Hôtel De Bourgogne (theatre)
Hôtel de Bourgogne was a theatre, built in 1548 for the first authorized theatre troupe in Paris, the Confrérie de la Passion. It was located on the rue Mauconseil (now the rue Étienne Marcel in the 2nd arrondissement of Paris), on a site that had been part of the residence of the Dukes of Burgundy (the former Hôtel de Bourgogne). The most important French theatre until the 1630s, it continued to be used until 1783,Forman 2010, p. 134 ("Hôtel de Bourgogne"). after which it was converted to a leather market and eventually totally demolished. The Confrérie performed farce and secular dramas, but lacking great success, began renting the theatre to itinerant acting companies, including Italian ''commedia dell'arte'' troupes, who introduced the characters Harlequin and Pantalone, as well as burlesque. In 1628, a French company, the Comédiens du Roi, became permanently established and performed many of the classics of French theatre, including ''Andromaque'' and ''Phèdre'' by ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alexandre Hardy
Alexandre Hardy (c. 1570/1572 – 1632) was a French dramatist, one of the most prolific of all time. He claimed to have written some six hundred plays, but only thirty-four are extant. He was born in Paris, and seems to have been connected most his life with a troupe of actors (the " Comédiens du Roi") headed by the actor named Valleran Lecomte, whom he provided with plays; Hardy may have toured the provinces and even acted with this company (his participation with this troupe is attested from 1611, but may have begun far earlier). Valleran Lecomte's troupe gave performances in Paris from 1598 to 1600 at the Hôtel de Bourgogne, and again from 1606 to 1612. At the death of Valleran, the troupe was headed by the actor Bellerose (Pierre Le Messier), and the troupe would gain exclusive rights to the Hôtel de Bourgogne in 1629. Because of his difficult relations with Bellerose, in 1627 Hardy started writing for a rival troupe of actors (the " Vieux Comédiens du Roi") around ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Abraham Bosse, Actors At The Hotel De Bourgogne 2, Ca
Abraham, ; ar, , , name=, group= (originally Abram) is the common Hebrew patriarch of the Abrahamic religions, including Judaism, Christianity, and Islam. In Judaism, he is the founding father of the special relationship between the Jews and God; in Christianity, he is the spiritual progenitor of all believers, whether Jewish or non-Jewish; and in Islam, he is a link in the chain of Islamic prophets that begins with Adam (see Adam in Islam) and culminates in Muhammad. His life, told in the narrative of the Book of Genesis, revolves around the themes of posterity and land. Abraham is called by God to leave the house of his father Terah and settle in the land of Canaan, which God now promises to Abraham and his progeny. This promise is subsequently inherited by Isaac, Abraham's son by his wife Sarah, while Isaac's half-brother Ishmael is also promised that he will be the founder of a great nation. Abraham purchases a tomb (the Cave of the Patriarchs) at Hebron to be S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Troupe Royale De L'Hôtel De Bourgogne
Troupe may refer to: General *Comedy troupe, a group of comedians *Dance troupe, a group of dancers **Fire troupe, a group of fire dancers *Troupe system, a method of playing role-playing games *Theatrical troupe, a group of theatrical performers People with the surname Troupe *Ben Troupe (born 1982), American football player *Quincy Troupe (born 1939), American poet and journalist *Ron Troupe, a fictional journalist in the ''Superman'' comics *Tom Troupe (born 1928), American actor and journalist See also *List of dance companies *List of improvisational theatre companies Improvisational theatre companies, also known as improv troupes or improv groups, are the primary practitioners of improvisational theater. Modern companies exist around the world and at a range of skill levels. Most groups make little or no mon ... * Troup (other) * {{disambiguation, surname ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Agnan Sarat (born 1961), French politician
{{DEFAULTSORT:Aignan ...
Aignan may refer to: * Aignan, Gers, a commune of France * Aignan of Orleans (358–453), Bishop of Orleans, canonized * Nicolas Dupont-Aignan Nicolas Dupont-Aignan (; born 7 March 1961), sometimes referred to by his initials NDA, is a French politician serving since 2008 as President of minor party Debout la France. He is its only member of the National Assembly, elected for Essonne' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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I Gelosi
I Gelosi (; "the Zealous Ones") was an Italian acting troupe that performed commedia dell'arte from 1569 to 1604. Their name stems form their motto: , long thought to mean "Virtue, fame and honour made us jealous", or "We are jealous of attaining virtue, fame, and honour", signifying that such rewards could only be attained by those who sought for them jealously. Modern reevaluations have considered "''zealous''" (present-day Italian ) as a more accurate translation over "''jealous''", redefining their motto to signify that, as actors, they were zealous to please. I Gelosi was formed in Milan, Italy by Flaminio Scala. Their first notable performer was Vittoria Piisimi. I Gelosi was the first troupe to be patronized by nobility: in 1574 and 1577 they performed for the king of France. Audiences in France were enthused by the raunchiness and comedy of their performances and were willing to pay a decent sum to watch them.Barasch, Frances K. “Italian Actresses in Shakespeare’s W ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Parliament Of Paris
The Parliament of Paris (french: Parlement de Paris) was the oldest ''parlement'' in the Kingdom of France, formed in the 14th century. It was fixed in Paris by Philip IV of France in 1302. The Parliament of Paris would hold sessions inside the medieval royal palace on the Île de la Cité, nowadays still the site of the Paris Hall of Justice. History In 1589, Paris was effectively in the hands of the Catholic League. To escape, Henry IV of France summoned the parliament of Paris to meet at Tours, but only a small faction of its parliamentarians accepted the summons. (Henry also held a parliament at Châlons, a town remaining faithful to the king, known as the Parliament of Châlons.) Following the assassination of Henry III of France by the Dominican lay brother Jacques Clément, the "Parliament of Tours" continued to sit during the first years of Henry IV of France's reign. The royalist members of the other provincial parliaments also split off—the royalist members of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mystery Play
Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song. They told of subjects such as the Creation, Adam and Eve, the murder of Abel, and the Last Judgment. Often they were performed together in cycles which could last for days. The name derives from ''mystery'' used in its sense of ''miracle,'' but an occasionally quoted derivation is from ''ministerium'', meaning ''craft'', and so the 'mysteries' or plays performed by the craft guilds. Origins As early as the fifth century living tableaux were introduced into sacred services. The plays originated as simple ''tropes'', verbal embellishments of liturgical texts, and slowly became more elaborate. At an early period chants from the service of the day were added t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |