|
Hear My Prayer, O Lord (Purcell)
''Hear my prayer, O Lord'', Franklin B. Zimmerman, Z. 15, is an eight-part choral anthem by the English composer Henry Purcell (1659–1695). The anthem is a setting of the first verse of Psalm 102 in the version of the Book of Common Prayer. Purcell composed it c. 1682 at the beginning of his tenure as Organist and Master of the Choristers for Westminster Abbey. History and music The composition is thought to have been intended to be part of a longer work, indicated by several blank pages following it in the autograph, which is held by the Fitzwilliam Museum in Cambridge. The lyrics of the extant music are the first verse of Psalm 101: "Hear my prayer, O Lord, and let my crying come unto thee." (). Purcell set it for an a cappella choir consisting of eight voice parts: two soprano parts, two altos, two tenors and two Bass (voice type), basses (SATB, SSAATTBB). The anthem is 34 measures long, and is written in the Key (music), key of C minor. Some arrangements include a Basso co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions In C Minor
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthems
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of liturgical music. In this sense, its use began ca. 1550 in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic 'motet' which sets a Latin text. Etymology ''Anthem'' is derived from the Greek (''antíphōna'') via Old English . Both words originally referred to antiphons, a call-and-response style of singing. The adjectival form is "anthemic". History Anthems were originally a form of liturgical music. In the Church of England, the rubric appoints them to follow the third collect at morning and evening prayer. Several anthems are included in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral Compositions
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Henry Purcell
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sven-David Sandström
Sven-David Sandström (30 October 1942, in Motala – 10 June 2019) was a Swedish classical composer of operas, oratorios, ballets, and choral works, as well as orchestral works. Life and career Sandström studied art history and musicology at Stockholm University. He also studied musical composition at the Royal College of Music, Stockholm. He was a faculty member at the Royal College of Music, Stockholm, and Indiana University Bloomington's Jacobs School of Music, where he taught for fifteen years. Among his works are ''The High Mass'', a Requiem, concertos for flute, guitar, piano, and cello, and the 2001 opera, '' Jeppe: The Cruel Comedy'' on a libretto and originally directed by Claes Fellbom, who commissioned the work for the centennial of the Swedish opera company. Fellbom translated the opera into English and directed its first production in that language at Indiana University in February 2003. In 2006, Sandström's Ordet - en passion was performed on 24 March in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timothy Brown (conductor)
Timothy (Tim) Brown (born 9 December 1946) is an English choral conductor. Education He was a chorister at Westminster Abbey, and later an alto choral scholar at King's College, Cambridge, under the direction of Sir David Willcocks. Career Following his time in college, Tim went on to become a lay clerk at New College, Oxford, and later worked as a schoolteacher for a number of years. In 1979 he succeeded John Rutter as Director of Music at Clare College, Cambridge and Director of the college choir. In his time at Clare he released several acclaimed recordings with the choir (largely on the Naxos label) by composers including Rutter, Vaughan Williams and Stainer. In 1986 he re-founded the Cambridge University Chamber Choir, directing annual performances of all the major Bach and Handel oratorios. He later founded the London-based professional chamber choir, English Voices. Many of his students have gone on to form successful careers in music, notably Norwich Cathedral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir Of Clare College Cambridge
The Choir of Clare College, Cambridge, is a mixed-voice choir whose primary function is to lead services in the chapel of Clare College, Cambridge. Since its founding in 1972, the choir has gained an international reputation as one of the leading university choral groups in the world. History The first chapel choir was formed in 1866. For the next one hundred years the choir consisted of undergraduate lower voices and a treble line provided by boys from city schools. In 1966, the use of boys was discontinued and for a brief period there was no upper line. The current mixed-voice choir was established in 1972 by Peter Dennison, a music fellow of the college. He was succeeded by the college's first director of music, John Rutter. Rutter left in 1979 to focus on composing but retains a close connection with the college as an honorary fellow. Timothy Brown directed the choir for 31 years until he was succeeded by the choir's current director of music, Graham Ross. Directors of M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Herreweghe
Philippe Maria François Herreweghe, Knight Herreweghe (born 2 May 1947) is a Belgian conductor and choirmaster. Herreweghe founded La Chapelle Royale and Collegium Vocale Gent and is renowned as a conductor, with a repertoire ranging from Renaissance to early Romantic classical music. He specialises in Baroque music, with a particular focus on the music of Johann Sebastian Bach. Early life Herreweghe was born in Ghent as the first of three children to Edward Raymond Frans (1919–2006) and Elza Maria Augusta Herreweghe (née van Herrewege; 1919–1976). He received his first piano lessons from his mother. In his school years at the University of Ghent, Herreweghe combined studies in medical science and psychiatry with a musical education at the Ghent Conservatory, where Marcel Gazelle, Yehudi Menuhin's accompanist, was his piano teacher. Career In 1970, Herreweghe founded the Collegium Vocale Gent with a group of fellow students. Nikolaus Harnoncourt and Gustav Leonhar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collegium Vocale Gent
Collegium Vocale Gent is a Belgian musical ensemble of vocalists and supporting instrumentalists, founded by Philippe Herreweghe. The group is dedicated to historically informed performance. Founding and program Collegium Vocale Gent was founded in 1970 by a group of friends studying at the University of Ghent, on Philippe Herreweghe’s initiative. They were one of the first vocal ensembles to use new ideas about baroque performance practice. Their authentic, text-oriented and rhetorical approach gave the ensemble the transparent sound with which it would acquire world fame and perform at major concert venues and music festivals of Europe, Israel, the United States, Russia, South America, Japan, Hong Kong and Australia. Repertoire Collegium Vocale Gent has grown organically into an ensemble whose wide repertoire encompasses a range of different stylistic periods. German Baroque music, particularly J. S. Bach’s vocal works, quickly became a speciality of the group. The group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
