Hedwig Hillengaß
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Hedwig Hillengaß
Hedwig Hillengaß (5 October 1902 – 22 May 1970) was a German operatic soprano, who appeared in leading roles, first operetta, later opera, in Germany. In May 1936, Bizet's ''Carmen'' was broadcast with her in the title role. Besides the standard repertoire, she performed in the world premiere of Egk's ''Peer Gynt'', and the German premiere of Jakov Gotovac's '' Ero s onoga svijeta''. Life Hillengaß was born in Mannheim and grew up there. After her Mittlere Reife, she first worked at the Mannheim telegraph office. She studied singing in Mannheim with Jane Freund-Nauen. She had her first stage engagement in the 1925/26 season at the Stadttheater Pforzheim where she was then engaged as a "beginner" with extra duties until 1927. From 1928 to 1931, she was engaged at the Stadttheater Heilbronn. Her roles with a focus on operetta included Sonja in Lèhar's ''Der Zarewitsch'', Lisa in ''Das Land des Lächelns'', the title role in Abraham's ''Viktoria und ihr Husar'' and Rosali ...
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Mannheim
Mannheim (; Palatine German: or ), officially the University City of Mannheim (german: Universitätsstadt Mannheim), is the second-largest city in the German state of Baden-Württemberg after the state capital of Stuttgart, and Germany's 21st-largest city, with a 2020 population of 309,119 inhabitants. The city is the cultural and economic centre of the Rhine-Neckar Metropolitan Region, Germany's seventh-largest metropolitan region with nearly 2.4 million inhabitants and over 900,000 employees. Mannheim is located at the confluence of the Rhine and the Neckar in the Kurpfalz (Electoral Palatinate) region of northwestern Baden-Württemberg. The city lies in the Upper Rhine Plain, Germany's warmest region. Together with Hamburg, Mannheim is the only city bordering two other federal states. It forms a continuous conurbation of around 480,000 inhabitants with Ludwigshafen am Rhein in the neighbouring state of Rhineland-Palatinate, on the other side of the Rhine. Some northe ...
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Plauen
Plauen (; Czech language, Czech: ''Plavno'') is, with around 65,000 inhabitants, the fifth-largest city of Saxony, Germany after Leipzig, Dresden, Chemnitz and Zwickau, the second-largest city of the Vogtland after Gera, as well as the largest city in the Saxon Vogtland (German: ''Sächsisches Vogtland''). The city lies on the river White Elster (''Weiße Elster''; a tributary of the Saale), in the Central Vogtlandian Hill Country. Plauen is the southwesternmost city of a string of cities sitting in the densely populated foreland of the Elster Mountains, Elster and Ore Mountains, stretching from Plauen in the southwest via Zwickau, Chemnitz and Freiberg to Dresden in the northeast. It is the capital of the Vogtland District. Plauen borders Thuringia to the north, and it is also situated near the Saxon border with Bavaria (Franconia) and the Czech Republic (Bohemia). Although being a Saxon city, the regional Vogtlandian dialect spoken in Plauen is a (Upper Saxon, Saxon-influenc ...
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Die Zauberflöte
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ...
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Die Zaubergeige
''Die Zaubergeige'' is a 1935 opera by Werner Egk to a libretto by Ludwig Strecker after Count Franz Pocci. Egk revised the opera in 1954.''The Oxford Dictionary of Music'' 0199578540 ed. Michael Kennedy, Tim Rutherford-Johnson, Joyce Kennedy-2013 p.256 "operas: Columbus (1933 radio, 1942 stage); Die Zaubergeige (1935, rev. 1954); *Peer Gynt (1938); Circe (1945, rev. 1966 as 17 Tage und 4 Minuten); * Irische Legende (after Yeats, 1955, rev. 1970); Der Revisor (after Gogol's The *Government Inspector, 1957); Die Verlobung in San Domingo (1963). " Recordings * ''Die Zaubergeige'' (excerpts): Marcel Cordes, Erika Köth, Elisabeth Lindermeier, Gottlob Frick Gottlob Frick (28 July 1906 in Ölbronn-Dürrn – 18 August 1994 in Muhlacker) was a German operatic bass. He was known for his wide repertory including Wagner and Mozart roles, as well as those of Nicolai and Lortzing. Career Frick's teac ..., Richard Holm, Choir & Orchestra of the Bayerisches Staatsoper, Werner Egk ...
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Der Wildschütz
''Der Wildschütz oder Die Stimme der Natur'' (''The Poacher, or The Voice of Nature'') is a German ''Komische Oper'', or comic opera, in three acts by Albert Lortzing from a libretto by the composer adapted from the comedy ''Der Rehbock, oder Die schuldlosen Schuldbewussten'' by August von Kotzebue. It had its premiere at the Stadttheater in Leipzig on 31 December 1842. Roles Synopsis Act 1 At the village hotel, the schoolmaster Baculus is celebrating his engagement to Gretchen. A hunter from the Count von Eberbach then arrives at the festivities with a letter telling Baculus that he has been dismissed from his schoolmaster post, as Baculus had earlier gone hunting on the count's land without his permission. Baculus thinks to send Gretchen to change the count's mind, but then recalls the count's weakness for young women. The Baroness von Freimann, sister of the count and recently widowed, arrives disguised as a student to travel ''incognito''. Her brother wants her to remar ...
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Spinto Soprano
A spinto soprano (also lirico-spinto, spinto lyric soprano, or pushed lyric) is a type of operatic soprano voice that has the limpidity and easy high notes of a lyric soprano, yet can be "pushed" on to achieve dramatic climaxes without strain. This type of voice may possess a somewhat darker timbre, too, than the average lyric soprano. It generally uses ''squillo'' to "slice" through the sound of a full orchestra, rather than singing over the orchestra like a true dramatic soprano. Spinto sopranos are also expected to handle dynamic changes in the music that they are performing with skill and poise. They command a vocal range extending from approximately middle C (C4) to in alt D (D6). The spinto repertoire includes many roles written by Verdi, by the various verismo composers, and by Puccini. Some of these roles are extremely popular with opera audiences. Certain Wagnerian heroines such as Elsa, Elisabeth and Sieglinde are also sung by spinto sopranos. The fact that spi ...
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Das Mädchen Aus Dem Goldenen Westen
''The Girl of the Golden West'' (German:''Das Mädchen aus dem goldenen Westen'') is a 1922 German silent film directed by Hans Werckmeister.Scheunemann p.112 Plot summary Cast * Georg Alexander as Adliger Tunichtgut * Franz Biehler * Karen Brand * as Notar * Renée Pelar * Heinrich Römer * C.W. Tetting CW may stand for: Science and technology * centiwatt (cW), one hundredth of a watt * Cω, a programming language * CW complex, a type of topological space * Carrier wave, in radio communications * CodeWarrior, an integrated development environme ... * Maria Zelenka References Bibliography * Dietrich Scheunemann. ''Expressionist Film: New Perspectives''. Camden House, 2006. External links * 1922 films Films of the Weimar Republic German silent feature films German black-and-white films {{Germany-silent-film-stub ...
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Mona Lisa (opera)
''Mona Lisa'', Op. 31, is a 1915 opera by the German composer Max von Schillings on a libretto by Beatrice von Dovsky. It was dedicated to the Philosophy Faculty of the University of Heidelberg, where the composer was awarded the title of professor. Composition history In the spring of 1913, Beatrice von Dovsky presented the libretto to the composer, who prepared a piano sketch during the following summer. He completed the opera during his eight-month military duty as a medical soldier in France and Belgium. The subject was very topical at the time, because the painting by Leonardo da Vinci had been stolen from the Louvre in 1911, and rediscovered in Florence in 1913. Performance history The opera was first performed on 26 September 1915 in the Hofoper in Stuttgart, with the composer conducting. In the same year it was also performed in Vienna (with Maria Jeritza in the title role), Berlin (Richard Strauss conducting the first two performances), Breslau, Hamburg and Budapest. ...
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The Cousin From Nowhere (operetta)
''The Cousin from Nowhere'' (German: ') is an operetta composed by Eduard Künneke with a libretto by and Fritz Oliven, based on a comedy by Max Kempner-Hochstädt. It was first performed on 15 April 1921 in the Neues Schauspielhaus, Berlin. An English language version, billed as a "musical comedy", was adapted by Fred Thompson with lyrics by Adrian Ross, Robert C. Tharp and Douglas Furber, and was first performed in 1922 in the United Kingdom. A separate English language adaptation, with book and lyrics by Harry B. Smith, was performed in 1923 at the Ambassador Theatre on Broadway under the title ''Caroline''. The song "I'm Only a Strolling Vagabond", from the operetta, became the signature song of English performer Cavan O'Connor Clarence Patrick O'Connor (1 July 1899 – 11 January 1997), known professionally as Cavan O'Connor, was a British singer of Irish heritage who was most popular in the 1930s and 1940s, when he was billed as "The Singing Vagabond" or "The Vaga ...
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Der Zigeunerbaron
''The Gypsy Baron'' () is an operetta in three acts by Johann Strauss II which premiered at the Theater an der Wien on 24 October 1885. Its German libretto by Ignaz Schnitzer is based on the unpublished 1883 story ''Saffi'' by Mór Jókai. Jokai later published a novel ''A cigánybáró'' () in 1885 using an expanded version of this same story. While an operetta, ''The Gypsy Baron'' was a departure from Strauss's earlier more comic and light hearted works; displaying more serious tones both musically and dramatically in what musicologist Andrew Lamb described as "a step in Strauss’s quest for the composition of a genuine opera". During the composer's lifetime, the operetta enjoyed great success internationally. It is considered one of Strauss's three best stage works, along with ''Die Fledermaus'' (1874) and ''Eine Nacht in Venedig'' (1883). Composition history Strauss was introduced to Jókai's story prior to its publication as a novel in Pest, Hungary in February 1883 by ...
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Boccaccio (Suppé)
''Boccaccio, oder Der Prinz von Palermo'' (''Boccaccio, or the Prince of Palermo'') is an operetta in three acts by Franz von Suppé to a German libretto by Camillo Walzel and Richard Genée, based on the play by Jean-François Bayard, Adolphe de Leuven, Léon Lévy Brunswick and Arthur de Beauplan, based in turn on ''The Decameron'' by Giovanni Boccaccio. The opera was first performed at the Carltheater, Vienna, on 1 February 1879. An English translation was done by Oscar Weil and Gustav Hinrichs around 1883."Von Suppé's sparkling comic opera in three acts, entitled: ''Boccaccio'' / libretto by Messrs. Reece & Farine"
via . ...
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Der Graf Von Luxemburg
''Der Graf von Luxemburg'' (''The Count of Luxembourg'') is an operetta in three acts by Franz Lehár to a German libretto by Alfred Maria Willner, Alfred Willner, Robert Bodanzky, and Leo Stein (writer), Leo Stein. A Viennese take on Bohemianism, bohemian life in Paris at the beginning of the 20th century, the story revolves around an impoverished aristocrat and a glamorous opera singer who have entered into a sham marriage without ever seeing each other and later fall in love at first sight, unaware that they are already husband and wife. It premiered at the Theater an der Wien, in Vienna, on 12 November 1909 and was an immediate success, being revived in Germany and translated into other languages for successful foreign productions including in France as ''Le comte de Luxembourg'' and in English-speaking countries as ''The Count of Luxembourg''. It has remained in the repertory until the present day, especially in German-speaking countries, and several film and stage adaptations ...
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