Heartbeat (Taana Gardner Song)
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Heartbeat (Taana Gardner Song)
"Heartbeat" is a 1981 dance single by Taana Gardner. It was arranged by Dennis Weeden and Kenton Nix, and released by West End Records, with the more famous club mix created by Larry Levan. It reached the Billboard R&B chart at No. 10 and the No. 6 on the dance chart. It has sold over 800,000 copies. Composition "Heartbeat" is a post-disco song, which runs for 9 minutes and 34 seconds for the 12-inch "Club version" mixed by Levan. It is set in common time and has a tempo of 100 beats per minute. Despite praise for its "hip-shaking, booty-bumpin' beats and rhythms" and hook-laden lyrics, it was considered peculiar at the time due to its slow tempo, "dizzy" vocal delivery and dissonant accompaniment. Danny Krivit recalls "When evanput Heartbeat"on, a full club of people left the room to get food. There was not one person left on the floor."Brewster, Bill (Jan 14, 2014). ''Last Night a DJ Saved My Life''. p. 301. Grove Pres. . Levan, known for his musical idiosyncrasies, kept pl ...
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Taana Gardner
Taana Gardner (born September 3, 1960) is an American disco and post-disco singer who found her success through West End Records since 1979. She is also a former member of the Aural Exciters. Early life Born in Newark, New Jersey (where she currently resides), Taana is the granddaughter of a professional opera singer. Her musical career began at the age of eleven when she became active in theater and joined the Harlem Children's Theater Group. Her theater debut was at Lincoln Center as the high priestess in the "Land of the Egyptian," a musical which she also co-wrote. Taana went on to perform with the Dance Theater of Harlem and the National Black Theater. Career Musical beginnings: late 1970s–1980s Vocalist Taana Gardner was one of the leading lights of West End Records, a New York City label that released influential disco during the late 1970s and early ‘80s. At a young age, Gardner knew that she wanted to act and sing. Her grandmother, a former opera singer, beg ...
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One-hit Wonder
A one-hit wonder or viral hit is any entity that achieves mainstream popularity, often for only one piece of work, and becomes known among the general public solely for that momentary success. The term is most commonly used in regard to music performers with only one hit single that overshadows their other work. Some artists dubbed "one-hit wonders" in a particular country have had great success in other countries. Music artists with subsequent popular albums and hit listings are typically not considered a one-hit wonder. One-hit wonders usually see their popularity decreasing after their hit listing and most often do not ever return to hit listings with other songs or albums. Music industry In ''The Billboard Book of One-Hit Wonders,'' music journalist Wayne Jancik defines a one-hit wonder as "an act that has won a position on henational, pop, Top 40 record chart just once." This formal definition can include acts with greater success outside their lone pop hit and who are ...
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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Butterflies In The Stomach
Butterflies in the stomach is the physical sensation in humans of a "fluttery" feeling in the stomach, caused by a reduction of blood flow to the organ. This is as a result of the release of adrenaline in the fight-or-flight response, which causes increased heart rate and blood pressure, consequently sending more blood to the muscles. Butterflies in the stomach are usually linked in culture and language to the sentiment of love and sexual/romantic passion to a desired other. One may feel butterflies in the stomach prior to meeting or confronting a love interest due to high levels of emotion and anxiety, as adrenaline and serotonin may be released when a love interest is concerned. It can also be a symptom of social anxiety disorder. The symptom of this phenomenon is usually experienced prior to attempting to partake in something critical.Pharmacotherapy Handbook, 9th edition by J. Dipiro., CHAPTER 66: Anxiety Disorders, Page: 675 See also *Anxiety Anxiety is an emotion which ...
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Rovi Corporation
TiVo Corporation, formerly known as the Rovi Corporation and Macrovision Solutions Corporation, was an American technology company. Headquartered in San Jose, California, the company is primarily involved in licensing its intellectual property within the consumer electronics industry, including digital rights management, electronic program guide software, and metadata. The company holds over 6,000 pending and registered patents. The company also provides analytics and recommendation platforms for the video industry. In 2016, Rovi acquired digital video recorder maker TiVo Inc., and renamed itself TiVo Corporation. On May 30, 2019, TiVo announced the appointment of Dave Shull as the company's new president and CEO. On December 19, 2019, TiVo merged with Xperi; the combined firm operates as ''Xperi''. History Macrovision Corporation was established in 1983. The 1984 film '' The Cotton Club'' was the first video to be encoded with Macrovision technology when it was released in 1 ...
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Purple Haze
"Purple Haze" is a song written by Jimi Hendrix and released as the second single by the Jimi Hendrix Experience on March 17, 1967. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song. "Purple Haze" is one of Hendrix's best-known songs and appears on many Hendrix compilation albums. The song featured regularly in concerts and each of Hendrix's group configurations issued live recordings. It was inducted into the Grammy Hall of Fame and is included on lists of the greatest guitar songs, including at number two by ''Rolling Stone'' and number one by ''Q'' magazine. Background and recording By January 5, 1967, the Jimi Hendrix Experience's first single, "Hey Joe", backed with " Stone Free", had peaked ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Shame, Shame, Shame (Shirley & Company Song)
"Shame, Shame, Shame" is a 1974 hit song written by Sylvia Robinson, performed by American disco band Shirley & Company and released on the Vibration label. The lead singer is Shirley Goodman, who was one half of Shirley and Lee, who had enjoyed a major hit 18 years earlier, in 1956, with the song " Let The Good Times Roll" for Aladdin Records. The male vocalist is Jesus Alvarez. The saxophone solo is by Seldon Powell, whose instrumental version, "More Shame", is the B-side. The track, with its prominent use of the Bo Diddley beat, was one of the first international disco hits and reached number 12 on the ''Billboard'' charts. It also made number one on the ''Billboard'' soul singles chart for one week. The phrases "got my sun roof down, got my diamond in the back" appeared as "diamond in the back, sun roof top" in William DeVaughn's 1974 hit "Be Thankful for What You Got" and "one monkey don't stop no show" was used as the title of Honey Cone's 1971 hit " One Monkey Don't Stop ...
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Shirley Goodman
Shirley Mae Goodman (June 19, 1936 – July 5, 2005) was an American R&B singer, best known as one half of Shirley and Lee, a 1950s duo. Later in her career, she had a resurgence with the disco hit " Shame, Shame, Shame" in the 1970s. Career Goodman was born in New Orleans, Louisiana, United States. After singing in church choirs, she recorded her first demo with a group of friends in 1950. Some months later, her solo voice caught the attention of Aladdin Records owner Eddie Messner, who tracked her down and paired her as a duo with another school friend, Leonard Lee (June 29, 1935 – October 23, 1976). As 'Shirley & Lee', they recorded their debut single "I’m Gone", produced by Cosimo Matassa, which reached #2 on the ''Billboard'' R&B charts in 1952. The record contrasted Goodman’s soprano with Leonard's baritone, in a way in which subsequent songwriters have suggested was influential on the development of ska and reggae. Matassa said of Goodman, "When Shirley ...
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