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History Of The Concept Of Creativity
The ways in which societies have perceived the concept of creativity have changed throughout history, as has the term itself. The ancient Greek concept of art (in Greek, "''techne''—the root of "technique" and "technology"), with the exception of poetry, involved not freedom of action but subjection to ''rules''. In Rome, the Greek concept was partly shaken, and visual artists were viewed as sharing, with poets, imagination and inspiration. Under medieval Christianity, the Latin "''creatio'' came to designate God's act of "''creatio ex nihilo'' ("creation from nothing"); thus "''creatio'' ceased to apply to human activities. The Middle Ages, however, went even further than antiquity, when they revoked poetry's exceptional status: it, too, was an art and therefore craft and not creativity. Renaissance men sought to voice their sense of their freedom and creativity. The first to apply the word "creativity", however, was the 17th-century Polish poet Maciej Kazimierz Sarbiew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concept
Concepts are defined as abstract ideas. They are understood to be the fundamental building blocks of the concept behind principles, thoughts and beliefs. They play an important role in all aspects of cognition. As such, concepts are studied by several disciplines, such as linguistics, psychology, and philosophy, and these disciplines are interested in the logical and psychological structure of concepts, and how they are put together to form thoughts and sentences. The study of concepts has served as an important flagship of an emerging interdisciplinary approach called cognitive science. In contemporary philosophy, there are at least three prevailing ways to understand what a concept is: * Concepts as mental representations, where concepts are entities that exist in the mind (mental objects) * Concepts as abilities, where concepts are abilities peculiar to cognitive agents (mental states) * Concepts as Fregean senses, where concepts are abstract objects, as opposed to mental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sciences
Science is a systematic endeavor that builds and organizes knowledge in the form of testable explanations and predictions about the universe. Science may be as old as the human species, and some of the earliest archeological evidence for scientific reasoning is tens of thousands of years old. The earliest written records in the history of science come from Ancient Egypt and Mesopotamia in around 3000 to 1200 BCE. Their contributions to mathematics, astronomy, and medicine entered and shaped Greek natural philosophy of classical antiquity, whereby formal attempts were made to provide explanations of events in the physical world based on natural causes. After the fall of the Western Roman Empire, knowledge of Greek conceptions of the world deteriorated in Western Europe during the early centuries (400 to 1000 CE) of the Middle Ages, but was preserved in the Muslim world during the Islamic Golden Age and later by the efforts of Byzantine Greek scholars who b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyclitus (sculptor)
Polykleitos ( grc, Πολύκλειτος) was an ancient Greek sculptor in bronze of the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise (a canon of body proportions), the ''Canon of Polykleitos'', setting out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but there are many of what are believed to be later copies in marble, mostly Roman. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' ( grc, Πολύκλειτος, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Body Proportions
While there is significant variation in anatomical proportions between people, certain body proportions have become wikt:canonical, canonical in figurative art. The study of body proportions, as part of the study of artistic anatomy, explores the relation of the elements of the human body to each other and to the whole. These ratios are used in depictions of the human figure and may become part of an artistic canons of body proportions, artistic canon of body proportion within a culture. Academic art of the nineteenth century demanded close adherence to these reference metrics and some artists in the early twentieth century rejected those constraints and consciously mutated them. Basics of human proportions It is usually important in figure drawing to draw the human figure in proportion. Though there are subtle differences between individuals, human proportions fit within a fairly standard range though artists have historically tried to create Artistic canons of body proportio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Arts
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art. Current usage of the term "visual arts" includes fine art as well as the applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, craft, or applied Visual arts media. The distinction was emphasized by artists of the Arts and Crafts Move ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inventor
An invention is a unique or novel device, method, composition, idea or process. An invention may be an improvement upon a machine, product, or process for increasing efficiency or lowering cost. It may also be an entirely new concept. If an idea is unique enough either as a stand alone invention or as a significant improvement over the work of others, it can be patented. A patent, if granted, gives the inventor a proprietary interest in the patent over a specific period of time, which can be licensed for financial gain. An inventor creates or discovers an invention. The word ''inventor'' comes from the Latin verb ''invenire'', ''invent-'', to find. Although inventing is closely associated with science and engineering, inventors are not necessarily engineers or scientists. Due to advances in artificial intelligence, the term "inventor" no longer exclusively applies to an occupation (see human computers). Some inventions can be patented. The system of patents was established ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discovery (observation)
Discovery is the act of detecting something new, or something previously unrecognized as meaningful. With reference to sciences and academic disciplines, discovery is the observation of new phenomena, new actions, or new events and providing new reasoning to explain the knowledge gathered through such observations with previously acquired knowledge from abstract thought and everyday experiences. A discovery may sometimes be based on earlier discoveries, collaborations, or ideas. Some discoveries represent a radical breakthrough in knowledge or technology. New discoveries are acquired through various senses and are usually assimilated, merging with pre-existing knowledge and actions. Questioning is a major form of human thought and interpersonal communication, and plays a key role in discovery. Discoveries are often made due to questions. Some discoveries lead to the invention of objects, processes, or techniques. A discovery may sometimes be based on earlier discoveries, colla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfection
Perfection is a state, variously, of completeness, flawlessness, or supreme excellence. The term is used to designate a range of diverse, if often kindred, concepts. These have historically been addressed in a number of discrete disciplines, notably mathematics, physics, chemistry, ethics, aesthetics, ontology, and theology. Term and concept The form of the word long fluctuated in various languages. The English language had the alternates, "perfection" and the Biblical "perfectness." Tatarkiewicz, "Perfection: the Term and the Concept," ''Dialectics and Humanism'', vol. VI, no. 4 (autumn 1979), p. 5. The word "perfection" derives from the Latin "'' perfectio''", and "perfect" — from "''perfectus''". These expressions in turn come from "'' perficio''" — "to finish", "to bring to an end". "''Perfectio''(n)" thus literally means "a finishing", and "perfect''(us)''" — "finished", much as in grammatical parlance (" perfect"). Many modern languages have adopted their terms f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nature
Nature, in the broadest sense, is the physical world or universe. "Nature" can refer to the phenomena of the physical world, and also to life in general. The study of nature is a large, if not the only, part of science. Although humans are part of nature, human activity is often understood as a separate category from other natural phenomena. The word ''nature'' is borrowed from the Old French ''nature'' and is derived from the Latin word ''natura'', or "essential qualities, innate disposition", and in ancient times, literally meant "birth". In ancient philosophy, ''natura'' is mostly used as the Latin translation of the Greek word ''physis'' (φύσις), which originally related to the intrinsic characteristics of plants, animals, and other features of the world to develop of their own accord. The concept of nature as a whole, the physical universe, is one of several expansions of the original notion; it began with certain core applications of the word φύσις by pre-S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Władysław Tatarkiewicz
Władysław Tatarkiewicz (; 3 April 1886, Warsaw – 4 April 1980, Warsaw) was a Polish philosopher, historian of philosophy, historian of art, esthetician, and ethicist. Early life and education Tatarkiewicz began his higher education at Warsaw University. When it was closed by the Russian Imperial authorities in 1905, he was forced to continue his education abroad in Marburg, Germany, where he studied from 1907 to 1910. Career As he describes in his ''Memoirs'', it was a chance encounter with a male relative, whose height made him stand out above the crowd at a Kraków railroad station, upon the outbreak of World War I that led Tatarkiewicz to spend the war years in Warsaw. There he began his career as a lecturer in philosophy, teaching at a girls' school on Mokotowska Street, across the street from where Józef Piłsudski was to reside during his first days after World War I. During World War I, when the Polish University of Warsaw was opened under the sponsorship o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimesis
Mimesis (; grc, μίμησις, ''mīmēsis'') is a term used in literary criticism and philosophy that carries a wide range of meanings, including '' imitatio'', imitation, nonsensuous similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self. The original Ancient Greek term ''mīmēsis'' ( grc, μίμησις, label=none) derives from ''mīmeisthai'' ( grc, μιμεῖσθαι, label=none, 'to imitate'), itself coming from ''mimos'' ( μῖμος, 'imitator, actor'). In ancient Greece, ''mīmēsis'' was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted ''mimesis'', or imitation, with '' diegesis'', or narrative. After Plato, the meaning of ''mimesis'' eventually shifted toward a specifically literary function in ancient Greek society. One of the best-known modern studies o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Republic (Plato)
The ''Republic'' ( grc-gre, wikt:πολιτεία, Πολῑτείᾱ, Politeia; ) is a Socratic dialogue, authored by Plato around 375 Common Era, BCE, concerning justice (), the order and character of the just city-state, and the just man. It is Plato's best-known work, and one of the world's most influential works of philosophy and Political philosophy, political theory, both intellectually and historically. In the dialogue, Socrates discusses the meaning of justice and whether the just man is happier than the unjust man with various Classical Athens, Athenians and foreigners.In ancient times, the book was alternately titled ''On Justice'' (not to be confused with the spurious dialogue of the On Justice, same name). They consider the natures of existing regimes and then propose a series of different, hypothetical cities in comparison, culminating in Kallipolis (Plato), Kallipolis (Καλλίπολις), a utopian city-state ruled by a philosopher-king. They also discuss age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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