|
Horn Of Plenty (Warren Vaché Album)
''Horn of Plenty'' is an album by cornetist Warren Vaché which was recorded in 1993 and released on the Muse label the following year. Retrieved February 12, 2019 Reception The review by Scott Yanow stated "Warren Vache is in excellent form throughout this interesting set ... Throughout, Vache is heard at the top of his game, adding a swing sensibility to music ranging from dixieland to hard bop. Recommended".Track listing # "Eternal Triangle" () – 4:44 # "Struttin' with Some Barbecue" ( |
Warren Vaché Jr
A warren is a network of wild rodent or lagomorph, typically rabbit burrows. Domestic warrens are artificial, enclosed establishment of animal husbandry dedicated to the raising of rabbits for meat and fur. The term evolved from the medieval Anglo-Norman concept of free warren, which had been, essentially, the equivalent of a hunting license for a given woodland. Architecture of the domestic warren The cunicularia of the monasteries may have more closely resembled hutches or pens, than the open enclosures with specialized structures which the domestic warren eventually became. Such an enclosure or ''close'' was called a ''cony-garth'', or sometimes ''conegar'', ''coneygree'' or "bury" (from "burrow"). Moat and pale To keep the rabbits from escaping, domestic warrens were usually provided with a fairly substantive moat, or ditch filled with water. Rabbits generally do not swim and avoid water. A ''pale'', or fence, was provided to exclude predators. Pillow mounds The most ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joy Spring
"Joy Spring" is a 1954 jazz composition by Clifford Brown that became his signature work. The title was his pet name for his wife Larue. Early history Brown first recorded "Joy Spring" in a studio session led by him on August 6, 1954, at Capitol Recording Studios, in Los Angeles, with Harold Land (tenor sax), Richie Powell (piano), George Morrow ( bass), and Max Roach (drums). They did two takes – and . Six days later (August 12, 1954), at the same studio, Brown, as leader, recorded Jack Montrose's arrangement of it with Stu Williamson (valve trombone), Zoot Sims (tenor sax), Bob Gordon (baritone sax), Russ Freeman (piano), Joe Mondragon ( bass), and Shelly Manne (drums). That take has been issued on several albums, including '' Jazz Messages'' (Jazztone ), ''Clifford Brown & Max Roach'' (Pacific Jazz ), and ''Jazz Imortal – Featuring Zoot Sims'' (1988; Pacific Jazz ). Larue Anderson, before marrying Brown, had been a classical music student at the University of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joel Helleny
Joel Edward Helleny (born October 23, 1956, Paris, Texas d. June 20, 2009, Herrin, Illinois) was an American jazz trombonist. Helleny learned piano from his mother as a child but settled on trombone by age seven. Although born in Texas he moved to Herrin, Illinois as a child.Joel Helleny , Obituaries , thesouthern.com Retrieved 2017-03-06. He attended the before moving to New York City in 1979. There he played with , |
Joe Puma
Joe Puma (August 13, 1927 – May 31, 2000) was an American jazz guitarist. Puma was born in the Bronx, New York. His first professional experience came with Joe Roland in 1949–50. He played in the band led by Cy Coleman. He acted as a session musician for many jazz musicians during the 1950s, including Louie Bellson, Artie Shaw's Gramercy Five, Eddie Bert, Herbie Mann, Mat Mathews, Chris Connor, and Paul Quinichette, Lee Konitz, and Dick Hyman; he also recorded extensively as a leader at this time. In the 1960s, he worked with Morgana King, Bobby Hackett, Gary Burton, and Carmen McRae, and between 1972 and 1977 he and Chuck Wayne led an ensemble. He continued to perform and teach into the late 1990s. Honors In 1957 he won the New Star Award for Guitar from ''Metronome Magazine''. Discography As leader * ''Joe Puma'' (Bethlehem, 1954) * ''Wild Kitten'' (Dawn, 1957) * ''The Fourmost Guitars'' with Jimmy Raney, Chuck Wayne, Dick Garcia (ABC-Paramount, 1957) * ''Jazz'' (Jubil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houston Person
Houston Person (born November 10, 1934) is an American jazz tenor saxophonist and record producer. Although he has performed in the hard bop and swing genres, he is most experienced in and best known for his work in soul jazz. He received the ‘Eubie Blake Jazz Award’ in 1982. Biography Person grew up in Florence, South Carolina, and first played piano before switching to tenor saxophone. He studied at South Carolina State College where he was inducted into the school's Hall of Fame in 1999. In the United States Air Force, he joined a service band stationed in West Germany, and played with Don Ellis, Eddie Harris, Cedar Walton, and Leo Wright. He later continued his studies at Hartt College of Music in Hartford, Connecticut. He first became known for a series of albums for Prestige in the 1960s. Contrary to popular belief, he was never married to the vocalist Etta Jones, but did spend many years as her musical partner, recording, performing and touring, and for much of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liza (All The Clouds'll Roll Away)
Liza (All the Clouds'll Roll Away)" is a song composed by George Gershwin with lyrics by Ira Gershwin and Gus Kahn. It was introduced in 1929 by Ruby Keeler (as Dixie Dugan) in Florenz Ziegfeld's musical ''Show Girl''. The stage performances were accompanied by the Duke Ellington Orchestra. On the show's opening night in Boston on June 25, 1929, Keeler's husband and popular singer Al Jolson suddenly stood up from his seat in the third row and sang a chorus of the song, much to the surprise of the audience and Gershwin himself. Jolson recorded the song a few days later on July 6, 1929, and his rendition rose to number nine on the charts of the day. Other notable recordings A popular jazz standard, the song has been recorded by: * Ipana Troubadors, vocal by Smith Ballew, recorded July 9, 1929 for Columbia Records (catalog No. 1903D). * Leo Reisman and His Orchestra, recorded July 9, 1929 for Victor Records (catalog No. 22069A). *Fletcher Henderson and His Orchestra - recorded on Sep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernon Duke
Vernon Duke ( 16 January 1969) was a Russian-born American composer/songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), " April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the ''Ziegfeld Follies'' of 1934, also with Harburg. He wrote the words and music for " Autumn in New York" (1934) for the revue '' Thumbs Up!'' In his book, ''American Popular Song, The Great Innovators 1900-1950'', composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn. Early life Vladimir Aleksandrovich Dukelsky (Russian: Владимир Александрович Дукельский) was born in 1903 into a Belarusian noble family in the village of Parfyan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
