'', 2003's ''Velocity : Design : Comfort'', 2009's ''You Will Never Know Why'', and 2021's ''A Tiny House, In Secret Speeches, Polar Equals''; alongside two EPs: 1998's ''Fish Remixes & Versions'', and 1999's ''Alura''. Label mates Junior Varsity KM — for whom Burgos has done several remixes for — have toured with Sweet Trip on several occasions. Other notable outfits Burgos has done remixes for include Takako Minek ...
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Alura (EP)
Sweet Trip was an American electronic/ experimental rock act formed in 1993 in the Bay Area of California, United States, by musicians Valerie Cooper and Roberto Burgos. They are known for their dreamy soundscapes and dense production techniques, often blending alternative rock subgenres with intelligent dance music; they are also known for their cult following online, specifically around their second album, '' Velocity : Design : Comfort.'' Background The band released four studio albums with Darla Records during its run: 1998's ''Halica'', 2003's '' Velocity : Design : Comfort'', 2009's ''You Will Never Know Why'', and 2021's ''A Tiny House, In Secret Speeches, Polar Equals''; alongside two EPs: 1998's ''Fish Remixes & Versions'', and 1999's ''Alura''. Label mates Junior Varsity KM — for whom Burgos has done several remixes for — have toured with Sweet Trip on several occasions. Other notable outfits Burgos has done remixes for include Takako Minekawa, Club 8 a ...
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Darla Records
Darla Records is an independent record label founded by James Agren in October 1993 while he was in New York. Darla's first release was a 7-inch by Grifters, an indie rock/lo-fi band from Memphis. Background The music of the artists on the label includes indie pop, indie rock, electronica, ambient, and Americana. Darla is a label, distributor, and online retailer. Darla Records is home to over 200 exclusively distributed labels including Ad Noiseam, Audio Dregs Recordings, Ici d'Ailleurs, Elefant, LTM, Le Grand Magistery, Matinee, Ohm Resistance, Siesta, and Words On Music. The label created a series, known as Bliss Out in 1996. The series focused on ambient, electronic, and instrumental music. The moniker for the series is a reference to ''Blissed Out: The Rapture of Rock'' — a tome authored by Simon Reynolds, a notable rock music critic based in Britain. The Little Darla Has A Treat For You semi-quarterly compilation series features artists and labels Darla Records wo ...
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A Tiny House, In Secret Speeches, Polar Equals
''A Tiny House, In Secret Speeches, Polar Equals'' is the fourth and final studio album by American experimental pop act Sweet Trip, released through Darla Records on May 28, 2021. The album was released 12 years after Sweet Trip's previous studio album, ''You Will Never Know Why''. The song "Walkers Beware! We Drive into the Sun" was released in January 2021 along with the announcement of the album. Sweet Trip describes the album as being heavily influenced by the shoegaze and electronic pop sounds of their previous albums. Background Roberto Burgos and Valerie Cooper, the duo behind Sweet Trip, announced the band was taking a break in 2013. Their last full album, ''You Will Never Know Why'', was released in 2009, 12 years before the release of ''A Tiny House, In Secret Speeches, Polar Equals''. In May 2020, Sweet Trip released the song "In Sound, We Found Each Other". In January 2021, the duo released the single "Walkers Beware! We Drive into the Sun" and announced the rele ...
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Ambient Techno
Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, the Black Dog, Pete Namlook and Biosphere. Characteristics and influences AllMusic states that ambient techno, building off the ambient house scene, blended the "soaring, layered, aquatic atmospheres of beatless and experimental ambient" with techno's "well-produced, thin-sounding electronics." Artists fused the "environmentalist" work of Brian Eno, Jon Hassell, and Wendy Carlos with the rhythms of urban dance styles such as techno and acid house. Ambient techno artists returned to the instruments of the Detroit techno and Chicago house scenes, including analogue synthesizers, the Roland TB-303 bass machine, and the TR-909 drum machine. Common elements included heavily reverbed string pads and subtle drum programming that moved beyond the simple patterns ...
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Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through the work of groups such as Cocteau Twins and A.R. Kane. Subsequently, acts such as My Bloody Valentine, Slowdive, Galaxie 500, Julee Cruise, Lush, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-'00s success of Beach House. Characteristics The term dream pop is thought to relate to the "immersion" in the music experienced by the listener.Goddard, Michael et al. (2013) ''Resonances: Noise and Contemporary Music'', Bloomsbury Academic, ''The AllMusic G ...
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Shoegaze
Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts. My Bloody Valentine's album '' Loveless'' (1991) is often seen as th ...
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Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ...
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Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ...
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Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ...
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4-track (multitrack)
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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