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Hermathena (composite Of Hermes And Athena)
Hermathena or Hermathene ( grc, Ἑρμαθήνη) was a composite statue, or rather a herm, which may have been a terminal bust or a Janus-like bust, representing the Greek gods Hermes and Athena, or their Roman counterparts Mercury and Minerva. Symbolism It was natural to see these two deities unified or fused as one form: the Greek god Hermes presided over eloquence, the goddess Athena over crafts and the sciences. The reverse of a medal of the Roman Emperor Hadrian, who prided himself on his learning and eloquence, depicts Hermathena. In early Greek poetry and myth, Hermes and Athena share or 'double' each other's functions, and some of their powers are alternate and related versions of the same quality. For example, each god embodies the kind of clever intelligence or ''metis'' that manifests itself in the clever ruse and the winning strategy. For Hermes this quality leans toward the 'night-time' realm of stealth and theft, cunning deception, and successful guidance to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Writings Of Marcus Tullius Cicero
The writings of Marcus Tullius Cicero constitute one of the most renowned collections of historical and philosophical work in all of classical antiquity. Cicero was a Roman politician, lawyer, orator, political theorist, philosopher, and constitutionalist who lived during the years of 106–43 BC. He held the positions of Roman senator and Roman consul (chief-magistrate) and played a critical role in the transformation of the Roman Republic into the Roman Empire. He was extant during the rule of prominent Roman politicians, such as those of Julius Caesar, Pompey, and Marc Antony. Cicero is widely considered one of Rome's greatest orators and prose stylists. Cicero is generally held to be one of the most versatile minds of ancient Rome. He introduced the Romans to the chief schools of Greek philosophy, and also created a Latin philosophical vocabulary; distinguishing himself as a linguist, translator, and philosopher. A distinguished orator and successful lawyer, Cicero lik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Zuccari
Federico Zuccaro, also known as Federico Zuccari (c. 1540/1541August 6, 1609), was an Italian Mannerist painter and architect, active both in Italy and abroad. Biography Zuccaro was born at Sant'Angelo in Vado, near Urbino (Marche). His documented career as a painter began in 1550, when he moved to Rome to work under Taddeo, his elder brother. He went on to complete decorations for Pius IV, and help complete the fresco decorations at the Villa Farnese at Caprarola. Between 1563 and 1565, he was active in Venice with the Grimani family of Santa Maria Formosa. During his Venetian period, he traveled alongside Palladio in Friuli. He was involved in the following fresco projects: * Decoration of the Casina Pio IV, Rome * Grimani Chapel, San Francesco della Vigna, Venice *Monumental staircase, Palazzo Grimani, Venice * Pucci Chapel in the church of Trinità dei Monti, Rome * San Marcello al Corso, Rome * Cathedral of Orvieto (1570) * Oratorio del Gonfalone, Rome (1573) * ''The La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Farnese
The Villa Farnese, also known as Villa Caprarola, is a pentagonal mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately north-west of Rome. This villa should not be confused with the Palazzo Farnese and the Villa Farnesina, both in Rome. A property of the Republic of Italy, Villa Farnese is run by the Polo Museale del Lazio. The Villa Farnese is situated directly above the town of Caprarola and dominates its surroundings. It is a massive Renaissance and Mannerist construction, opening to the Monte Cimini, a range of densely wooded volcanic hills. It is built on a five-sided plan in reddish gold stone; buttresses support the upper floors. As a centerpiece of the vast Farnese holdings, Caprarola was always an expression of Farnese power, rather than a villa in the more usual agricultural or pleasure senses. History In 1504, Cardinal Alessandro Farnese, the future Pope Paul III, acquired the estate at Caprarola. He had designs made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caduceus
The caduceus (☤; ; la, cādūceus, from grc-gre, κηρύκειον "herald's wand, or staff") is the staff carried by Hermes in Greek mythology and consequently by Hermes Trismegistus in Greco-Egyptian mythology. The same staff was also borne by heralds in general, for example by Iris, the messenger of Hera. It is a short staff entwined by two serpents, sometimes surmounted by wings. In Roman iconography, it was often depicted being carried in the left hand of Mercury, the messenger of the gods. Some accounts suggest that the oldest known imagery of the caduceus has its roots in Mesopotamia with the Sumerian god Ningishzida; his symbol, a staff with two snakes intertwined around it, dates back to 4000 BC to 3000 BC. As a symbolic object, it represents Hermes (or the Roman Mercury), and by extension trades, occupations, or undertakings associated with the god. In later Antiquity, the caduceus provided the basis for the astrological symbol representing th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Cartari
Vincenzo Cartari (c. 1531 – 1590) was a mythographer, secretary, and diplomat of the Italian Renaissance, studied by Jean Seznec and scholars of the Warburg Institute. Born in Reggio Emilia, he worked for Duke Alfonso II Este and the cardinals Ippolito II and Luigi II Este, in the courts of Ferrara, Venice, Tivoli (Rome), Fontainebleau, and Bruxelles. ''The Images of the Gods of the Ancients'' As the first Italian translator of Ovid's ''I Fasti'', a Latin poem about the gods and religious beliefs of the ancient Romans, Cartari gained a deep knowledge of the classical world and its myths. After publishing the translation and commentary of his ''I Fasti'', in 1551 and 1553, he authored the first mythographic handbook not written in Latin, but in Italian, thereby widening his readership. ''Le Imagini con la sposizione dei dei de gli antichi'' (''The Images of the Gods of the Ancients and their Explanations'') was first published in Venice in 1556, and continuously enriched ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herculaneum
Herculaneum (; Neapolitan and it, Ercolano) was an ancient town, located in the modern-day ''comune'' of Ercolano, Campania, Italy. Herculaneum was buried under volcanic ash and pumice in the eruption of Mount Vesuvius in AD 79. Like the nearby city of Pompeii, Herculaneum is famous as one of the few ancient cities to be preserved nearly intact, as the ash that blanketed the town protected it against looting and elements. Although less known than Pompeii today, it was the first, and the only discovered buried Vesuvian city (in 1709) for a long time. Pompeii was revealed only in 1748 and identified in 1763. Unlike Pompeii, the mainly pyroclastic material that covered Herculaneum carbonized and preserved more wood in objects such as roofs, beds, and doors, as well as other organic-based materials such as food and papyrus. According to the traditional tale, the city was rediscovered by chance in 1709, during the drilling of a well. Remnants of the city, however, were already fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Of The Papyri
The Villa of the Papyri ( it, Villa dei Papiri, also known as ''Villa dei Pisoni'' and in early excavation records as the ''Villa Suburbana'') was an ancient Roman villa in Herculaneum, in what is now Ercolano, southern Italy. It is named after its unique library of ''papyri'' (or scrolls), discovered in 1750. The Villa was considered to be one of the most luxurious houses in all of Herculaneum and in the Roman world. Maiuri, Amedeo. ''Herculaneum and the Villa of the Papyri.'' Italy (1974): 35-39. Its luxury is shown by its exquisite architecture and by the very large number of outstanding works of art discovered, including frescoes, bronzes and marble sculpture which constitute the largest collection of Greek and Roman sculptures ever discovered in a single context. It was situated on the ancient coastline below the volcano Vesuvius with nothing to obstruct the view of the sea. It was perhaps owned by Julius Caesar's father-in-law, Lucius Calpurnius Piso Caesoninus.Hornblower ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples National Archaeological Museum
The National Archaeological Museum of Naples ( it, Museo Archeologico Nazionale di Napoli, italic=no, sometimes abbreviated to MANN) is an important Italian archaeological museum, particularly for ancient Roman remains. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as Real Museo Borbonico ("the Royal Bourbon Museum"). Building The building was built as a cavalry barracks in 1585. From 1616 to 1777 it was the seat of the University of Naples. During the 19th century, after it became a museum, it suffered many changes to the main structure. Collections The museum hosts extensive collections of Greek and Roman antiquities. Their core is from the Farnese Collection, which includes a collection of engraved gems (including the Farnese Cup, a Ptolemaic bowl made of sardonyx agate and the most famous piece in the "Treasure of the Magnifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artistic Inspiration
Inspiration (from the Latin ''inspirare'', meaning "to breathe into") is an unconscious burst of creativity in a literary, musical, or visual art and other artistic endeavours. The concept has origins in both Hellenism and Hebraism. The Greeks believed that inspiration or "enthusiasm" came from the muses, as well as the gods Apollo and Dionysus. Similarly, in the Ancient Norse religions, inspiration derives from the gods, such as Odin. Inspiration is also a divine matter in Hebrew poetics. In the Book of Amos the prophet speaks of being overwhelmed by God's voice and compelled to speak. In Christianity, inspiration is a gift of the Holy Spirit. In the 18th century philosopher John Locke proposed a model of the human mind in which ideas associate or resonate with one another in the mind. In the 19th century, Romantic poets such as Coleridge and Shelley believed that inspiration came to a poet because the poet was attuned to the (divine or mystical) "winds" and because the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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