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Haiku Poets
is a type of short form poetry originally from Japan. Traditional Japanese haiku consist of three phrases that contain a ''kireji'', or "cutting word", 17 '' on'' (phonetic units similar to syllables) in a 5, 7, 5 pattern, and a ''kigo'', or seasonal reference. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese poem called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and haiku in other languages have different styles and traditions while still incorporating aspects of the traditional haiku form. Non-Japanese haiku vary widely on how closely they follow traditional elements. Additionally, a minority movement with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanka
is a genre of classical Japanese poetry and one of the major genres of Japanese literature. Etymology Originally, in the time of the ''Man'yōshū'' (latter half of the eighth century AD), the term ''tanka'' was used to distinguish "short poems" from the longer . In the ninth and tenth centuries, however, notably with the compilation of the '' Kokinshū'', the short poem became the dominant form of poetry in Japan, and the originally general word ''waka'' became the standard name for this form. Japanese poet and critic Masaoka Shiki revived the term ''tanka'' in the early twentieth century for his statement that ''waka should be renewed and modernized''. ''Haiku'' is also a term of his invention, used for his revision of standalone hokku, with the same idea. Form Tanka consist of five units (often treated as separate lines when romanized or translated) usually with the following pattern of '' on'' (often treated as, roughly, the number of syllables per unit or line): :5-7-5-7- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemination
In phonetics and phonology, gemination (), or consonant lengthening (from Latin 'doubling', itself from ''gemini'' 'twins'), is an articulation of a consonant for a longer period of time than that of a singleton consonant. It is distinct from stress. Gemination is represented in many writing systems by a doubled letter and is often perceived as a doubling of the consonant.William Ham, ''Phonetic and Phonological Aspects of Geminate Timing'', p. 1-18 Some phonological theories use "doubling" as a synonym for gemination, others describe two distinct phenomena. Consonant length is a distinctive feature in certain languages, such as Arabic, Berber, Danish, Estonian, Hindi, Hungarian, Italian, Japanese, Kannada, Punjabi, Polish and Turkish. Other languages, such as English, do not have word-internal phonemic consonant geminates. Consonant gemination and vowel length are independent in languages like Arabic, Japanese, Finnish and Estonian; however, in languages like Italian, No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vowel Length
In linguistics, vowel length is the perceived length of a vowel sound: the corresponding physical measurement is duration. In some languages vowel length is an important phonemic factor, meaning vowel length can change the meaning of the word, for example in: Arabic, Estonian, Finnish, Fijian, Kannada, Malayalam, Japanese, Latin, Old English, Scottish Gaelic, and Vietnamese. While vowel length alone does not change word meaning in most dialects of English, it is said to do so in a few dialects, such as Australian English, Lunenburg English, New Zealand English, and South African English. It also plays a lesser phonetic role in Cantonese, unlike in other varieties of Chinese. Many languages do not distinguish vowel length phonemically, meaning that vowel length does not change meaning, and the length of a vowel is conditioned by other factors such as the phonetic characteristics of the sounds around it, for instance whether the vowel is followed by a voiced or a voiceless conso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fixed Verse
Fixed verse forms are a kind of template or formula that poetry can be composed in. The opposite of fixed verse is free verse poetry, which by design has little or no pre-established guidelines. The various poetic forms, such as meter, rhyme scheme, and stanzas guide and limit a poet's choices when composing poetry. A fixed verse form combines one or more of these limitations into a larger form. A form usually demands strict adherence to the established guidelines that to some poets may seem stifling, while other poets view the rigid structure as a challenge to be innovative and creative while staying within the guidelines. Examples of fixed verse forms {{Dynamic list ; Haiku : A Japanese form designed to be small and concise by limiting the number of lines and the number of syllables in a line. Japanese haiku are three-line poems with the first and the third line having five syllables and the middle having seven syllables. English-language Haiku may be shorter than seventeen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mora (linguistics)
A mora (plural ''morae'' or ''moras''; often symbolized μ) is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable. For example, a short syllable such as ''ba'' consists of one mora (''monomoraic''), while a long syllable such as ''baa'' consists of two (''bimoraic''); extra-long syllables with three moras (''trimoraic'') are relatively rare. Such metrics are also referred to as syllable weight. The term comes from the Latin word for "linger, delay", which was also used to translate the Greek word χρόνος : ''chrónos'' (time) in its metrical sense. Formation The general principles for assigning moras to segments are as follows (see Hayes 1989 and Hyman 1985 for detailed discussion): # A syllable onset (the first consonant or consonants of the syllable) does not represent any mora. # The syllable nucleus represents one mora in the case of a short vowel, and two morae in the case of a long vowel or diphthong. Consonants se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Examples
Example may refer to: * '' exempli gratia'' (e.g.), usually read out in English as "for example" * .example, reserved as a domain name that may not be installed as a top-level domain of the Internet ** example.com, example.net, example.org, example.edu, second-level domain names reserved for use in documentation as examples * HMS ''Example'' (P165), an Archer-class patrol and training vessel of the Royal Navy Arts * ''The Example'', a 1634 play by James Shirley * ''The Example'' (comics), a 2009 graphic novel by Tom Taylor and Colin Wilson * Example (musician), the British dance musician Elliot John Gleave (born 1982) * ''Example'' (album), a 1995 album by American rock band For Squirrels See also * * Exemplar (other), a prototype or model which others can use to understand a topic better * Exemplum, medieval collections of short stories to be told in sermons * Eixample The Eixample (; ) is a district of Barcelona between the old city (Ciutat Vella) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renku
, or , is a Japanese form of popular collaborative linked verse poetry. It is a development of the older Japanese poetic tradition of ''ushin'' renga, or orthodox collaborative linked verse. At renku gatherings participating poets take turns providing alternating verses of 17 and 14 morae. Initially ''haikai no renga'' distinguished itself through vulgarity and coarseness of wit, before growing into a legitimate artistic tradition, and eventually giving birth to the haiku form of Japanese poetry. The term ''renku'' gained currency after 1904, when Kyoshi Takahama started to use it. Development The oldest known collection of haikai linked verse appears in the first imperial anthology of renga, the ''Tsukubashū'' (1356–57).Shirane, Haruo (2012). ''Traditional Japanese Literature: An Anthology, Beginnings to 1600''. Columbia University Press. p. 522. Traditional renga was a group activity in which each participant displayed his wit by spontaneously composing a verse in response to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volta (literature)
In poetry, the volta, or turn, is a rhetorical shift or dramatic change in thought and/or emotion. Turns are seen in all types of written poetry. Terminology The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of ''How Does a Poem Mean?'', John Ciardi calls the turn a "fulcrum". In ''The Poet's Art'', M.L. Rosenthal employs two different terms for different kinds of turns: "gentle ''modulations'', or at the furthest extreme, wrenching turns of emphasis or focus or emotional pitch (''torques'')". Hank Lazer primarily refers to the turn as a "swerve", asking, "Is there a describable lyricism of swerving? For those poems for which the swerve, the turn, the sudden change in direction are integral, can we begin to articulate a precise appreciation? Is there a describable and individualistic lyricism of swerving?" What Leslie Ullman calls the "center" of a poem largely is the poem's turn. Importance Author and historian Paul Fussell calls ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
