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Here Comes The Moon
"Here Comes the Moon" is a song by English rock musician George Harrison from his 1979 album ''George Harrison''. Harrison wrote the song while on holiday on the Hawaiian island of Maui in February 1978. His inspiration for the composition was the appearance of the moon in the evening sky, just as the sun was setting. Although the lyrics focus on this natural occurrence rather than on the symbolism it suggests, in the manner of Harrison's Beatles track " Here Comes the Sun", the song is seen as a sequel to that similarly titled piece. Harrison recorded "Here Comes the Moon" at his home studio, FPSHOT, in Oxfordshire. Reflecting the circumstances of the song's creation, the recording features a lush musical arrangement that includes acoustic and slide guitars, layered harmony vocals, orchestral strings, and sitar drone. An edited version of the track appeared on his 1989 compilation '' Best of Dark Horse''. Harrison's solo demo of the song was included as a bonus track on the 2004 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Harrison
George Harrison (25 February 1943 – 29 November 2001) was an English musician and singer-songwriter who achieved international fame as the lead guitarist of the Beatles. Sometimes called "the quiet Beatle", Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles' work. Although the majority of the band's songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group include "Taxman", "Within You Without You", "While My Guitar Gently Weeps", "Here Comes the Sun" and "Something". Harrison's earliest musical influences included George Formby and Django Reinhardt; Carl Perkins, Chet Atkins and Chuck Berry were subsequent influences. By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan and the Byrds, and towards Indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Mushrooms
Psilocybin mushrooms, commonly known as magic mushrooms, are a polyphyletic informal group of fungi that contain psilocybin which turns into psilocin upon ingestion. Biological genera containing psilocybin mushrooms include ''Psilocybe'', ''Panaeolus'' (including ''Copelandia''), ''Inocybe'', ''Pluteus'', ''Gymnopilus'', and ''Pholiotina''. Psilocybin mushrooms have been and continue to be used in indigenous New World cultures in religious, divinatory, or spiritual contexts. Psilocybin mushrooms are also used as recreational drugs. They may be depicted in Stone Age rock art in Africa and Europe, but are most famously represented in the Pre-Columbian sculptures and glyphs seen throughout North, Central and South America. History Early Prehistoric rock arts near Villar del Humo in Spain, suggests that '' Psilocybe hispanica'' was used in religious rituals 6,000 years ago. The hallucinogenic species of the Psilocybe genus have a history of use among the native peoples of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Eight
The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. As its alternative name ''AABA'' implies, this song form consists of four sections: an eight-bar A section; a second eight-bar A section (which may have slight changes from the first A section); an eight-bar B section, often with contrasting harmony or "feel"; and a final eight-bar A section. The core melody line is generally retained in each A section, although variations may be added, particularly for the last A section. Examples of 32-bar AABA form songs include " Over the Rainbow", "I Got Rhythm", "What'll I Do", "Make You Feel My Love", " The Man I Love", and " Blue Skies". Many show tunes that have become jazz standards are 32-bar song forms. Basic song form At its core, the basic AABA 32-bar song form consists of four sections, ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpeggio
A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played or sung in a rising or descending order. An arpeggio may also span more than one octave. Being an Italian noun, its plural is ''arpeggi''. The word ''arpeggio'' comes from the Italian word ''arpeggiare'', which means ''to play on a harp''. Even though the notes of an arpeggio are not played or sung all together at the same time, listeners hear the sequence of notes as forming a chord. When an arpeggio also contains passing tones that are not part of the chord, different music theorists may analyze the same musical excerpt differently. Arpeggios enable composers writing for monophonic instruments that play one note at a time (e.g., flute, saxophone, trumpet), to voice chords and chord progressions in musical pieces. Arpeggios and brok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Pop
Folk-pop is a musical style that may be 1) contemporary folk songs with large, sweeping pop arrangements, or 2) pop songs with intimate, acoustic-based folk arrangements. Recording production values created a unblemished style that appealed to a mass audience, and thus led to commercial success as measured by high record sales, particularly as illustrated by hit records reaching the Top 40 on AM radio in the United States. Folk-pop developed during the 1960s folk music and folk rock boom. Key example of folk-pop artists include The Kingston Trio and Peter, Paul and Mary with contracts with major record labels (Capitol Records and Warner Brothers Records Warner Records Inc. (formerly Warner Bros. Records Inc.) is an American record label. A subsidiary of the Warner Music Group, it is headquartered in Los Angeles, California. It was founded on March 19, 1958, as the recorded music division of the ..., respectively). The commercially successful artists stood in contrast to more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles (album)
''The Beatles'', also referred to colloquially as the White Album, is the ninth studio album and only double album by the English rock band the Beatles, released on 22 November 1968. Featuring a plain white sleeve, the cover contains no graphics or text other than the band's name embossed. This was intended as a direct contrast to the vivid cover artwork of the band's previous LP '' Sgt. Pepper's Lonely Hearts Club Band''. ''The Beatles'' is recognised for its fragmentary style and diverse range of genres, including folk, British blues, ska, music hall, pre-heavy metal and the avant-garde. It has since been viewed by some critics as a postmodern work, as well as one of the greatest albums of all time. The album features 30 songs, 19 of which were written during March and April 1968 at a Transcendental Meditation course in Rishikesh, India. There, the only western instrument available to the band was the acoustic guitar; several of these songs remained acoustic on ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
While My Guitar Gently Weeps
"While My Guitar Gently Weeps" is a song by the English rock band the Beatles from their 1968 double album ''The Beatles'' (also known as "the White Album"). It was written by George Harrison, the band's lead guitarist. Harrison wrote "While My Guitar Gently Weeps" as an exercise in randomness inspired by the Chinese ''I Ching''. The song conveys his dismay at the world's unrealised potential for universal love, which he refers to as "the love there that's sleeping". The song also serves as a comment on the disharmony within the Beatles after their return from studying Transcendental Meditation in India in early 1968. This lack of camaraderie was reflected in the band's initial apathy towards the composition, which Harrison countered by inviting his friend and occasional collaborator, Eric Clapton, to contribute to the recording. Clapton overdubbed a lead guitar part, although he was not formally credited for his contribution. Harrison first recorded it with a sparse backing of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
This Guitar (Can't Keep From Crying)
"This Guitar (Can't Keep from Crying)" is a song by English rock musician George Harrison, released on his 1975 studio album '' Extra Texture (Read All About It)''. Harrison wrote the song as a sequel to his popular Beatles composition "While My Guitar Gently Weeps", in response to the personal criticism he had received during and after his 1974 North American tour with Ravi Shankar, particularly from ''Rolling Stone'' magazine. An edit of "This Guitar" was issued as a single in December 1975, as the final release by Apple Records in its original incarnation. The single failed to chart in either the United States or Britain. The song follows in a tradition established by singers such as Woody Guthrie and Pete Seeger, of attributing emotions and actions to a musical instrument. The lyrics also serve as an example of a dialogue that was commonplace during the 1970s between songwriters and music critics. Contributing to Harrison's sense of injustice in "This Guitar", he and his t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stevie Nicks
Stephanie Lynn Nicks (born May 26, 1948) is an American singer, songwriter, and producer known for her work with the band Fleetwood Mac and as a solo artist. After starting her career as a duo with her then-boyfriend Lindsey Buckingham, releasing the album ''Buckingham Nicks'' to little success, Nicks joined Fleetwood Mac in 1975, helping the band to become one of the best-selling music acts of all time with over 120 million records sold worldwide. '' Rumours'', the band's second album with Nicks, became one of the best-selling albums worldwide, being certified 20× platinum in the US. In 1981, while remaining a member of Fleetwood Mac, Nicks began her solo career, releasing the studio album '' Bella Donna'', which topped the ''Billboard'' 200 and has reached multiplatinum status. She has released eight studio solo albums and seven studio albums with Fleetwood Mac, selling a certified total of 65 million copies in the US alone. After the release of her first solo album, ''Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Things Must Pass
''All Things Must Pass'' is the third studio album by English rock musician George Harrison. Released as a triple album in November 1970, it was Harrison's first solo work after the break-up of the Beatles in April that year. It includes the hit singles "My Sweet Lord" and "What Is Life", as well as songs such as "Isn't It a Pity" and the title track that had been overlooked for inclusion on releases by the Beatles. The album reflects the influence of Harrison's musical activities with artists such as Bob Dylan, the Band, Delaney & Bonnie and Friends and Billy Preston during 1968–70, and his growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney. ''All Things Must Pass'' introduced Harrison's signature slide guitar sound and the spiritual themes present throughout his subsequent solo work. The original vinyl release consisted of two LPs of songs and a third disc of informal jams titled ''Apple Jam''. Several commentators interpret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Things Must Pass (song)
"All Things Must Pass" is a song by English rock musician George Harrison, issued in November 1970 as the title track to his triple album of the same name. Billy Preston released the song originally – as "All Things (Must) Pass" – on his Apple Records album '' Encouraging Words'' (1970) after the Beatles had rehearsed the song in January 1969 but did not include it on their '' Let It Be'' album. The composition reflects the influence of the Band's sound and communal music-making on Harrison, after he had spent time with the group in Woodstock, New York, in late 1968. In his lyrics, Harrison drew inspiration from Timothy Leary's poem "All Things Pass", a psychedelic adaptation of the ''Tao Te Ching''. The subject matter deals with the transient nature of human existence, and in Harrison's ''All Things Must Pass'' reading, words and music combine to reflect impressions of optimism against fatalism. On release, together with Barry Feinstein's album cover image, commentator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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