Heads (Bob James Album)
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Heads (Bob James Album)
''Heads'' is the fifth album by jazz musician Bob James, released in October 1977. It was his first album released on his newly formed Tappan Zee label, which was distributed at the time by Columbia Records. All of his Tappan Zee albums (which includes his CTI back-catalog) are now distributed by E1 Music. The album reached number one on the ''Billboard'' Jazz Albums chart. Track listing #"Heads" (Bob James) – 6:40 #"We're All Alone" ( Boz Scaggs) – 5:33 #"I'm in You" ( Peter Frampton) – 6:48 #"Night Crawler" (Bob James) – 6:20 #"You Are So Beautiful" ( Billy Preston, Bruce Fisher) – 6:48 #"One Loving Night" ( Henry Purcell) – 5:48 Personnel * Bob James – arrangements, acoustic piano (1, 2, 5, 6), Fender Rhodes (1-4), clavinet (1, 3), Oberheim Polyphonic synthesizer (1-4), synth bells (1), ARP Odyssey (3), harpsichord (6) * Ed Walsh – synthesizer programming (1-6) * Richard Tee – rhythm keyboards (2) * Steve Khan – guitar (1, 2, 4, 6) * Eric Gale †...
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Bob James (musician)
Robert McElhiney James (born December 25, 1939) is an American jazz keyboardist, arranger, and record producer. He founded the band Fourplay and wrote "Angela", the theme song for the TV show ''Taxi.'' According to VICE (magazine), music from his first seven albums has often been sampled and believed to have contributed to the formation of hip hop. Among his most well known recordings are "Nautilus", "Westchester Lady", "Tappan Zee", and his version of "Take Me to The Mardi Gras". Early life and family James was born on Christmas Day of 1939 in Marshall, Missouri, United States. He started playing the piano at age four. His first piano teacher, Sister Mary Elizabeth, who taught at Mercy Academy, discovered that he had perfect pitch. At age seven, James began to study with R. T. Dufford, a teacher at Missouri Valley College. At age 15, James continued his studies with Franklin Launer, a teacher at Christian College in Columbia, Missouri, with more music instruction during high ...
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Bruce Fisher
Bruce Fisher (born January 8, 1954) is an American songwriter, record producer, playwright best known for his collaborations with Billy Preston. Fisher's best-known songs include "You Are So Beautiful", "Will It Go Round In Circles", and " Nothing from Nothing", all co-written with Preston before 1973. Career Born in Washington D.C., Fisher was raised in Chicago, Illinois, by his grandmother. He moved to Los Angeles, California, in the early 1970s, where he currently resides. Fisher's best-known songs include "You Are So Beautiful", "Will It Go Round In Circles", and " Nothing from Nothing", all co-written with Preston before 1973. With his first LP release, ''Red Hot'' in 1977, he worked with Roy Ayers, Keni Burke (with whom he wrote the title song), Charles Earland, Mtume and the Brecker Brothers in 1977. He also played and performed with The Blackbyrds, James Gadson, David Williams, Leon Ware, Carolyn Willis, Wah Wah Watson, Ernie Watts, the late Richard Tee and Bernard Purdi ...
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Steve Gadd
Stephen Kendall Gadd (born April 9, 1945) is an American drummer, percussionist, and session musician. Gadd is one of the best-known and highly regarded session and studio drummers in the industry, recognized by his induction into the ''Modern Drummer'' Hall of Fame in 1984. Gadd's performances on Paul Simon's "50 Ways to Leave Your Lover" and "Late in the Evening" and Steely Dan's "Aja (song), Aja" are examples of his style. He has worked with other popular musicians from many genres including Simon & Garfunkel, Paul McCartney, James Taylor, Harry Chapin, Joe Cocker, Bonnie Raitt, Grover Washington Jr., Michael Brecker, Chick Corea, Lee Ritenour, Paul Desmond, Kate Bush, Chet Baker, Al Di Meola, Chuck Mangione, Kenny Loggins, Eric Clapton, Pino Daniele, Michel Petrucciani, and Toshiki Kadomatsu. Early life Gadd grew up in Irondequoit, New York. He started playing the drums at a very early age. At age 11, he entered the Mickey Mouse National Talent Round Up contest and was one of ...
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Gary King (bass Player)
Gary W King (September 4, 1947 – July 23, 2003) was an American jazz bassist. He was born in Middletown, New York. King appeared on many albums released by CTI Records, especially those by Bob James, and later on James' own album label Tappan Zee Records. He also played bass on a number of albums by Gato Barbieri, Roberta Flack, Grover Washington Jr., and on The Jacksons' album ''Destiny'', notably the track "Blame It on the Boogie". Discography With Gene McDaniels * Headless Heroes of the Apocolypse (Atlantic, 1971) With George Benson * Bodytalk (CTI, 1973) * Pacific Fire (CTI, 1983) With George Benson & Joe Farrell * Benson & Farrell (CTI, 1976) With Lenny Williams * Pray for the Lion (Warner Bros, 1974) * Big City (Nemperor, 1977) With Alphonse Mouzon * Funky Snakefoot (Blue Note, 1974) With Idris Muhammad * Power of Soul (Kudu Records, 1974) With Esther Phillips * Performance (Kudu Records, 1974) * For All We Know (Kudu Records, 1976) With Luiz Bon ...
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Will Lee (bassist)
Will Lee is an American bassist known for his work on the ''Late Show with David Letterman'' as part of the CBS Orchestra and before that " The World's Most Dangerous Band" when Letterman hosted the NBC " Late Night" show. Lee has recorded and toured with many artists. He appeared on the Mark & Clark Band's hit record '' Worn Down Piano''. He performs with his Beatles tribute band, The Fab Faux, which he co-founded in 1998. Career Beginnings in music Lee was greatly influenced to pursue music because of his parents. His father, William Franklin Lee III played piano, trumpet and the upright bass professionally. Lee's mother Lois sang with big bands. Lee took up drums after seeing the Beatles on ''The Ed Sullivan Show'', and by the time he was 12 had formed his first band in Miami. The band members each earned $9 a night playing the popular surfing tunes characteristic of the 60s. With the great numbers of drummers in Miami, Lee shifted to bass, an instrument that offered mo ...
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Alphonso Johnson
Alphonso Johnson (born February 2, 1951) is an American jazz bassist active since the early 1970s. Johnson was a member of the jazz fusion group Weather Report from 1973 to 1975, and has performed and recorded with numerous high-profile rock and jazz acts including Santana, Phil Collins, members of the Grateful Dead, Steve Kimock, and Chet Baker. Biography Born in Philadelphia, Pennsylvania, United States, Johnson started off as an upright bass player, but switched to the electric bass in his late teens. Beginning his career in the early 1970s, Johnson showed innovation and fluidity on the electric bass. He sessioned with a few jazz musicians before landing a job with Weather Report, taking over for co-founding member Miroslav Vitous. Johnson debuted with Weather Report on the album ''Mysterious Traveller''. He appeared on two more Weather Report albums: ''Tale Spinnin''' (1975) and ''Black Market'' (1976) before he left the band to work with drummer Billy Cobham. During 1976-7 ...
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Eric Gale
Eric Gale (September 20, 1938 – May 25, 1994) was an American jazz and R&B guitarist. ''Early life and career'' Born in Bedford–Stuyvesant, Brooklyn, New York, Gale grew up in a diverse household. His paternal grandfather was from Yorkshire, England. He had extended family in Barbados and Venezuela. Gale often visited the U.K. and Venezuela as an adolescent, which influenced his style into adulthood. He was fluent in Spanish. Gale started playing the guitar at age 12. At that time, he skipped junior high school. Soon after, in high school, he visited John Coltrane's home after school and sat in on jam sessions, which inspired Gale's readily recognizable style. Gale received his Master of Science in chemistry at Niagara University. He was also on the football team. Later, Gale was pursued by Frank Sinatra to work on the hit song "My Way", as mentioned in Frank Sinatra's autobiography. Gale decided to pursue a musical career full-time instead of getting his Ph.D. in Chemis ...
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Steve Khan
Steve Khan (born Steven Harris Cahn; April 28, 1947) is an American jazz guitarist. Career Steven Harris Cahn was born in Los Angeles. His father, lyricist Sammy Cahn, "loved to hear any and all versions of his songs". He took piano lessons as a child and played drums for the surf rock band the Chantays. The band's guitarist exposed him to the albums ''Tough Talk'' by The Crusaders and ''Movin' Wes'' by Wes Montgomery. In his late teens he quit the drums and started playing guitar. He was a member of the R&B band Friends of Distinction, recorded with keyboardist Phil Moore, then played on the album ''Bullitt'' by Wilton Felder ("one of my heroes"). Despite his father's advice to avoid a career in the music business, he graduated from UCLA with a degree in music composition and theory. In the early 1970s, he performed in an acoustic guitar duo with Larry Coryell and was a member of the Brecker Brothers band. As a session musician, he appeared on albums by Ashford & Simpson, Ruper ...
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Richard Tee
Richard Edward Tee (born Richard Edward Ten Ryk; November 24, 1943 – July 21, 1993) was an American pianist, studio musician, singer and arranger, who had several hundred studio credits and played on such notable hits as "In Your Eyes", "Slip Slidin' Away", "Just the Two of Us", "I'll Be Sweeter Tomorrow (Than I Was Today)", "Crackerbox Palace", "Tell Her About It", " Don't Give Up" and many others. Biography Tee was born in Brooklyn, New York to Edward James Ten Ryk (1886–1963), who was from Guyana, and Helen G. Ford Skeete Ten Ryk (1902–2000), of New York. Tee spent most of his life in Brooklyn and lived with his mother in a brownstone apartment building. Tee graduated from The High School of Music & Art in New York City and attended the Manhattan School of Music. Though better known as a studio and session musician, Tee led a jazz ensemble, the Richard Tee Committee, and was a founding member of the band Stuff. In 1981, he played the piano and Fender Rhodes for Simo ...
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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ARP Odyssey
The ARP Odyssey is an analog synthesizer introduced by ARP Instruments in 1972. History ARP developed the Odyssey as a direct competitor to the Moog Minimoog and an answer to the demand for more affordable, portable, and less complicated "performance" synthesizers. ARP produced several versions of the Odyssey from 1972 to 1980. In early 2015, Korg reissued the Odyssey in cooperation with the original designer and ARP co-founder, David Friend. Design The Odyssey is a two-oscillator analog synthesizer, and one of the first with duophonic capabilities (the ability to play two notes at the same time). All parameters, including a resonant low-pass filter, a non-resonant high-pass filter, ADSR and AR envelopes, a sine and square wave LFO, and a sample-and-hold function are controllable with sliders and switches on the front panel. Features *Switchable between sawtooth, square, and pulse waveforms with oscillator sync, a "ring modulator", and pink or white noise. (As with the Kor ...
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Oberheim Polyphonic
The Oberheim Polyphonic Synthesizer is a range of analog music synthesizers that was produced from 1975 to 1979 by Oberheim Electronics. It was developed by Tom Oberheim, and was the first production synthesizer capable of playing chords. Specification Oberheim took the idea and electronics of a Minimoog synthesizer and put them in a small box, making a few changes, and in 1974 introduced the SEM (Synthesizer Expander Module), which became the building block of his polyphonic synths. By strapping two, four, or eight of these SEMs together under keyboard control, he was able to create practical, albeit large, synthesizers that could play two, four, or eight notes simultaneously. The Oberheim Polyphonic Synthesizer was born. Each SEM in an Oberheim Polyphonic generates one voice (or note). There was an optional Polyphonic Synthesizer Programmer module (PSP-1) for the four- and eight-voice models with 16 memories, which allowed the user to store and recall some sound settings of ...
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