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Haka
Haka (; plural ''haka'', in both Māori and English) are a variety of ceremonial performance art in Māori culture. It is often performed by a group, with vigorous movements and stamping of the feet with rhythmically shouted or chanted accompaniment. Haka are performed to welcome distinguished guests, or to acknowledge great achievements, occasions, or funerals. Haka have been traditionally performed by both men and women and for a variety of social functions within Māori culture. Kapa haka groups are common in schools. The main Māori performing arts competition, Te Matatini, takes place every two years. New Zealand sports teams' practice of performing a haka before their international matches has made haka more widely known around the world. This tradition began with the 1888–89 New Zealand Native football team tour and has been carried on by the New Zealand rugby union team (known as the All Blacks) since 1905. Although popularly associated with the traditional battl ...
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Haka In Sports
The haka, a traditional dance of the Māori people, has been used in sports in New Zealand and overseas. The challenge has been adopted by the New Zealand national rugby union team, the "All Blacks", and a number of other New Zealand national teams perform before their international matches; some non-New Zealand sports teams have also adopted the haka. History During 1888–89, the New Zealand Native team toured the Home Nations of the United Kingdom, the first team from a colony to do so. It was originally intended that only Māori players would be selected, but four non-Māori were finally included. As the non-Māori were born in New Zealand, the name "Native" was considered justified. The team performed a haka before the start of their first match on 3 October 1888 against Surrey. They were described as using the words "Ake ake kia kaha" which suggests that the haka was not "Ka Mate". The "Ka Mate" haka was not well known at this time. In 1900, a newspaper reported New Zeal ...
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Haka Performed By Non-New Zealand Sports Teams
Although the haka is a traditional dance form of the Māori of New Zealand, the use of a haka by the All Blacks rugby team before matches has made it familiar worldwide, and various haka have been adopted by sports teams outside New Zealand, particularly American football teams in the United States. Though some teams do contain Maori players, frequently the haka has been performed by teams with players from other Polynesian groups, indicating that it has become part of a pan-Polynesian sports culture. The use of the haka outside of New Zealand is controversial, as it can be considered culturally insensitive or offensive. There is also the matter of lyrical content of a haka possibly being at odds with the clothing, national origins, or other attributes of those performing it (such as a haka referencing New Zealand being performed by Americans, or one incorporating a reference to red or black clothing being performed by a sports team with grey or blue uniforms). The Hawaiian war ch ...
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New Zealand National Rugby Union Team
The New Zealand national rugby union team, commonly known as the All Blacks ( mi, Ōpango), represents New Zealand in men's international rugby union, which is considered the country's national sport. The team won the Rugby World Cup in 1987, 2011 and 2015. They were the first country to win the Rugby World Cup 3 times. New Zealand has a 76 per-cent winning record in test-match rugby, and has secured more wins than losses against every test opponent. Since their international debut in 1903, New Zealand teams have played test matches against 19 nations, of which 12 have never won a game against the All Blacks. The team has also played against three multinational all-star teams, losing only eight of 45 matches. Since the introduction of the World Rugby Rankings in 2003, New Zealand has held the number-one ranking longer than all other teams combined. They jointly hold the record for the most consecutive test match wins for a tier-one ranked nation, along with England. The ...
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Te Matatini
Te Matatini is a nation-wide Māori performing arts festival and competition for ''kapa haka'' performers from all of New Zealand. The name was given by Professor Wharehuia Milroy, a composite of ''Te Mata'' meaning ''the face'' and ''tini'' denoting ''many'' — hence the meaning of ''Te Matatini'' is ''many faces''. The Te Matatini festival is held every two years in different regions of New Zealand. Authority (''mana'') is given to different tribes (''iwi'') to host the festival. For example, in 2017 the ''mana'' was given to Te Whanganui-a-Tara on behalf of the Ngāti Kahungunu (''Heretaunga'') region. Mead (2003) explains, Mana is undergone by a set of rules before it is given, the people or person in charge has to accept these constraints and strive to rise above them in order to do the job that is set before them. Te Matatini is seen as playing a very important role within Maoridom in promoting the tikanga of the Māori culture and ''Kapa Haka.'' It provides a valuable e ...
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Kapa Haka
Kapa haka is the term for Māori action songs and the groups who perform them. It literally means 'group' () and 'dance' (). Kapa haka is an important avenue for Māori people to express and showcase their heritage and cultural Polynesian identity through song and dance. Modern kapa haka traces back to pre-European times where it developed from traditional forms of Māori performing art; haka, (weaponry), (ball attached to rope or string) and (traditional Māori songs). There is a regular national kapa haka competition currently called Te Matatini that has been running since 1972. A kapa haka performance involves choral singing, dance and movements associated with the hand-to-hand combat practised by Māori in mainly precolonial times, presented in a synchronisation of action, timing, posture, footwork and sound. The genre evolved out of a combination of European and Māori musical principles. The current form relates to kapa haka concert groups that first appeared in the 1 ...
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Kapa Haka
Kapa haka is the term for Māori action songs and the groups who perform them. It literally means 'group' () and 'dance' (). Kapa haka is an important avenue for Māori people to express and showcase their heritage and cultural Polynesian identity through song and dance. Modern kapa haka traces back to pre-European times where it developed from traditional forms of Māori performing art; haka, (weaponry), (ball attached to rope or string) and (traditional Māori songs). There is a regular national kapa haka competition currently called Te Matatini that has been running since 1972. A kapa haka performance involves choral singing, dance and movements associated with the hand-to-hand combat practised by Māori in mainly precolonial times, presented in a synchronisation of action, timing, posture, footwork and sound. The genre evolved out of a combination of European and Māori musical principles. The current form relates to kapa haka concert groups that first appeared in the 1 ...
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Māori Culture
Māori culture () is the customs, cultural practices, and beliefs of the indigenous Māori people of New Zealand. It originated from, and is still part of, Polynesians, Eastern Polynesian culture. Māori culture forms a distinctive part of Culture of New Zealand, New Zealand culture and, due to a large diaspora and the incorporation of Māori motifs into popular culture, it is found throughout the world. Within Māoridom, and to a lesser extent throughout New Zealand as a whole, the word is often used as an approximate synonym for Māori culture, the Māori language, Māori-language suffix being roughly equivalent to the qualitative noun-ending ''-ness'' in English. has also been translated as "[a] Māori way of life." Four distinct but overlapping cultural eras have contributed Māori history, historically to Māori culture: * before Māori culture had differentiated itself from other Polynesian cultures (Archaic period) * before widespread European contact (Classic period) ...
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Pōwhiri
A pōwhiri (called a pōhiri in eastern dialects, and pronounced in the Taranaki-Whanganui area) is a Māori welcoming ceremony involving speeches, cultural performance, singing and finally the '' hongi''. It is used to both welcome guests onto a marae or during other ceremonies, such as during a dedication of a building (where the owners or future users of the building might be welcomed). A pōwhiri may not be performed for every group of manuhiri (visitors); a ''mihi whakatau'' ("informal greeting to visitors") may be used instead. A pōwhiri is often used for special visitors or for ''tūpāpaku'' (the body of the deceased) for a tangihanga (funeral). However, a pōwhiri are also often performed for tourist groups as part of special events. For most non-Māori speakers the ''wero'', an aggressive challenge of the visitor at the beginning of the ceremony, is the most spectacular part of pōwhiri. During this part of the ceremony, three Māori warriors will advance cautiously t ...
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1888–89 New Zealand Native Football Team
The 1888–89 New Zealand Native football team was a New Zealand rugby union team that toured Britain, Ireland, Australia and New Zealand in 1888 and 1889. It mostly comprised players of Māori ancestry, but also included some Pākehā (white New Zealanders). A wholly private endeavour, the tour was not under the auspices of any official rugby authority; it was organised by New Zealand international player Joseph Warbrick, promoted by public servant Thomas Eyton, and managed by James Scott, a publican. The Natives were the first New Zealand team to perform a haka, and also the first to wear all black. They played 107 rugby matches during the tour, as well as a small number of Victorian Rules football and association football matches in Australia. Having made a significant impact on the development of New Zealand rugby, the Natives were inducted into the World Rugby Hall of Fame in 2008. After a preliminary tour of New Zealand in 1888, the side travelled to England via Melbour ...
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Tama-nui-te-rā
In Māori mythology, Tama-nui-te-rā (Tamanuiterā) is the personification of the Sun. Etymology In the Māori language, ''Tama-nui-te-rā'' means "Great Son of the Sun". The Māori word for "sun" or "day" is ''rā'', deriving from Proto-Polynesian *''laqaa''. Legends Hero Māui decided that the days were too short and caught Tama-nui-te-rā with a snare, then beat him to make him travel more slowly across the sky. Family In some legends Tama-nui-te-rā is the husband of Ārohirohi, goddess of mirages. In other legends, Tama-nui-te-rā had two wives, the Summer maid, Hineraumati, and the Winter maid, Hinetakurua. The child of Tama-nui-te-rā and Hineraumati, Tane-rore, is credited with the origin of dance. Another son of Tama-nui-te-ra is Auahitūroa, god of comets and fires, and grandchildren of Tama-nui-te-rā are Ngā Mānawa.E. Best, ''Māori Religion and Mythology'', Part 2 (''Dominion Museum Bulletin'' No.11. Museum of New Zealand: Wellington, 1982), 244-245. Se ...
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Proto-Malayo-Polynesian
Proto-Malayo-Polynesian (PMP) is the reconstructed ancestor of the Malayo-Polynesian languages, which is by far the largest branch (by current speakers) of the Austronesian language family. Proto-Malayo-Polynesian is ancestral to all Austronesian languages spoken outside Taiwan, as well as the Yami language on Taiwan's Orchid Island. The first systematic reconstruction of Proto-Austronesian ("''Uraustronesisch''") by Otto Dempwolff was based on evidence from languages outside of Taiwan, and was therefore actually the first reconstruction of what is now known as Proto-Malayo-Polynesian. Phonology Consonants The following consonants can be reconstructed for Proto-Malayo-Polynesian (Blust 2009): The phonetic value of the reconstructed sounds *p, *b, *w, *m, *t, *d, *n, *s, *l, *r, *k, *g, *ŋ, *q, *h was as indicated by the spelling. The symbols *ñ, *y, *z, *D, *j, *R are orthographic conventions first introduced by Dyen (1947). The assumed phonetic values are given in the tab ...
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Māori Mythology
Māori mythology and Māori traditions are two major categories into which the remote oral history of New Zealand's Māori may be divided. Māori myths concern fantastic tales relating to the origins of what was the observable world for the pre-European Māori, often involving gods and demigods. Māori tradition concerns more folkloric legends often involving historical or semi-historical forebears. Both categories merge in to explain the overall origin of the Māori and their connections to the world which they lived in. Māori had yet to invent a writing system before European contact, beginning in 1769, so they had no method to permanently record their histories, traditions, or mythologies. They relied on oral retellings memorised from generation to generation. The three forms of expression prominent in Māori and Polynesian oral literature are genealogical recital, poetry, and narrative prose. Experts in these subjects were broadly known as . The rituals, beliefs, and ge ...
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