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Homes Under The Hammer
''Homes Under the Hammer'' is a British factual renovation and auction television series that is screened on BBC One as part of the morning schedule. The series has been running since 17 November 2003, and is currently presented by Martin Roberts and Martel Maxwell alongside Dion Dublin, Jacqui Joseph, and Tommy Walsh. Lucy Alexander, the series' original presenter, departed the series in 2016, though new episodes featuring Alexander were broadcast intermittently until 2022. The series is the BBC's most successful show among others in the 10 am slot, regularly attaining a 30% market share for new episodes, which equates to approximately 1.5 million viewers per episode. Presenters Since the first series in 2003, Lucy Alexander and Martin Roberts presented the show, though guest presenters Jasmine Birtles and Marc Woodward also presented a handful of episodes during series three, due to the limited availability of the regular presenters. Retired footballer Dion Dublin joi ...
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Martin Roberts (presenter)
Martin Leyland Roberts (born 20 July 1963) is an English television presenter, property expert, investor, entrepreneur and author. He presents the BBC One property auction series ''Homes Under the Hammer'' with co-presenters Martel Maxwell (since 2016) and Dion Dublin, although his co-presenter for many years was Lucy Alexander. He also hosts the Talkradio show "Home Rule with Martin Roberts", where he chats about property. Early life and career Born in Warrington, Cheshire, Roberts was brought up in Stockton Heath, a suburb of Warrington. Roberts began his career in the late 1980s at BBC Radio Manchester. Roberts' grandfather was a well known organist at various Warrington chapels. He attended Appleton Hall Grammar School then studied Electronic Engineering at the University of Bradford 1983–86 and was a DJ on Ramair, the university's radio station. Roberts has worked as a property developer since the early 1990s and has contributed to several publications, both on the subj ...
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Ground Force
''Ground Force'' was a British garden makeover television series originally broadcast by the BBC between 1997 and 2005. The series was originally hosted by Alan Titchmarsh, Charlie Dimmock and Tommy Walsh. Production The series was created by Peter Bazalgette and was first broadcast on 19 September 1997 on BBC Two. In each episode, a team of gardeners make over the garden of an individual who has been nominated by a member of their family or a friend. Whilst that individual is away, the team, assisted by friends and family, make over the garden over two days, and surprise the individual on their return. The team was led by Alan Titchmarsh, presenter of ''Pebble Mill at One'' and ''Gardeners' World'', gardener Charlie Dimmock, builder Tommy Walsh and his assistant Will Shanahan. Dimmock met the producer–director of the series five years previously when she built a pond for the Meridian series ''Grass Roots'',. Walsh was invited to take part after completing work on the exe ...
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Home Renovation Television Series
A home, or domicile, is a space used as a permanent or semi-permanent residence for one or many humans, and sometimes various companion animals. It is a fully or semi sheltered space and can have both interior and exterior aspects to it. Homes provide sheltered spaces, for instance rooms, where domestic activity can be performed such as sleeping, preparing food, eating and hygiene as well as providing spaces for work and leisure such as remote working, studying and playing. Physical forms of homes can be static such as a house or an apartment, mobile such as a houseboat, trailer or yurt or digital such as virtual space. The aspect of ‘home’ can be considered across scales; from the micro scale showcasing the most intimate spaces of the individual dwelling and direct surrounding area to the macro scale of the geographic area such as town, village, city, country or planet. The concept of ‘home’ has been researched and theorized across disciplines – topics ranging ...
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English-language Television Shows
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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BBC Television Shows
#REDIRECT BBC #REDIRECT BBC #REDIRECT BBC Here i going to introduce about the best teacher of my life b BALAJI sir. He is the precious gift that I got befor 2yrs . How has helped and thought all the concept and made my success in the 10th board exam. ... ...
Here i going to introduce about the best teacher of my life b BALAJI sir. He is the precious gift that I got befor 2yrs . How has helped and thought all the concept and made my success in the 10th board exam. ...
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2020s British Television Series
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter '' samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the compli ...
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2010s British Television Series
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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2000s British Television Series
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter '' samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the compli ...
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2003 British Television Series Debuts
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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BBC Genome Project
The BBC Genome Project is an online searchable database of programme listings initially based upon the contents of the ''Radio Times'' from the first issue in 1923 to 2009. Television listings from post-2009 can be accessed via the BBC Programmes site. History Prior BBC Genome is not the first online searchable database. In April 2006, they gave the public access to Infax – their only electronic programme database at the time. It contained around 900,000 entries but not every programme ever broadcast, and it ceased operation in December 2007. The front page of the website is still available to see via the Internet Archive. After Infax ceased, a message on the website said that it would be incorporating in the information into individual programme pages. In 2012, Infax was replaced by the database Fabric but this is only for internal use within the BBC. ''Radio Times'' In December 2012, the BBC completed a digitisation exercise, scanning the listings from ''Radio Times'' of al ...
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Music In Advertising
Music in advertising refers to music integrated into mass electronic media advertisements to enhance its success. Music in advertising affects the way viewers perceive the brand by different means and on different levels, and "can significantly affect the emotional response to television commercials." It also affects the musicians whose music is featured in advertisements. Functions of music in advertising In advertising, "music can serve the overall promotional goals in one or more of several capacities." David Huron proposes six primary categories, which include: entertainment, structure and continuity, memorability, lyrical language, targeting, and authority establishment. Also, music in advertising can be used to appeal to a person's emotions and senses. The targeting of one's emotions is done so that the audience is swayed toward what is being advertised. Using music to influence a person's emotional state is effective, since “music has a significant influence on the consu ...
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Sting (musical Phrase)
A sting, sometimes called a sounder, is a short musical phrase, primarily used in broadcasting and films as a form of punctuation. For example, a sting might be used to introduce a regular section of a show, indicate the end of a scene, or indicate that a dramatic climax is imminent. A classic sting is the Dun dun duuun! played to indicate a period of suspense. It can be played on a variety of instruments and performed by a group or orchestral ensemble. Another form of sting, often mistakenly called a rimshot, is used only in comedy and played just on percussion instruments (such as drums or cymbals) as a payoff after the delivery of a punchline. A musical sting can be used in drama, comedy, horror or any genre, and in radio and television advertising. It is a part of the music director's lexicon. It is often used to build tension. Stings are often used in horror movies to accentuate jump scares, called a "scare chord". See also *Bumper music *Stab (music) *Sting (percussion) * ...
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