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Henry Woodward (English Actor)
Henry Woodward (2 October 1714 – 17 April 1777) was an English actor, among the most famous in his day for comedy roles. Early life and career Woodward was the eldest son of a tallow chandler in the borough of Southwark, London, and intended for his father's occupation. He attended Merchant Taylors' school from 1724 to 1728. After his father's failure in business, Woodward joined the troupe of John Rich, whose stage name was "Lun", at Lincoln's Inn Fields, playing in January 1729 in ''The Beggar's Opera'' as the Beggar and Ben Budge. During the season the performance was repeated fifteen times, and Woodward, thoroughly stage-struck, remained with Rich, who instructed him in harlequin and other characters. From October 1730 he appeared at Goodman's Fields Theatre, where he remained until 1736. After the company moved to Lincoln's Inn Fields, Woodward appeared in January 1737 as Harlequin Macheath in ''The Beggars' Pantomime, or the Contending Columbines''. The authorship of th ...
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Benjamin Van Der Gucht, Henry Woodward As Petruchio (1773–1774, Yale Center For British Art)
Benjamin ( he, ''Bīnyāmīn''; "Son of (the) right") blue letter bible: https://www.blueletterbible.org/lexicon/h3225/kjv/wlc/0-1/ H3225 - yāmîn - Strong's Hebrew Lexicon (kjv) was the last of the two sons of Jacob and Rachel (Jacob's thirteenth child and twelfth and youngest son) in Jewish, Christian and Islamic tradition. He was also the progenitor of the Israelite Tribe of Benjamin. Unlike Rachel's first son, Joseph, Benjamin was born in Canaan according to biblical narrative. In the Samaritan Pentateuch, Benjamin's name appears as "Binyamēm" (Samaritan Hebrew: , "son of days"). In the Quran, Benjamin is referred to as a righteous young child, who remained with Jacob when the older brothers plotted against Joseph. Later rabbinic traditions name him as one of four ancient Israelites who died without sin, the other three being Chileab, Jesse and Amram. Name The name is first mentioned in letters from King Sîn-kāšid of Uruk (1801–1771 BC), who called himself “King ...
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David Garrick
David Garrick (19 February 1717 – 20 January 1779) was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Samuel Johnson. He appeared in a number of amateur theatricals, and with his appearance in the title role of Shakespeare's '' Richard III'', audiences and managers began to take notice. Impressed by his portrayals of Richard III and a number of other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane in the West End. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated 29 years of Garrick's management of the Drury Lane, during which time it rose to prominence as one of the leading theatres in Europe. At his death, three years after his retirement from Drury Lane and the stage, he was given a lavish public funeral ...
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William Davenant
Sir William Davenant (baptised 3 March 1606 – 7 April 1668), also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned both the Caroline and Restoration eras and who was active both before and after the English Civil War and during the Interregnum. Biography Early life Davenant is believed to have been born in late February, 1606 in Oxford, the son of Jane Shepherd Davenant and John Davenant, proprietor of the Crown Tavern (or Crown Inn) and Mayor of Oxford. He was baptised on 3 March, his godfather sometimes being said to have been William Shakespeare, who, according to John Aubrey, had stayed frequently at the Crown during his travels between London and Stratford-upon-Avon.Edmond, M., ''Yeomen, Citizens, Gentlemen, and Players: The Burbages and Their Connections'', R. B. Parker (ed), ''Elizabethan Theater: Essays in Honor of S. Schoenbaum'', University o ...
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Theatre Royal Haymarket
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, ...
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Henry Woodward, (1714-1777), Actor, As The Fine Gentleman In D
Henry may refer to: People *Henry (given name) *Henry (surname) * Henry Lau, Canadian singer and musician who performs under the mononym Henry Royalty * Portuguese royalty ** King-Cardinal Henry, King of Portugal ** Henry, Count of Portugal, Henry of Burgundy, Count of Portugal (father of Portugal's first king) ** Prince Henry the Navigator, Infante of Portugal ** Infante Henrique, Duke of Coimbra (born 1949), the sixth in line to Portuguese throne * King of Germany **Henry the Fowler (876–936), first king of Germany * King of Scots (in name, at least) ** Henry Stuart, Lord Darnley (1545/6–1567), consort of Mary, queen of Scots ** Henry Benedict Stuart, the 'Cardinal Duke of York', brother of Bonnie Prince Charlie, who was hailed by Jacobites as Henry IX * Four kings of Castile: **Henry I of Castile **Henry II of Castile **Henry III of Castile **Henry IV of Castile * Five kings of France, spelt ''Henri'' in Modern French since the Renaissance to italianize the name and to ...
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Theatre Royal, Cork
The Theatre Royal was a patent theatre located in Cork City, Ireland. History The Theatre Royal was founded by local actor Spranger Barry in 1760. It was modelled on the Crow Street Theatre, Dublin. In 1766 when he left for London, Barry controversially left his son Thomas Barry as manager of the theatre, but his tenure lasted for less than a year. The theatre was destroyed by fire on April Fool's Day 1840. In 1853 it was rebuilt, and in the 1860s it was refurbished under the direction of Sir John Benson, and re-opened on 26 December 1867. In 1875 the theatre was sold to the postal service and Cork's GPO opened on the site in 1877. The last three plays performed were James Sheridan Knowles' '' Virginius''; William Shakespeare's ''Hamlet''; and John Wilson's ''Belphegor''. Description An 1867 description from the ''Illustrated London News ''The Illustrated London News'' appeared first on Saturday 14 May 1842, as the world's first illustrated weekly news magazine. Fou ...
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Samuel Foote
Samuel Foote (January 1720 – 21 October 1777) was a British dramatist, actor and theatre manager. He was known for his comedic acting and writing, and for turning the loss of a leg in a riding accident in 1766 to comedic opportunity. Early life Born into a well-to-do family,Hartnoll, p. 290. Foote was baptized in Truro, Cornwall on 27 January 1720.Britannica. His father, Samuel Foote, held several public positions, including mayor of Truro, Member of Parliament representing Tiverton and a commissioner in the Prize Office. His mother, née Eleanor Goodere, was the daughter of Sir Edward Goodere Baronet of Hereford.Murphy, p. 1104. Foote may have inherited his wit and sharp humour from her and her family which was described as "eccentric. ..whose peculiarities ranged from the harmless to the malevolent."Howard, p. 131. About the time Foote came of age, he inherited his first fortune when one of his uncles, Sir John Dineley Goodere, 2nd Baronet was murdered by another uncle, C ...
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Crow Street Theatre
Crow Street Theatre was a theatre in Dublin, Ireland, originally opened in 1758 by the actor Spranger Barry. From 1788 until 1818 it was a patent theatre. History Spranger Barry and Henry Woodward The actor Spranger Barry (1719–1777), born in Dublin and appearing in London from 1746, induced the London-born actor Henry Woodward (1714–1777), who had saved £6,000, to participate in his project to build a theatre in Dublin. Charles Macklin participated at an early stage, but soon withdrew. Barry and Woodward moved to Dublin, and the Crow Street Theatre opened in October 1758. It struggled as a rival to the Smock Alley Theatre. Maria Nossiter (1735–1759), who had lived with Barry in London, was assigned an eighth share of the profits. In 1760 Barry and Woodward opened a theatre in Cork, the Theatre Royal. By 1762 Woodward had lost half his savings; the partnership was dissolved, and he returned to London. Barry continued for a few more years, then also returned to London. ...
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Charles Macklin
Charles Macklin (26 September 1699 – 11 July 1797), (Gaelic: Cathal MacLochlainn, English: Charles McLaughlin), was an Irish actor and dramatist who performed extensively at the Theatre Royal, Drury Lane. Macklin revolutionised theatre in the 18th century by introducing a "natural style" of acting. He is also famous for accidentally killing a man during a fight over a wig at the same theatre. Macklin was born in County Donegal in the Irish region of Ulster in the north of Ireland. He was raised in Dublin, where he attended school in Islandbridge after his father's death and his mother's remarriage. Macklin became known for his many performances in the tragedy and comedy genre of plays. He gained his greatest fame in the role of Shylock in ''The Merchant of Venice.'' Macklin enjoyed a long career which was often steeped in controversy before dying aged 97. Early life It is thought that Macklin was born near Culdaff, a village in Inishowen in the north of County Donegal in ...
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Spranger Barry
Spranger Barry (23 November 1719 – 10 January 1777) was an Irish actor. Life He was born in Skinner's Row, Dublin, the son of a silversmith, to whose business he was brought up. He took over the business but was not successful. His first appearance on the stage was at the Theatre Royal, Smock Alley, Dublin, on 5 February 1744, and his engagement at once increased its prosperity. His first London appearance was made in 1746 as Othello at the Theatre Royal, Drury Lane. Here his talents were speedily recognized, and in ''Hamlet'' and ''Macbeth'' he alternated with David Garrick, arousing the latter's jealousy by his success as Romeo. This resulted in his leaving Drury Lane for the Covent Garden Theatre in 1750, accompanied by Mrs Cibber, his Juliet. Both houses now at once put on ''Romeo and Juliet'' for a series of rival performances, and Barry's Romeo was preferred by the critics to Garrick's. In 1758 Barry opened the Crow Street Theatre in Dublin, and later a new The ...
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Tate Wilkinson
Tate Wilkinson (27 October 173916 November 1803) was an English actor and manager. Life He was the son of a clergyman and was sent to Harrow. His first attempts at acting were badly received, and it was to his wonderful gift of mimicry that he owed his success. His imitations, however, naturally gave offence to the important actors and managers whose peculiarities he hit off to the life. Garrick, Peg Woffington, Samuel Foote and Sheridan, after being delighted with the imitations of the others, were among the most angry when it came to their turn, and threatened never to forgive him. Garrick never did. As an actor, Wilkinson was most successful in Foote's plays, but his list of parts was a long one. In Shakespearian characters he was very popular in the provinces. In 1766 he became a partner of Joseph Baker in the management of several Yorkshire theatres, and married about 1768. He became sole manager after his partner's death in 1770 of a number of theatres on what was then ...
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Every Man In His Humour
''Every Man in His Humour'' is a 1598 play by the English playwright Ben Jonson. The play belongs to the subgenre of the " humours comedy," in which each major character is dominated by an over-riding humour or obsession. Performance and publication All the available evidence indicates that the play was performed by the Lord Chamberlain's Men in 1598 at the Curtain Theatre in Shoreditch, London. That date is given in the play's reprint in Jonson's 1616 folio collection of his works; the text of the play (IV,iv,15) contains an allusion to John Barrose, a Burgundian fencer who challenged all comers that year and was hanged for murder on 10 July 1598. The play was also acted at Court on 2 February 1605. A theatre legend first recorded in 1709 by Nicholas Rowe has it that Shakespeare advocated production of the play at a point when the company was about to reject it. While this legend is unverifiable, it is almost certain, based on the playlist published in the folio, that S ...
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