Half Way Home (album)
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Half Way Home (album)
''Half-Way Home'' is the debut album by English progressive rock band DeeExpus. It was recorded throughout 2007 by band founder and leader Andy Ditchfield, but features contributions from other musicians. It was released in 2008 and Ditchfield put together a band to tour the album. During the tour supporting this album, the band's show at the Progrock 2009 festival was recorded for a live album and DVD. This was released in 2009 and titled ''Far From Home (DeeExpus album), Far From Home''. Track listing #Greed (Ditchfield) #Pointless Child (Ditchfield) #PTtee (Ditchfield) #One Eight (Ditchfield) #One Day (Ditchfield) #Seven Nights (Ditchfield) #Half Way Home (Ditchfield/Wright) Credits (directly from sleeve notes) *Andy Ditchfield - Lead/Rhythm/Acoustic Guitars; Bass Guitars; Keyboards; Piano; Drums; Backing Vocals; Programming *Tony Wright - Lead/Backing Vocals With: *Phil Sloane - Guitar Solo (Tracks 1 and 4); Additional Guitar (4) *Steve Wright - Guitar Solo (7) *Ian Raine - ...
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DeeExpus
DeeExpus is a melodic progressive rock group from Northeast England whose debut album, ''Half Way Home (album), Half Way Home'' was released by DXP Productions in 2008, garnering fan buzz and enthusiastic reviews from around the world. In 2009, DeeExpus received the Classic Rock Society, Classic Rock Society's award for "Best New Band" and released their first live CD and DVD ''Far From Home (DeeExpus album), Far From Home'' from their performance at the Progrock 2009 Festival in Katowice, Poland. The band released their follow-up album on 5 December 2011, ''The King of Number 33,'' featuring Mark Kelly from Marillion on keyboards with Andy Ditchfield and Nik Kershaw on lead vocal on the track "Memo". Their music is difficult to categorize, but they have been likened to other contemporary melodic progressive and heavy rock bands Marillion, Dream Theater, It Bites, Porcupine Tree, Tinyfish, Spock's Beard, Edison's Children and Frost*. Discography ;Studio albums *''Half Way Home (a ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Far From Home (DeeExpus Album)
DeeExpus is a melodic progressive rock group from Northeast England whose debut album, '' Half Way Home'' was released by DXP Productions in 2008, garnering fan buzz and enthusiastic reviews from around the world. In 2009, DeeExpus received the Classic Rock Society's award for "Best New Band" and released their first live CD and DVD '' Far From Home'' from their performance at the Progrock 2009 Festival in Katowice, Poland. The band released their follow-up album on 5 December 2011, '' The King of Number 33,'' featuring Mark Kelly from Marillion on keyboards with Andy Ditchfield and Nik Kershaw on lead vocal on the track "Memo". Their music is difficult to categorize, but they have been likened to other contemporary melodic progressive and heavy rock bands Marillion, Dream Theater, It Bites, Porcupine Tree, Tinyfish, Spock's Beard, Edison's Children and Frost* Frost* are an English neo-progressive rock supergroup, formed in 2004 by Jem Godfrey and members of Arena, Ki ...
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2009 Debut Albums
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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