Hermitage Of Camaldoli
The Hermitage of Camaldoli, in Italian Complesso dell'Eremo dei Camaldoli, is a hermitage in Naples, Campania, Italy — also known in Italian as ''Eremo Santissimo Salvatore Camaldoli.'' Originally intended as an actual hermitage, a place for religious seclusion for male ascetics, the complex has served Brigidine nuns since 1998. The complex is located at Via dell'Eremo 87, at an elevation of 458 meters (1502'), the highest point in Naples. History Founded at the request of Giovanni D'Avalos, son of Alfonso d'Avalos, Marquise del Vasto, the hermitage was constructed in 1585 by the Camaldolese congregation of Monte Corona on the ruins of an ancient chapel, founded by San Gaudioso in 439. On November 23, 1662, Pope Alexander VII elevated the Hermitage to a Novitiate. In May 1771 Pope Clement XIV combined it with three other convents. During its life, the monastery was suppressed twice; first during the Napoleonic period in 1807. With the beginning of Naples' so-called Fr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Francesco Francanzano
Francesco Fracanzano (1612–1656) was an Italian painter who participated in the Masaniello rebellion. Francanzano was the brother of Cesare Fracanzano, a pupil of Spagnoletto Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to ... and the master of Salvator Rosa, whose sister he had married. His married life was an unhappy one, as by the instigation of his wife he committed crimes for which he suffered death at Naples in 1656. References * External links *Jusepe de Ribera, 1591-1652', a full text exhibition catalog from The Metropolitan Museum of Art, which includes material on Francesco Frazanzano (see index) 1612 births 1656 deaths 17th-century Italian painters Italian male painters Painters from Naples People from Monopoli {{Italy-painter-17thC-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Churches In Naples
Christianity and religion in general has always been an important part of the social and cultural life of Naples. It is the seat of the Roman Catholic Archdiocese of Naples, Archdiocese of Naples, and the Roman Catholic Church, Catholic faith is highly important to the people of Naples and there are hundreds of historic churches in the city (about five hundred, 1000 in total). The Naples Cathedral, Cathedral of Naples is the most important place of worship in the city, each year on September 19 it hosts the ''Miracle of Januarius, Saint Januarius'', the city's patron saint. In the miracle which thousands of Neapolitans flock to witness, the dried blood of Januarius is said to turn to liquid when brought close to relics said to be of his body: this is one of the most important traditions for Neapolitans. Churches and their styles The cathedral of San Gennaro, Naples, San Gennaro (Saint Januarius), was built under the patronage of Charles of Anjou in 1272, on the site of the anc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Benedictine Monasteries In Italy
, image = Medalla San Benito.PNG , caption = Design on the obverse side of the Saint Benedict Medal , abbreviation = OSB , formation = , motto = (English: 'Pray and Work') , founder = Benedict of Nursia , founding_location = Subiaco Abbey , type = Catholic religious order , headquarters = Sant'Anselmo all'Aventino , num_members = 6,802 (3,419 priests) as of 2020 , leader_title = Abbot Primate , leader_name = Gregory Polan, OSB , main_organ = Benedictine Confederation , parent_organization = Catholic Church , website = The Benedictines, officially the Order of Saint Benedict ( la, Ordo Sancti Benedicti, abbreviated as OSB), are a monastic religious order of the Catholic Church following the Rule of Saint Benedict. They are also sometimes called the Black Monks, in reference to the colour of their religious habits. They ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Camaldolese Monasteries In Italy
The Camaldolese Hermits of Mount Corona ( la, Congregatio Eremitarum Camaldulensium Montis Coronae), commonly called Camaldolese is a monastic order of Pontifical Right for men founded by Saint Romuald. Their name is derived from the Holy Hermitage ( it, Sacro Eremo) of Camaldoli, high in the mountains of central Italy, near the city of Arezzo. Its members add the nominal letters E.C.M.C. after their names to indicate their membership in the congregation. Apart from the Roman Catholic congregations, ecumenical Christian hermitages with a Camaldolese spirituality have arisen as well. History The Camaldolese were established through the efforts of the Italian monk Saint Romuald (). His reform sought to renew and integrate the eremitical tradition of monastic life with that of the cenobium. In his youth, Romuald became acquainted with the three major schools of Western monastic tradition. The monastery where he entered the Order, Sant' Apollinare in Classe, was a traditional Be ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Religious Buildings And Structures Completed In 1585
Religion is usually defined as a social-cultural system of designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that generally relates humanity to supernatural, transcendental, and spiritual elements; however, there is no scholarly consensus over what precisely constitutes a religion. Different religions may or may not contain various elements ranging from the divine, sacred things, faith,Tillich, P. (1957) ''Dynamics of faith''. Harper Perennial; (p. 1). a supernatural being or supernatural beings or "some sort of ultimacy and transcendence that will provide norms and power for the rest of life". Religious practices may include rituals, sermons, commemoration or veneration (of deities or saints), sacrifices, festivals, feasts, trances, initiations, funerary services, matrimonial services, meditation, prayer, music, art, dance, public service, or other aspects of human culture. Religions ha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Ippolito Borghese
Ippolito Borghese (late 16th century – March 1627) was an Italian painter of the late-Renaissance, born in Sigillo (near Perugia). His training was probably in Rome, where he became a follower of Scipione Pulzone and was influenced by the painterly traditions of Federigo Barocci. He then moved to Naples. He was influenced by the circle of Mannerist artists active in the Rome of Sixtus V. In 1598 he completed a ''St. George and the dragon'' for the Duomo of Ischia. In 1601 he signed a canvas in Carpignano Salentino. He painted a ''Madonna & saints'' (1601) for the church of Santa Maria della Grotta in Carpignano. In 1603, he painted an ''Assumption of the Virgin'' for the Chapel of the Palace of Monte di Pietà in Naples. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Cesare Fracanzano
Cesare Fracanzano (1605-1651), a Neapolitan painter who flourished in the 17th century, was a pupil of Spagnoletto. Born in Bisceglie, in Apulia by Alessandro, a nobleman originally from Verona and a mannerist painter. His pictorial style was based on Ribera, but also on Tintoretto, the Carracci brothers and Guido Reni. After long years of artistic preparation and work in Naples, in 1626 he returned to Apulia, to Barletta where he married Beatrice Covelli. He worked a lot in the Apulian town in churches and noble palaces. He moved from his hometown only to carry out work commitments in Naples, Rome and other places in Apulia. There is in the Museo del Prado (Madrid) a picture by him, representing ''Two Wrestlers''. His son, Michelangelo Fracanzano, who was also a painter, died in France about 1685. His brother Francesco was also a painter. Gallery File:Ignatius of Antiochie.jpg, ''Martyrdom of Ignatius of Antiochie'', Galleria Borghese, Rome File:Cesare fracanzano, s. g. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Fabrizio Santafede
Fabrizio Santafede or Fabrizio Santaféde (c. 1560–1623/28) was an Italian painter known for his altarpieces. He painted in a style that rejected the Mannerism popular in the Naples of his time and evident in the works of Francesco Curia. Life Born in Naples, he began as a pupil of his father, the painter Francesco Santafede,Giovan Battista Chiarini (a cura di), ''Delle notizie del bello, dell'antico, e del curioso della città di Napoli raccolte dal canonico Carlo Celano'', Vol. I, Napoli, Stamperia Floriana, 1856, p. 154 and later became a pupil of Marco Pino. He may have been one of the collaborators of Pino on the decoration of the church of S Giovanni Fiorentini in Naples.Antonella D’Autilia. "Santafede, Fabrizio." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 14 March 2017 He traveled extensively, including to Bologna, Florence, Rome, and Venice in his study of the great masters. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Luigi Rodriguez
Luigi Rodriguez, also called Luigi Roderico (active early 17th century) was a Spanish- Italian painter, active in Naples, Italy. He is described by De Dominici as a pupil under Belisario Corenzio. He painted canvases in the church of Santa Maria La Nova, Naples Santa Maria la Nova is a Renaissance style, now-deconsecrated, Roman Catholic church and monastery in central Naples. The church is located at the beginning of a side street directly across from the east side of the main post office, a few bl .... He was born to Spanish parents, and is documented to have children born 1601-1610. Documents suggest his brother was a Spanish soldier. Volumes 4-6, page 129. References {{DEFAULTSORT:Rodriguez, Luigi[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Massimo Stanzione
Massimo Stanzione (also called Stanzioni; 1585 – 1656) was an Italian Baroque painter, mainly active in Naples, where he and his rival Jusepe de Ribera dominated the painting scene for several decades. He was primarily a painter of altarpieces, working in both oils and fresco (these usually for ceilings). His main subject matter was biblical scenes. He also painted portraits and mythological subjects. He had many pupils and followers as his rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena.Thomas Willette, ''Stanzione (Stanzioni), Massimo, Cavaliere, (b ?Orta di Atella, nr Caserta, ?1585; d ?Naples, ?1656)'' Oxford Art Online, publish ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Federico Barocci
Federico Barocci (also written ''Barozzi'')(c. 1535 in Urbino – 1612 in Urbino) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and the most individual painter of his time in central Italy. Early life and training He was born at Urbino, Duchy of Urbino, and received his earliest apprenticeship with his father, Ambrogio Barocci, a sculptor of some local eminence. He was then apprenticed with the painter Battista Franco in Urbino. He accompanied his uncle, Bartolomeo Genga to Pesaro, then in 1548 to Rome, where he was worked in the pre-eminent studio of the day, that of the Mannerist painters, Taddeo and Federico Zuccari. Mature work in Rome and Urbino After passing four years at Rome, he returned to his native city, where his first work of art was a ''St. Margaret'' exec ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |