Hi-Fly (Karin Krog And Archie Shepp Album)
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Hi-Fly (Karin Krog And Archie Shepp Album)
''Hi-Fly'' is a 1976 album by jazz singer Karin Krog and saxophonist Archie Shepp. Reception Allmusic awarded the album four and a half stars with reviewer Michael G. Nastos writing that "All standards interpreted innovatively." The ''Rough Guide to Jazz'' wrote that "Krog is impressive with Shepp, surviving a sometimes overbearing context and making an exquisite job of Carla Bley's "Sing Me Softly of the Blues" for which Krog wrote her own lyrics". Track listing # "Sing Me Softly of the Blues" (Carla Bley, Karin Krog) – 6:21 # "Steam" ( Archie Shepp) – 8:07 # "Day Dream" (Duke Ellington, Billy Strayhorn, John La Touche) – 9:26 # "(In My) Solitude" (Ellington, Eddie DeLange, Irving Mills) – 3:34 # " Hi-Fly" ( Randy Weston) – 14:01 # " Soul Eyes" (Mal Waldron) – 6:38 Personnel * Karin Krog – vocals * Archie Shepp – tenor saxophone * Charles Greenlee – trombone * Jon Balke – piano * Arild Andersen – double bass * Cameron Brown – single ba ...
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Karin Krog
Karin Krog (born 15 May 1937) is a Norwegian jazz singer. Life and career Krog began singing jazz as a teenager and attracted attention while performing in jam sessions in Oslo. In 1955, she was hired by the pianist Kjell Karlsen to sing in his sextet. In 1962, she started her first band, and that same year she became a student of the Norwegian-American singer Anne Brown. Krog studied with Brown until 1969. In the 1960s, she performed with the rhythm and blues band Public Enemies, releasing the hit singles "Sunny" and "Watermelon Man".) She has worked with Vigleik Storaas, Jacob Young, Terje Rypdal, Arild Andersen, Jan Garbarek, Dexter Gordon, Kenny Drew, Don Ellis, Steve Kuhn, Archie Shepp, Paul Bley, John Surman, Niels-Henning Ørsted Pedersen, Red Mitchell, and Bengt Hallberg. In 1994, she became the first Norwegian musician to have an album released by Verve Records. The album ''Jubilee'' was a compilation of songs from her thirty-year career. Private life Krog is the ...
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John La Touche (lyricist)
John Treville Latouche (La Touche) (November 13, 1914, Baltimore, Maryland – August 7, 1956, Calais, Vermont) was a lyricist and bookwriter in American musical theater. Biography John Treville Latouche was born in Baltimore, Maryland. His family moved to Richmond, Virginia, when he was four months old. There he attended school, before going north to Columbia University. He became involved in music and theater, writing for the Varsity Show and joining the Philolexian Society. He did not graduate. In 1937 Latouche contributed two songs in the revue '' Pins and Needles''. For the show ''Sing For Your Supper'' (1939), he wrote the lyrics for "Ballad for Uncle Sam", later retitled "Ballad for Americans", with music by Earl Robinson. It was featured at both the 1940 Republican Convention and the convention of the American Communist Party, and was extremely popular in 1940s America. This 13-minute cantata to American democracy was written for a soloist and as well a full orches ...
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Single Bass
Single may refer to: Arts, entertainment, and media * Single (music), a song release Songs * "Single" (Natasha Bedingfield song), 2004 * "Single" (New Kids on the Block and Ne-Yo song), 2008 * "Single" (William Wei song), 2016 * "Single", by Meghan Trainor from the album '' Only 17'' Sports * Single (baseball), the most common type of base hit * Single (cricket), point in cricket * Single (football), Canadian football point * Single-speed bicycle Transportation * Single-cylinder engine, an internal combustion engine design with one cylinder, or a motorcycle using such engine * Single (locomotive), a steam locomotive with a single pair of driving wheels * As a verb: to convert a double-track railway to a single-track railway Other uses * Single (mathematics) (1-tuple), a list or sequence with only one element * Single person, a person who is not in a committed relationship * Single precision, a computer numbering format that occupies one storage location in computer ...
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Cameron Brown (musician)
Cameron Langdon Brown (born December 21, 1945) is an American jazz double bassist known for his association with the Don Pullen/ George Adams Quartet. Biography Cameron started studying music at age 10, first on piano, later on clarinet. But, drawn to the bass, he found himself playing a tin bass in a student dance band. As an exchange student in Europe, he worked with George Russell's Sextet and Big Band for one year and played with Don Cherry, Aldo Romano, Booker Ervin, and Donald Byrd. In 1966 he returned to graduate at Columbia College, Columbia University (1969, B.A. in Sociology). In 1974, Brown met Sheila Jordan, gigged with free jazz pioneers Roswell Rudd and Beaver Harris, joined Archie Shepp's quintet in 1975, and recorded with Harris' and The 360 Degree Music Experience around that time. The famous ''Don Pullen/ George Adams Quartet'', with him and drummer Dannie Richmond, developed into an intense and rewarding partnership which lasted during the 1980s. In addition ...
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Arild Andersen
Arild Andersen (born 27 October 1945) is a Norwegian jazz musician bassist, known as the most famous Norwegian bass player in the international jazz scene. Career Andersen was born at Strømmen, Norway. He started his musical career as jazz guitarist in the Riverside Swing Group in Lillestrøm (1961–63), started playing double bass in 1964, and soon became part of the core jazz bands in Oslo. He was a member of Roy Hellvin Trio, was in the backing band at Kongsberg Jazz Festival in 1967 and 1968, was elected Best Bassist by Jazznytt in 1967, and started as bass player in the Jan Garbarek Quartet (1967–1973), including Terje Rypdal and Jon Christensen. After completing his technical education in 1968, he became a professional musician and collaborated with Karin Krog, George Russell, and Don Cherry (Berlin 1968), and with visiting American musicians Phil Woods, Dexter Gordon, Bill Frisell, Hampton Hawes, Johnny Griffin, Sonny Rollins, Sheila Jordan, and Chick Corea. Du ...
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Jon Balke
Jon Georg Balke (born 7 June 1955) is a Norwegian jazz pianist who leads the Magnetic North Orchestra. He is the younger brother of saxophonist Erik Balke. Career Balke started playing classical piano but switched to blues at 12, though he performs within several genres. At the age of 18 he joined Arild Andersen's quartet. By the mid-1980s he worked on his own and would become one of Norway's leading jazz composers. He was active in the groups of Radka Toneff and in the Afrofusion group E'olén before joining Oslo 13 and Masqualero in the early 1980s. From 1989 he focused on his own projects, such as JøKleBa (with Audun Kleive and Per Jørgensen) and the Magnetic North Orchestra for which he composed the commissioned work ''Il Cenoneat'' to Vossajazz 1992. Balke formed the percussion group Batagraf in 2002, and created the concept work Siwan' with singer Amina Alaoui in 2007. He is also the creator of a series of multimedia concerts at Vossajazz festival, labeled ''Ekstremjaz ...
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Charles Greenlee (musician)
Charles "Majeed" or "Majid" Greenlee (April or May 24, 1927 – January 23, 1993) was an American jazz trombonist who worked extensively with Archie Shepp. Greenlee played mellophone, drums, and baritone horn in his youth, and got his early experience playing locally in Detroit. He played with Lucky Millinder and Benny Carter in the early 1940s, then with Dizzy Gillespie (1946, 1949–51). He also led his own bands around this time, working with Frank Foster (jazz musician), Frank Foster and Tommy Flanagan. Late in the 1940s he converted to Islam, changing his name to Harneefan Majeed; he continued to use Charles Greenlee for professional purposes, though he is sometimes credited with his Muslim last name. After spending some time on the hard bop scene in the early 1950s, with Gene Ammons among others, Greenlee essentially quit music from 1951 to 1957. He returned to play with Yusef Lateef (1957) and Maynard Ferguson (1959). His lone album as leader features Alden Griggs, Charles ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Mal Waldron
Malcolm Earl "Mal" Waldron (August 16, 1925 – December 2, 2002) was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959. A breakdown caused by a drug overdose in 1963 left Waldron unable to play or remember any music; he regained his skills gradually, while redeveloping his speed of thought. He left the U.S. permanently in the mid-1960s, settled in Europe, and continued touring internat ...
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Soul Eyes
"Soul Eyes" is a composition, with lyrics, written by Mal Waldron.Ratliff, Ben (December 6, 2002"Mal Waldron, 77, Composer of the Jazz Ballad 'Soul Eyes'" ''The New York Times''. It is a 32-bar ballad that takes the song form ABAC, and is written in 4/4 time. It was first recorded on March 22, 1957, for the album ''Interplay for 2 Trumpets and 2 Tenors''.Gioia, Ted (2012) ''The Jazz Standards: A Guide to the Repertoire''. Oxford University Press. pp. 388–390. One of the tenor saxophonists on that recording was John Coltrane, who brought the song back to attention by recording it in 1962 for his album '' Coltrane'', when he had become more famous. This was only the second ever recording of the song, which has since become "part of the basic repertory of jazz performers" – a jazz standard. Waldron wrote the piece with Coltrane in mind: "I liked Coltrane's sound and I thought the melody would fit it". Since these early versions, the song has been recorded hundreds of times. A ...
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Randy Weston
Randolph Edward "Randy" Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection. Weston's piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines."Randy Weston talks about his new solo double CD Sound"
YouTube video, March 27, 2018.
Beginning in the 1950s, Weston worked often with trombonist and arranger Melba Liston. Described as "America's African Musical Ambassador", Weston once said: "What I do I do because it's about teaching and informing everyone about our most natural cultural phenomenon. It's really about Africa a ...
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Hi-Fly (Randy Weston Song)
"Hi-Fly" (also sometimes spelled "Hi Fly" or "High Fly") is one of the best known compositions by pianist Randy Weston, written in the 1950s and inspired by his experience of being 6 feet 8 inches tall, "and how the ground looks different to you than everybody else". Since first being recorded on 1958's '' New Faces at Newport'', "Hi-Fly" appears on several other albums by Weston, including '' Live at the Five Spot'' (1959), '' Niles Littlebig'' (1969), '' Tanjah'' (1973), ''Perspective'' (with Vishnu Wood, 1976), ''Rhythms and Sounds'' (1978), ''Earth Birth'' (1995), ''Zep Tepi'' (2005), and ''The Storyteller'' (2009). Jon Hendricks wrote lyrics to the song, recorded first in 1959 on the album ''The Hottest New Group in Jazz'' and also appearing on 1961's ''High Flying With Lambert, Hendricks & Ross''. Among others who have recorded vocal covers are Abbey Lincoln (on ''The World Is Falling Down'', 1991), Mel Tormé (on 1962's '' Comin' Home Baby!'' and other albums), Karin Krog on ...
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