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Hercle Ivy
In Etruscan religion, Hercle (also ''Heracle'' or ''Hercl''), the son of Tinia and Uni, was a version of the Greek Heracles, depicted as a muscular figure often carrying a club and wearing a lionskin. He is a popular subject in Etruscan art, particularly bronze mirrors, which show him engaged in adventures not known from the Greek myths of Heracles or the Roman and later classical myths of Hercules. In the Etruscan tradition, Uni (Roman Juno) grants Hercle access to a life among the immortals by offering her breast milk to him.De Grummond, ''Etruscan Myth'', pp. 83–84. Hercle was the first man elevated to a godhood through his deeds and Etruscan aristocrats tried to identify with this ascension, as reflected in artwork and literature. Hercle differed in many aspects from the Greek Heracles. He seems to have enjoyed a special status in Italy in general. In art, he is shown to be a defender of an unknown goddess against creatures on the other side of a human border, showi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uni (mythology)
Uni is the ancient goddess of marriage, fertility, family, and women in Etruscan religion and myth, and was the patron goddess of Perugia. She is identified as the Etruscan equivalent of Juno in Roman mythology, and Hera in Greek mythology. As the supreme goddess of the Etruscan pantheon, she is part of the Etruscan trinity, an original precursor to the Capitoline Triad, made up of her husband Tinia, the god of the sky, and daughter Menrva, the goddess of wisdom. She is often depicted with a goatskin cloak and sandals whilst holding a shield, similarly to Juno, wearing a bridal veil, or completely nude.Nancy Thomson de Grummond, ''Etruscan Myth, Sacred History, and Legend'' (University of Pennsylvania Museum of Archaeology and Anthropology, 2006). Livy states (Book V, ''Ab Urbe Condita'') that Juno was an Etruscan goddess of the Veientes, who was adopted ceremonially into the Roman pantheon when Veii was sacked in 396 BC. This seems to refer to Uni. She also appears on the Liver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Gods
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, doing away with monsters an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Etruscan Mythological Figures
This is a list of deities and legendary figures found in Etruscan mythology. The names below were taken mainly from Etruscan "picture bilinguals", which are Etruscan call-outs on art depicting mythological scenes or motifs. Several different media provide names. Variants of the names are given, reflecting differences in language in different localities and times. Many of the names are Etruscan spellings (and pronunciations) of Greek names. The themes may or may not be entirely Greek. Etruscans frequently added their own themes to Greek myths. The same may be said of native Italic names rendered into Etruscan. Some names are entirely Etruscan, which is often a topic of debate in the international forum of scholarship. Deities Deified mortals Spirits, demons, and other creatures Places Mortals See also * Etruscan mythology * List of Etruscan names for Greek heroes * ''Interpretatio graeca'' Notes References * * * Translated by Wendy Doniger, Gerald Honigsblum. * * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liber Linteus
The (Latin for "Linen Book of Zagreb", also rarely known as , "Book of Agram") is the longest Etruscan text and the only extant linen book, dated to the 3rd century BCE. (The second longest, Tabula Capuana, also seems to be a ritual calendar.) Much of it is untranslated because of the lack of knowledge about the Etruscan language, though the words and phrases which can be understood indicate that the text is most likely a ritual calendar. Miles Beckwith points out with regard to this text that "in the last thirty or forty years, our understanding of Etruscan has increased substantially," and L. Bouke van der Meer has published a word-by-word analysis of the entire text. The fabric of the book was preserved when it was used for mummy wrappings in Ptolemaic Egypt. The mummy was bought in Alexandria in 1848 and since 1867 both the mummy and the manuscript have been kept in Zagreb, Croatia, now in a refrigerated room at the Archaeological Museum. History of discovery In 1848, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oracular
An oracle is a person or agency considered to provide wise and insightful counsel or prophetic predictions, most notably including precognition of the future, inspired by deities. As such, it is a form of divination. Description The word ''oracle'' comes from the Latin verb ''ōrāre'', "to speak" and properly refers to the priest or priestess uttering the prediction. In extended use, ''oracle'' may also refer to the ''site of the oracle'', and to the oracular utterances themselves, called ''khrēsmē'' 'tresme' (χρησμοί) in Greek. Oracles were thought to be portals through which the gods spoke directly to people. In this sense, they were different from seers (''manteis'', μάντεις) who interpreted signs sent by the gods through bird signs, animal entrails, and other various methods.Flower, Michael Attyah. ''The Seer in Ancient Greece.'' Berkeley: University of California Press, 2008. The most important oracles of Greek antiquity were Pythia (priestess to Apollo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liminal Deity
A liminal deity is a god or goddess in mythology who presides over thresholds, gates, or doorways; "a crosser of boundaries". Types of liminal deities include dying-and-rising deities, various agricultural deities, psychopomps and those who descend into the underworld: crossing the threshold between life and death. Vegetation deities mimic the annual dying and returning of plant life, making them seasonally cyclical liminal deities. In contrast, the one-time journey typical of the dying-and-rising myth, or legends of those who return from a descent to the underworld, represent a more narrow scope of liminal deities. Etymology The word "liminal", first attested to in English in 1884, comes from the Latin word "limen", meaning "threshold". "Liminality" is a term given currency in twentieth century British cultural anthropologist by Victor Turner. European Greek mythology * Adonis * Dionysus, who in one myth is torn apart by Titans, but brought back to life * Enodia, godd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juno (mythology)
Juno ( ; Latin ) was an ancient Roman goddess, the protector and special counsellor of the state. She was equated to Hera, queen of the gods in Greek mythology. A daughter of Saturn, she was the sister and wife of Jupiter and the mother of Mars, Vulcan, Bellona and Juventas. Like Hera, her sacred animal was the peacock.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Her Etruscan counterpart was Uni, and she was said to also watch over the women of Rome. As the patron goddess of Rome and the Roman Empire, Juno was called ("Queen") and was a member of the Capitoline Triad (''Juno Capitolina''), centered on the Capitoline Hill in Rome, and also including Jupiter, and Minerva, goddess of wisdom. Juno's own warlike aspect among the Romans is apparent in her attire. She was often shown armed and wearing a goatskin cloak. The traditional depiction of this warlike aspect was assimilated from the Greek goddess Athena, who bore a goatskin, or a goatsk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Mythology
Classical mythology, Greco-Roman mythology, or Greek and Roman mythology is both the body of and the study of myths from the ancient Greeks and ancient Romans as they are used or transformed by cultural reception. Along with philosophy and political thought, mythology represents one of the major survivals of classical antiquity throughout later Western culture. The Greek word ''mythos'' refers to the spoken word or speech, but it also denotes a tale, story or narrative. As late as the Roman conquest of Greece during the last two centuries Before the Common Era and for centuries afterwards, the Romans, who already had gods of their own, adopted much mythology directly from the Greeks while preserving their own Roman (Latin) names for the gods. In storytelling and literature, this thereby caused an equivalence between many Roman and Greek deities; some examples include between the Roman sky god Jupiter or Jove and the Greek counterpart Zeus; between the Roman fertility goddess Venu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Mythology
Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans. One of a wide variety of genres of Roman folklore, ''Roman mythology'' may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and ultimately from Proto-Indo-European mythology. Roman mythology also draws directly on Greek mythology, potentially as early as Rome's protohistory, but primarily during the Hellenistic period of Greek influence and through the Roman conquest of Greece, via the artistic imitation of Greek literary models by Roman authors. The Romans identified their own gods with those of the ancient Greeks—who were closely historically related in some cases, such as Zeus and Jupiter—and reinterpreted myths about Greek deities under the names of their Roman counterparts. Greek and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze Mirror
Bronze mirrors preceded the glass mirrors of today. This type of mirror, sometimes termed a copper mirror, has been found by archaeology, archaeologists among elite assemblages from various cultures, from Etruscan art, Etruscan Italy to Japan. Typically they are round and rather small, in the West with a handle, in East Asia with a knob to hold at the back, often with a loop for a cord, or silk tassel. Some were fitted with small stands, and others had a hinged protective cover. They are first-surface mirrors, where the immediate bronze surface is flat, plain and highly polished to be reflective, rather than second-surface mirrors, like modern glass mirrors, where the reflection comes from a backing applied to the glass. They are significantly inferior to modern mirrors in terms of the quality of the reflection, but in older societies were sufficiently impressive to have religious significance in some societies. Examples include the melong in Tibetan Buddhism and the Toli ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tinia
In Etruscan religion and mythology, Tinia (also Tin, Tinh, Tins or ''Tina'') was the god of the sky and the highest god in Etruscan mythology, equivalent to the Roman Jupiter and the Greek Zeus. However, a primary source from the Roman Varro states that Veltha, not Tins, was the supreme deity of the Etruscans. This has led some scholars to conclude that they were assimilated, but this is speculation. He was the husband of Uni and the father of Hercle. Like many other Etruscan deities, his name is gender neutral. The Etruscans had a group of nine gods who had the power of hurling thunderbolts; they were called ''Novensiles'' by the Romans. Of thunderbolts there were eleven sorts, of which Tinia wielded three. Tinia was sometimes represented with a beard or sometimes as youthful and beardless. In terms of symbolism, Tinia has the thunderbolt. Tinia's thunderbolts could be red or blood coloured. Like Selvans and possibly Laran,Konstantinos I. Soueref; Ariadni Gartziou-Tatti ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
