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Haitian Mythology
Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of Haiti. The lwa, or spirits with whom Vodou adherants work and practice, are not gods but servants of the Supreme Creator Bondye (pronounced Bon Dieu). In keeping with the French-Catholic influence of the faith, Vodou practioneers are for the most part monotheists, believing that the lwa are great and powerful forces in the world with whom humans interact and vice versa, resulting in a symbiotic relationship intended to bring both humans and the lwa back to Bondye. "Vodou is a religious practice, a faith that points toward an intimate knowledge of God, and offers its practitioners a means to come into communion with the Divine, through an ever evolving paradigm of dance, song and prayers." History and origins of Voodo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haitian Vodou
Haitian Vodou is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Roman Catholicism. There is no central authority in control of the religion and much diversity exists among practitioners, who are known as Vodouists, Vodouisants, or Serviteurs. Vodou revolves around spirits known as ''lwa.'' Typically deriving their names and attributes from traditional West and Central African divinities, they are equated with Roman Catholic saints. The lwa divide up into different groups, the ''nanchon'' ("nations"), most notably the Rada and the Petwo. Various myths and stories are told about these lwa, which are regarded as subservient to a transcendent creator deity, Bondye. This theology has been labelled both monotheistic and polytheistic. An initiatory tradition, Vodouists usually meet to venerate the lwa in an ''ounfò'' (temple), ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guinee
Guinea ( ),, fuf, 𞤘𞤭𞤲𞤫, italic=no, Gine, wo, Gine, nqo, ߖߌ߬ߣߍ߫, bm, Gine officially the Republic of Guinea (french: République de Guinée), is a coastal country in West Africa. It borders the Atlantic Ocean to the west, Guinea-Bissau to the northwest, Senegal to the north, Mali to the northeast, Cote d'Ivoire to the southeast, and Sierra Leone and Liberia to the south. It is sometimes referred to as Guinea-Conakry after its capital Conakry, to distinguish it from other territories in the eponymous region such as Guinea-Bissau and Equatorial Guinea. It has a population of million and an area of . Formerly French Guinea, it achieved independence in 1958. It has a history of military coups d'état.Nicholas Bariyo & Benoit FauconMilitary Faction Stages Coup in Mineral-Rich Guinea ''Wall Street Journal'' (September 5, 2021).Krista LarsonEXPLAINER: Why is history repeating itself in Guinea's coup? Associated Press (September 7, 2021).Danielle PaquettH ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haitian Culture
The culture of Haiti is an eclectic mix of African, Taino and European elements due to the French colonization of Saint Domingue and its large and diverse enslaved African population, as is evidenced in the Haitian language, music, and religion. Art Brilliant colors, naïve perspective, and sly humor characterize Haitian art. Big, delectable foods and lush landscapes are favorite subjects in this land. Going to market is the most social activity of country life, and figures prominently into the subject matter. Jungle animals, rituals, dances, and gods evoke the African past. Artists paint in fable as well. People are disguised as animals and animals are transformed into people. Symbols take on great meaning. For example, a rooster often represents Aristide and the red and blue colors of the flag of Haiti, often represent his Lavalas party. Many artists cluster in 'school' of painting, such as the Cap-Haïtien school, which features depictions of daily life in the city, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haitian Mythology
Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of Haiti. The lwa, or spirits with whom Vodou adherants work and practice, are not gods but servants of the Supreme Creator Bondye (pronounced Bon Dieu). In keeping with the French-Catholic influence of the faith, Vodou practioneers are for the most part monotheists, believing that the lwa are great and powerful forces in the world with whom humans interact and vice versa, resulting in a symbiotic relationship intended to bring both humans and the lwa back to Bondye. "Vodou is a religious practice, a faith that points toward an intimate knowledge of God, and offers its practitioners a means to come into communion with the Divine, through an ever evolving paradigm of dance, song and prayers." History and origins of Voodo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palo (religion)
Palo, also known as Las Reglas de Congo, is an African diasporic religion that developed in Cuba during the late 19th or early 20th century. It arose through a process of syncretism between the traditional Kongo religion of Central Africa, the Roman Catholic branch of Christianity, and Spiritism. Initiates in the religion are termed ''paleros'' (male) or ''paleras'' (female). An initiatory religion, Palo is organised through small autonomous groups called ''munanso congo'', each led by a figure known as a ''tata'' (father) or ''yayi'' (mother). Although teaching the existence of a creator deity, Nsambi or Sambia, Palo regards this entity as being uninvolved in human affairs and thus focuses its attention on the spirts of the dead, collectively known as ''Kalunga''. Central to Palo is the ''nganga'' or ''prenda'', a vessel usually made from an iron cauldron, clay pot, or gourd. Many ''nganga'' are regarded as material manifestations of particular deities known as ''mpungu''. The ''n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veve
A ''veve'' (also spelled ''vèvè'' or ''vevè'') is a religious symbol commonly used in different branches of Vodun throughout the African diaspora, such as Haitian Vodou and Louisiana Voodoo. The ''veve'' acts as a "beacon" for the '' loa'', and will serve as a ''loa''s representation during rituals. ''Veves'' should not be confused with the ''patipembas'' used in Palo, nor the ''pontos riscados'' used in Umbanda and Quimbanda, as these are separate African religions. History Possible origins include the cosmogram of the Kongo people, or originated as the Nsibidi system of writing for the Igboid and Ekoid languages from West and Central Africa. Function According to Milo Rigaud, "The ''veves'' represent figures of the astral forces... In the course of Vodou ceremonies, the reproduction of the astral forces represented by the veves obliges the loas... to descend to earth." Every '' loa'' has his or her own unique ''veve'', although regional differences have led to differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haitian Art
Haitian art is a complex tradition, reflecting African roots with strong Indigenous, American and European aesthetic and religious influences. It is an important representation of Haitian culture and history. Many artists cluster in "schools" of painting, such as the Cap-Haïtien school, which features depictions of daily life in the city, the Jacmel School, which reflects the steep mountains and bays of that coastal town, or the Saint-Soleil School, which is characterized by abstracted human forms and is heavily influenced by "Vaudou" symbolism. Painting Centre d’Art The Centre d'Art is an art center, school and gallery located in Port-au-Prince, Haiti. It was founded in 1944 by American watercolorist DeWitt Peters and several prominent Haitians from the intellectual and cultural circles including: Maurice Borno, Andrée Malebranche, Albert Mangonès, Lucien Price, and Georges Remponeau. Popular artists of this movement often were influenced by vaudou and include: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religion In Haiti
Haiti, for much of its history and up to the present day, has been prevailingly a Christian country, primarily Roman Catholic, although in some instances it is profoundly modified and influenced through syncretism. A common syncretic religion is Vodou, which combined the Yoruba religion of enslaved Africans with Catholicism and some Native American strands; it shows similarities, and shares many deity-saints, with Cuban Santería and Brazilian Candomblé. The constitution of Haiti establishes the freedom of religion and does not establish a state religion, although the Catholic Church receives some preferential treatment. The Catholic Religion makes up the largest Christian group in the country, they are estimated to be about 55 percent of the population according to the 2018 CIA World Factbook, and 57 percent according to the Pew Research Center. The historical background is very much due to the French influence brought about through the newly conquered territories. Prote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Haiti
The culture of Haiti is an eclectic mix of African, Taino and European elements due to the French colonization of Saint Domingue and its large and diverse enslaved African population, as is evidenced in the Haitian language, music, and religion. Art Brilliant colors, naïve perspective, and sly humor characterize Haitian art. Big, delectable foods and lush landscapes are favorite subjects in this land. Going to market is the most social activity of country life, and figures prominently into the subject matter. Jungle animals, rituals, dances, and gods evoke the African past. Artists paint in fable as well. People are disguised as animals and animals are transformed into people. Symbols take on great meaning. For example, a rooster often represents Aristide and the red and blue colors of the flag of Haiti, often represent his Lavalas party. Many artists cluster in 'school' of painting, such as the Cap-Haïtien school, which features depictions of daily life in the cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sack Man
The Sack Man (also called the Bag Man or Man with the Bag/Sack) is a figure similar to the bogeyman, portrayed as a man with a sack on his back who carries naughty children away. Regional traditions Variants of this figure appear all over the world, particularly in Latin countries, such as Spain, Portugal, Italy (where he is known as the ''vecchio col sacco'' ("the old man with the sack"), and the countries of Latin America, where it is referred to as ''el "Hombre del costal"'', ''el hombre del saco'', or in Portuguese, ''o homem do saco'' (all of which mean "the sack/bag man"), and Eastern Europe. Similar legends are found in Haiti and some countries in Asia. Iberia and Latin America In Spain, ''el hombre del saco'' is usually depicted as a mean and impossibly ugly and skinny old man who eats the misbehaving children he collects. The crime of Gádor gave rise to this term because the kidnapers used a gunny sack to carry with the children. In Brazil, ''o homem do saco'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonton Macoute (other)
Tonton Macoute was a special operations unit of the Haitian paramilitary force created in 1959. Tonton Macoute may also refer to: * '' Ton-Ton Macoute!'', a 1970 album by American artist Johnny Jenkins * Ton-Ton Macoute, a Haitian mythological phrase meaning "bogey man" (literally: "Uncle Bagman") * "Tonton Macoutes", a track on ''Coup d'etat'' (Muslimgauze album) (1987) * British progressive jazz-rock band Tonton Macoute The Tonton Macoute ( ht, Tonton Makout) or simply the Macoute was a special operations unit within the Haitian paramilitary force created in 1959 by dictator François "Papa Doc" Duvalier. In 1970 the militia was renamed the ' (VSN, Voluntee ..., and their 1971 album ''Tonton Macoute'' See also * Tonton (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rada Loa
The Rada are a family of lwa spirits in the religion of Haitian Vodou. They are regarded as being sweet-tempered and "cool", in this contrasting with the Petro lwa, which are regarded as volatile and "hot". Description The Rada lwa have been described as a "pantheon" of deities in Haitian Vodou. The Rada lwa are deemed sweet-natured and dependable. In this, they contrast with the Petwo lwa, whom are deemed volatile and hot-tempered. The Rada are referred to as ''lwa rasin'', meaning "root lwa." As they are often regarded as having an intimate relationship with their worshippers, they are often given names implying a family connection, such as ''Papa'' ("father") and ''Kouzen'' ("cousin"). The Petwo lwa are kept separate from the Rada lwa, both spatially, by placing their altars in different parts of the ''ounfo'' (temple), and temporally, by invoking them at different stages in a ritual. History The Rada pantheon have West African origins; specifically, the pantheon of Rada lw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
