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Hodegetria
A Hodegetria , ; russian: Одиги́трия, Odigítria ; Romanian: Hodighitria, or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind. The Virgin's head usually inclines towards the child, who raises his hand in a blessing gesture. In the Western Church this type of icon is sometimes called Our Lady of the Way. The most venerated icon of the Hodegetria type, regarded as the original, was displayed in the Monastery of the Panaghia Hodegetria in Constantinople, which was built specially to contain it. Unlike most later copies it showed the Theotokos standing full-length. It was said to have been brought back from the Holy Land by Eudocia, the wife of emperor Theodosius II (408–450), and to have been painted by Saint Luke the apostle himself. The icon was double-sided, with a crucifixion on the other side, and was "perhaps the most prominent cult obje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odigitriya Smolenskaya Dionisiy
A Hodegetria , ; russian: Одиги́трия, Odigítria ; Romanian: Hodighitria, or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind. The Virgin's head usually inclines towards the child, who raises his hand in a blessing gesture. In the Western Church this type of icon is sometimes called Our Lady of the Way. The most venerated icon of the Hodegetria type, regarded as the original, was displayed in the Monastery of the Panaghia Hodegetria in Constantinople, which was built specially to contain it. Unlike most later copies it showed the Theotokos standing full-length. It was said to have been brought back from the Holy Land by Eudocia, the wife of emperor Theodosius II (408–450), and to have been painted by Saint Luke the apostle himself. The icon was double-sided, with a crucifixion on the other side, and was "perhaps the most prominent cult obje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hodegon Monastery
The Hodegon Monastery (also Monastery of the Panaghia Hodegetria or Monastery of the Hodegoi) in Constantinople was allegedly founded by Saint Pulcheria (399–453), a daughter of Emperor Arcadius. The monastery is considered one of the three main Marian foundations built in the city along with the Blachernai and the Chalkoprateia. The monastery was situated beyond the Chalkoprateia by the sea and served as the counterpart of the Blachernai so that these structures bracket the city of Constantinople as well as the processions such as the weekly Blachernai procession that began at the Theodosian walls and ended at Chalkoprateia. The Hodegon Monastery is believed to be named after the term ''hodegoi'', which referred to the guides who led the blinds toward the miraculous well within the structure. Tradition states that the monastery held the Icon of the Hodegetria, believed to have been painted by Saint Luke. According to an account by Xanthopoulos, this relic was brought from Ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chora Church
'' '' tr, Kariye Mosque'' , image = Chora Church Constantinople 2007 panorama 002.jpg , caption = Exterior rear view , map_type = Istanbul Fatih , map_size = 220px , map_caption = Location within the Fatih district of Istanbul , location = Istanbul, Turkey , coordinates = , latitude = , longitude = , religious_affiliation = Greek Orthodox Church (before 1500), Sunni Islam (1500–1945, 2020–present), Directorate of Religious Affairs of Turkey (1924–1945, 2020–present) , status = , functional_status = Mosque , heritage_designation = , leadership = , website = , architecture = yes , architect = , architecture_type = Church , architecture_style = Byzantine architecture, Greek architecture, Ottoman architecture, Islamic , capacity = , length ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theotokos
''Theotokos'' (Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are ''Dei Genitrix'' or ''Deipara'' (approximately "parent (fem.) of God"). Familiar English translations are "Mother of God" or "God-bearer" – but these both have different literal equivalents in Greek, Μήτηρ Θεοῦ and Θεοφόρος ("Who gave birth to one who was God", "Whose child was God", respectively). The title has been in use since the 3rd century, in the Syriac tradition (as ) in the Liturgy of Mari and Addai (3rd century)''Addai and Mari, Liturgy of''. Cross, F. L., ed. ''The Oxford Dictionary of the Christian Church''. Oxford University Press. 2005. and the Liturgy of St James (4th century). The Council of Ephesus in AD 431 decreed that Mary is the ''Theotokos'' because Her Son Jesus is both God and man: one divine person from two natures (divine and human) intimately and hypostatically united. The title of Mother o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salus Populi Romani
''Salus Populi Romani'' (''Protectress'', or more literally ''health'' or ''salvation'', ''of the Roman People'') is a Roman Catholic title associated with the venerated image of the Blessed Virgin Mary in Rome. This Byzantine art, Byzantine icon of the Mary, mother of Jesus, Madonna and Child Jesus holding a Gospel book on a gold ground, now heavily Overpainting, overpainted, is kept in the Borghese (Pauline) Chapel of the Basilica of Saint Mary Major.''Relics'' by Joan Carroll Cruz 1984 page 96 The image arrived in Rome in 590 A.D. during the reign of Pope Gregory I. Pope Gregory XVI granted the image a canonical coronation on 15 August 1838 through the papal bull ''Cælestis Regina''. Pope Pius XII crowned the image again and ordered a public religious procession during the Marian year of 1 November 1954. The image was cleaned and restored by the Vatican Museum, then given a Pontifical Mass on 28 January 2018. The phrase ''Salus Populi Romani'' goes back to the legal syst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamilton Psalter
The Hamilton Psalter (Breviario Greco, with illuminations, 4to MS on velum am. 119 is an illustrated manuscript that consists of Psalms 1-150 and twelve canonical Odes. It is most notable among Byzantine manuscripts due to being one of the few surviving bilingual manuscripts from the Byzantine era, written primarily in Greek and Latin. There’s no sole author of the manuscript but it’s in fact a compilation of multiple scribes' writing. Its name is derived from being a part of the Hamilton Collection, arranged to be purchased from Alexander Hamilton (10th Duke of Hamilton) in 1882 by Wilhelm von Bode and Karl Friedrich Lippmann for the Royal Library in Berlin. It is currently housed within the Staatliche Museen Preussischer Kulturbesitz, Kupferstichkabinett Berlin. Patronage and Dating The 10th Duke of Hamilton had acquired the manuscript at the beginning of the nineteenth century, when Northern Italy dispersed a larger number of books due to the secularization of churches duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Luke
Luke the Evangelist (Latin: '' Lucas''; grc, Λουκᾶς, '' Loukâs''; he, לוקאס, ''Lūqās''; arc, /ܠܘܩܐ לוקא, ''Lūqā’; Ge'ez: ሉቃስ'') is one of the Four Evangelists—the four traditionally ascribed authors of the canonical gospels. The Early Church Fathers ascribed to him authorship of both the Gospel of Luke and the Acts of the Apostles. Prominent figures in early Christianity such as Jerome and Eusebius later reaffirmed his authorship, although a lack of conclusive evidence as to the identity of the author of the works has led to discussion in scholarly circles, both secular and religious. The New Testament mentions Luke briefly a few times, and the Epistle to the Colossians refers to him as a physician (from Greek for 'one who heals'); thus he is thought to have been both a physician and a disciple of Paul. Since the early years of the faith, Christians have regarded him as a saint. He is believed to have been a martyr, reportedly having bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeyrek Mosque
'' '' tr, Zeyrek Camii'' , image = Molla Zeyrek Camii.jpg , image_size = 300px , caption =The mosque viewed from north east. From left to right, one can see the apses of the ''Church of Christ Pantocrator'', the ''Imperial Chapel'' and the ''Church of the Theotokos Eleousa''. , image_upright = 1.2 , map_type = Istanbul Fatih , map_size = , map_caption = Location in the Fatih district of Istanbul , location = Istanbul, Turkey , coordinates = , latitude = , longitude = , religious_affiliation = Sunni Islam , rite = , region = , state = , province = , territory = , prefecture = , sector = , consecration_year = Shortly after 1453 , status = , architecture = yes , architect = , architecture_type ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empire a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconoclasm (Byzantine)
The Byzantine Iconoclasm ( gr, Εικονομαχία, Eikonomachía, lit=image struggle', 'war on icons) were two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Orthodox Church and the temporal imperial hierarchy. The First Iconoclasm, as it is sometimes called, occurred between about 726 and 787, while the Second Iconoclasm occurred between 814 and 842. According to the traditional view, Byzantine Iconoclasm was started by a ban on religious images promulgated by the Byzantine Emperor Leo III the Isaurian, and continued under his successors. It was accompanied by widespread destruction of religious images and persecution of supporters of the veneration of images. The Papacy remained firmly in support of the use of religious images throughout the period, and the whole episode widened the growing divergence between the Byzantine and Carolingian traditions in what was still a un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
