Hercules And The Carter
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Hercules And The Carter
Hercules and the Wagoner or Hercules and the Carter is a fable credited to Aesop. It is associated with the proverb " God helps those who help themselves", variations on which are found in other ancient Greek authors. The Greek proverb A number of the fables credited to Aesop seem to have been created to illustrate already existing proverbs. The tale of Herakles and the Cowherd, first recorded by Babrius towards the end of the 1st century CE, is one of these. The rustic's cart falls into a ravine and he calls on the deified strongman for help, only to be advised by a voice from Heaven to put his own shoulder to the wheel first. In a variant recorded by the near contemporary Zenobius an ass founders in the mud, while in the later Latin of Avianus it is a cart drawn by oxen that gets stuck there. The fable appears as number 291 in the Perry Index. Another fable of the same tendency is numbered 30 in that index. It tells of a man who is shipwrecked and calls on the goddess Athe ...
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Hercules & Waggoner2
Hercules (, ) is the Roman equivalent of the Greek divinity, divine hero Heracles, son of Jupiter (mythology), Jupiter and the mortal Alcmene, Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name ''Hercules''. In later Western art and literature and in popular culture, ''Hercules'' is more commonly used than ''Heracles'' as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the classical tradition, later tradition. Mythology Birth and early life In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno (mythology), Juno sent two witches to pre ...
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Edward Hayes Plumptre
Edward Hayes Plumptre (6 August 1821 – 1 February 1891) was an English divine and scholar born in London. Life He was born on 6 August 1821, being the son of Edward Hallows Plumptre, a London solicitor. Charles John Plumptre was his brother. He was educated at home, and after a brief stay at King's College, London, entered Oxford as a scholar of University College, Oxford, of which his uncle, Frederick Charles Plumptre (1796–1870), was master from 1836 till his death. In 1844, he took a double first-class, alone in mathematics, and in classics with Sir George Bowen, Dean Bradley, and E. Poste. He was elected to a fellowship at Brasenose College, which he resigned three years afterwards, on his marriage with Harriet Theodosia, sister of Frederick Denison Maurice. For some years the influence of his brother-in-law was apparent in his religious views, but as he advanced in life he identified himself with no party. Service He was ordained in 1847, by Bishop Wilberforce, ...
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George Fyler Townsend
George Fyler Townsend (1814–1900) was the British translator of the standard English edition of ''Aesop's Fables''. He was the son of George Townsend and was educated at Harrow School and Trinity College, Cambridge -DCL 1876. He was Vicar of Barntingham, Yorks 1842-1857, of Leominster 1857-1862 and of St Michael's, Burleigh Street, Westminster 1862-1894.Harrow Register He was the last Clerical proctor for granting Marriage Licences in Doctors Commons and assumed the name "Townesend" in 1882. Although there are more modern collections and translations, Townsend's volume of 350 fables introduced the practice of stating a succinct ''moral'' at the conclusion of each story, and continues to be influential. Several editions were published in his lifetime, and others since. In 1860, Townsend also published a revised edition of ''The Arabian Nights'', "mostly founded on the version of Dr Jonathan Scott". In 1872, Townsend published, under the auspices of the Society for Promoti ...
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Book Of Proverbs
The Book of Proverbs ( he, מִשְלֵי, , "Proverbs (of Solomon)") is a book in the third section (called Ketuvim) of the Hebrew Bible and a book of the Christian Old Testament. When translated into Greek and Latin, the title took on different forms: in the Greek Septuagint (LXX) it became (, "Proverbs"); in the Latin Vulgate the title was , from which the English name is derived. Proverbs is not merely an anthology but a "collection of collections" relating to a pattern of life which lasted for more than a millennium. It is an example of the biblical wisdom literature, and raises questions of values, moral behaviour, the meaning of human life, and right conduct, and its theological foundation is that "the fear of God (meaning submission to the will of God) is the beginning of wisdom". Wisdom is praised for her role in creation; God acquired her before all else, and through her he gave order to chaos; and since humans have life and prosperity by conforming to the order of cre ...
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Samuel Croxall
Samuel Croxall (c. 1690 – 1752) was an Anglican churchman, writer and translator, particularly noted for his edition of Aesop's Fables. Early career Samuel Croxall was born in Walton on Thames, where his father (also called Samuel) was vicar. He was educated at Eton and at St John's College, Cambridge, where he took his B.A. in 1711 and entered holy orders. Soon after graduating he began to emerge as a political pamphleteer, taking the Whig side on the question of the Hanoverian succession. In 1713 he published ''An original canto of Spencer: design'd as part of his Faerie Queene, but never printed'', followed next year by ''Another original canto of Spencer''. Croxall's satirical target was the Tory politician of the day, Robert Harley, Earl of Oxford, and the choice of poetical model was also politically motivated. In 1706 the Whig turncoat Matthew Prior had used the Spenserian stanza in ''An Ode, Humbly to the Queen'' on the conduct of the War of the Spanish Succession; a ...
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La Fontaine's Fables
Jean de La Fontaine collected fables from a wide variety of sources, both Western and Eastern, and adapted them into French free verse. They were issued under the general title of Fables in several volumes from 1668 to 1694 and are considered classics of French literature. Humorous, nuanced and ironical, they were originally aimed at adults but then entered the educational system and were required learning for school children. Composition history Divided into 12 books, there are 239 of the ''Fables'', varying in length from a few lines to some hundred, those written later being as a rule longer than those written earlier. The first collection of ''Fables Choisies'' had appeared March 31, 1668, dividing 124 fables into six books over its two volumes. They were dedicated to ''"Monseigneur"'' Louis, ''le Grand Dauphin'', the six-year-old son of Louis XIV of France and his queen consort Maria Theresa of Spain. By this time, La Fontaine was 47 and known to readers chiefly as the aut ...
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Francis Barlow (artist)
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator. He ranks among the most prolific book-illustrators and printmakers of the 17th century, working across several genres: natural history, hunting and recreation, politics, and decoration and design. Barlow is known as "the father of British sporting painting"; he was Britain's first wildlife painter, beginning a tradition that reached a high-point a century later, in the work of George Stubbs. He was furthermore a pioneer in the history of comics by creating ''A True Narrative of the Horrid Hellish Popish Plot'' (c. 1682), a picture story about the life of Titus Oates and the Popish Plot, which is told in a series of illustrated sequences where the story is written underneath them and the characters depicted on those images use speech balloons to talk. While it is not the first example of its kind in history, it is one of the oldest which is signed. Life Barlow was born c. 1626 in Lincolns ...
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Gabriele Faerno
The humanist scholar Gabriele Faerno, also known by his Latin name of Faernus Cremonensis, was born in Cremona about 1510 and died in Rome on 17 November, 1561. He was a scrupulous textual editor and an elegant Latin poet who is best known now for his collection of Aesop's Fables in Latin verse. Life Gabriele Faerno was born in Cremona to Francis Faerno, a local lawyer and scholar. In 1528 he was enrolled at the Collegium Notariorum in his hometown and then entered the service of the Bishop of Cremona. Biographical details for this period are sparse, except that in 1538 he is recorded as following his master on a mission to Barcelona in Spain. At some time in the next decade he was recommended by his sponsors to Rome. The first evidence of his presence in the city is in a letter from Carlo Gualteruzzi to Giovanni Della Casa in October, 1548. At the start of 1549 he began working in the Vatican Library and was brought into contact with many of the scholars and philologists who gravi ...
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Emblem Book
An emblem book is a book collecting emblems (allegorical illustrations) with accompanying explanatory text, typically morals or poems. This category of books was popular in Europe during the 16th and 17th centuries. Emblem books are collections of sets of three elements: an icon or image, a motto, and text explaining the connection between the image and motto. The text ranged in length from a few lines of verse to pages of prose. Emblem books descended from medieval bestiaries that explained the importance of animals, proverbs, and fables. In fact, writers often drew inspiration from Greek and Roman sources such as Aesop's Fables and Plutarch's Lives. Definition Scholars differ on the key question of whether the actual emblems in question are the visual images, the accompanying texts, or the combination of the two. This is understandable, given that first emblem book, the ''Emblemata'' of Andrea Alciato, was first issued in an unauthorized edition in which the woodcuts were ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ...
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Hippolytus (play)
''Hippolytus'' ( grc, Ἱππόλυτος, ''Hippolytos'') is an Ancient Greek tragedy by Euripides, based on the myth of Hippolytus, son of Theseus. The play was first produced for the City Dionysia of Athens in 428 BC and won first prize as part of a trilogy. Euripides first treated the myth in a previous play, ''Hippolytos Kalyptomenos'' ( – ''Hippolytus Veiled''), which is now lost; what is known of it is based on echoes found in other ancient writings. The earlier play, and the one that has survived are both titled ''Hippolytus'', but in order to distinguish the two they have traditionally been given the names, ''Hippolytus Kalyptomenos'' and ''Hippolytus Stephanophoros'' ( – "Hippolytus the wreath bearer"). It is thought that the contents to the missing ''Hippolytos Kalyptomenos'' portrayed a shamelessly lustful Phaedra, who directly propositioned Hippolytus, which apparently offended the play's audience.Euripides. ''Hippolytus''. Bagg, Robert. Introduction. Oxford Uni ...
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