Helga De La Motte-Haber
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Helga De La Motte-Haber
Helga de la Motte-Haber (born 2 October 1938) is a German musicologist focusing on the study of systematic musicology. Life Haber was born in Ludwigshafen am Rhein as the first child of Paula Haber, ''née'' Kilian, and the physicist and mathematician Gustav Haber. Two brothers followed in 1939 and 1941. She survived the Second World War and the post-war period, according to her own statement, "in the back of the Palatinate" (Winseln, Leutershausen and Frankelbach) - a few kilometres from the French border and the Siegfried Line. She attended school in Kaiserslautern and in Kusel, where she passed her Abitur in 1957. Her father also taught at the grammar school. In 1957, Haber began studying psychology at the University of Mainz with Albert Wellek, a representative of the Gestalt psychology of the Leipzig School. Her fields of work were music psychology and synaesthesia. In 1959 Haber moved to Vienna, where taught in the tradition of Viennese psychology. After a short excurs ...
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Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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Hochschule Für Musik Und Theater Hamburg
The Hochschule für Musik und Theater Hamburg is one of the larger universities of music in Germany. It was founded 1950 as ''Staatliche Hochschule für Musik'' (Public college of music) on the base of the former private acting school of Annemarie Marks-Rocke and Eduard Marks. Courses cover various musical genres, including church music, jazz, pop, composition, conducting, instrumental music as well as voice. The theatre academy offers courses in drama and opera and directing in these fields. A third academy offers scientific and educational degrees and qualifications (musicology, music education and therapy). The university is located in the prestigious Budge-Palais in Hamburg Rotherbaum at the Außenalster, close to the city centre. Directors *Philipp Jarnach (1950–59) *Wilhelm Maler (1959–69) *Hajo Hinrichs (1969–78) * Hermann Rauhe (1978–2004) * Michael von Troschke (April to October 2004) *Elmar Lampson (since October 2004) Faculty * Beatrix Borchard, musi ...
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Heinrich Husmann
Heinrich Husmann (December 16, 1908 Cologne, Germany − November 8, 1983 Brussels) was a German musicologist and university professor. Biography At the University of Göttingen, Husmann was a pupil of Friedrich Ludwig and then of Johannes Wolf, Arnold Schering, Friedrich Blume and Erich Moritz von Hornbostel at the Humboldt University, Berlin, where he received his doctorate in 1932. His first position was as an assistant lecturer at the musicological institute at the University of Leipzig, completing his Habilitation in 1941, becoming acting director in 1944. While there he was responsible for the collection of musical instruments in the Grassi Museum. In 1948 he completed a second Habilitation at the University of Hamburg, organising its musicological institute in 1949. He went on to a position as Reader A reader is a person who reads. It may also refer to: Computing and technology * Adobe Reader (now Adobe Acrobat), a PDF reader * Bible Reader for Palm, a discontin ...
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Sound Art
Sound art is an artistic activity in which sound is utilized as a primary medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art as a practice "harnesses, describes, analyzes, performs, and interrogates the condition of sound and the process by which it operates." In Western art, early examples include Luigi Russolo's ''Intonarumori'' or noise intoners (1913), and subsequent experiments by dadaists, surrealists, the Situationist International, and in Fluxus events and other Happenings. Because of the diversity of sound art, there is often debate about whether sound art falls within the domains of visual art or experimental music, or both. Other artistic lineages from which sound art emerges are conceptual art, minimalism, site-specific art, sound poetry, electro-acoustic music, spoken word, avant-garde poetry, sound scenography, and experimental theatre. Origin of ...
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Habilitation
Habilitation is the highest university degree, or the procedure by which it is achieved, in many European countries. The candidate fulfills a university's set criteria of excellence in research, teaching and further education, usually including a dissertation. The degree, abbreviated "Dr. habil." (Doctor habilitatus) or "PD" (for "Privatdozent"), is a qualification for professorship in those countries. The conferral is usually accompanied by a lecture to a colloquium as well as a public inaugural lecture. History and etymology The term ''habilitation'' is derived from the Medieval Latin , meaning "to make suitable, to fit", from Classical Latin "fit, proper, skillful". The degree developed in Germany in the seventeenth century (). Initially, habilitation was synonymous with "doctoral qualification". The term became synonymous with "post-doctoral qualification" in Germany in the 19th century "when holding a doctorate seemed no longer sufficient to guarantee a proficient transfer o ...
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Technical University Of Berlin
The Technical University of Berlin (official name both in English and german: link=no, Technische Universität Berlin, also known as TU Berlin and Berlin Institute of Technology) is a public research university located in Berlin, Germany. It was the first German university to adopt the name "Technische Universität" (Technical University). The university alumni and professor list includes several US National Academies members, two National Medal of Science laureates and ten Nobel Prize laureates. TU Berlin is a member of TU9, an incorporated society of the largest and most notable German institutes of technology and of the Top International Managers in Engineering network, which allows for student exchanges between leading engineering schools. It belongs to the Conference of European Schools for Advanced Engineering Education and Research. The TU Berlin is home of two innovation centers designated by the European Institute of Innovation and Technology. The university is labeled ...
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Carl Dahlhaus
Carl Dahlhaus (10 June 1928 – 13 March 1989) was a German musicologist who was among the leading postwar musicologists of the mid to late 20th-century. A prolific scholar, he had broad interests though his research focused on 19th- and 20th-century classical music, both areas in which he made significant advancements. However, he remains best known in the English-speaking world for his writings on Wagner. Dahlhaus wrote on many other composers, including Josquin, Gesualdo, Bach and Schoenberg. He spent the bulk of his career as head of the Berlin Institute of Technology's musicology department, which he raised to an international standard. Dahlhaus pioneered the development of numerous musicological fields, particularly the aesthetics of music, which he raised to a central status. Active as a historian, analyst, editor and organizer, he was massively influential and his work has since incited considerable discussion and debate. Life and career Dahlhaus was born in Hanover ...
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State Institute For Music Research
The State Institute for Music Research (german: Staatliches Institut für Musikforschung or ''SIMPK'') is a musicological research facility in Berlin, Germany for the study of Musical Instruments, Music History, Music Theory and Music technology. It is an agency of the Prussian Cultural Heritage Foundation and operates the Berlin Musical Instrument Museum. History The current Institute is a direct descendant of several institutions of the former Kingdom of Prussia. In 1888, a formalized collection of ancient musical instruments was established at the Prussian Royal Academy of Music. By 1902, the collection had grown substantially through the financial support of Wilhelm II. In 1919 Curt Sachs, one of the founders of the field of organology (the study of musical instruments), was appointed the first Director of the instrument collection. In 1917, an Institute for Musicological Research was also founded under the patronage of Prince Adolf of Schaumburg-Lippe in Bückeburg. At the s ...
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Acustic
Jesper Skaaning (a.k.a. Acustic) is a Danish electronic musician, producer and film composer. He started his career as a guitarist in various experimental punk bands in the early 1980s and was inspired by European electropop and early electronic Music, especially by Kraftwerk. At that time he formed a band, Acustisk Ungdom, from which he later took his name. He formed the Future 3 electronic trio together with Anders Remmer (a.k.a. Dub Tractor) and Thomas Knak (a.k.a. Opiate) in 1994. He is also a member of People Press Play (which is Future 3 plus Sara Savery) and has a duo project with Remmer, Jesper & Anders a.k.a. Recycler 202. With his sense of harmony, and his consciously minimalist approach, Skaaning constructs a sound which is forthcoming without trying too hard to please. At the moment Jesper is working together with guitar and bassplayer Djon on the side project Spring, which is a return to more guitar oriented material with discrete use of vocals. Discography * ...
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Günter Kleinen
Günter Kleinen (born 10 January 1941) is a German musicologist and professor of musicology with a focus on music education and systematic musicology as well as music psychology. Life Born in Cologne, Kleinene passed his Abitur in 1960 in Cologne, thenstudied sound engineering between 1960 and 1963 at the Robert Schumann Hochschule Düsseldorf, including violin and piano. In 1963, he began studying musicology, psychology and philosophy at the University of Hamburg. With a dissertation on the subject of ''Experimentelle Studien zum musikalischen Ausdruck'', he was awarded a doctorate in 1967. From 1968 onwards, Kleinen was a research assistant at the then , at the same time completing a studies for elementary and secondary schools in music, fine arts and English language and literature, which he completed with the 1st teacher examination. From 1974 to 1977, he was at the University of Münster, where he completed his Habilitation for the subject Musikpädagogik mit dem Schwerp ...
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Ekkehard Jost
Ekkehard (and Eckardt, Eckard, Eckart, Eckhardt, Ekkehart) is a German given name. It is composed of the elements ''ekke'' "edge, blade; sword" and ''hart'' "brave; hardy". Variant forms include Eckard, Eckhard, Eckhart, Eckart. The Anglo-Saxon form of the name was ''Ecgheard'', possibly attested in the toponym Eggerton. Middle Ages It was the name of five monks of the Abbey of Saint Gall from the tenth to the thirteenth century: *Ekkehard I (died 973) *Ekkehard II (died 990) *Ekkehard III *Ekkehard IV (died c. 1056) *Ekkehard V (died c. 1220) It was also the name of two Margraves of Meissen: * Eckard I (died 1002) * Eckard II (died 1046) Other notable people with that given name include: *Ekkehard of Huysburg (died 1084), abbot of Huysburg Abbey *Ekkehard of Aura (died 1126), chronicler and abbot of Aura Abbey *Meister Eckhart (died c. 1327), philosopher and mystic *Eckhard Christian (1907-1985), Luftwaffe officer *Ekkehard von Kuenssberg (1913–2000), German doctor *Eckhard ...
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Klaus-Ernst Behne
Klaus-Ernst Behne (29 June 1940 – 9 August 2013) was a German professor of musicology with a focus on music psychology. Life Born in Uelzen, Behne studied school music, musicology, psychology and physics in Freiburg im Breisgau, Bonn and Hamburg. He belonged to a group of young musicologists around Hans-Peter Reinecke. (1927-2003) - besides Klaus-Ernst Behne also Helga de la Motte-Haber, Ekkehard Jost, Günter Kleinen and Eberhard Kötter. When Reinecke was commissioned in 1964 to set up the department for musical acoustics at the State Institute for Music Research of the Prussian Cultural Heritage Foundation, he took four of the above-mentioned, including Klaus-Ernst Behne (from 1967), with him to West Berlin as research assistants or staff members. There Behne founded the (West) German editorial office of the Répertoire International de Littérature Musicale (RILM). In 1972, Behne received his doctorate in Hamburg with his empirical study ''Der Einfluß des Tempos auf di ...
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