Headgear (artist Group)
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Headgear (artist Group)
, also known as ''Patlabor'' (a portmanteau of "patrol" and "labor"), is a Japanese science fiction media franchise created by Headgear (group), Headgear, a group consisting of manga artist Masami Yuki, Masami Yūki, director Mamoru Oshii, screenwriter Kazunori Itō, mecha designer Yutaka Izubuchi, and character designer Akemi Takada. The popular franchise includes a manga, a TV series, two OVA series, three feature-length movies, two light novel series, and a short film compilation, named because of its super deformed (chibi) drawing style. The series has been adapted into video games and licensed products from soundtrack, OST to toys. ''Patlabor'' is known for using mecha – designed by Yutaka Izubuchi – not just for police or military purposes, but also for industrial and municipal jobs. The series is one of the earlier examples of what is called a "media mix" in Japan, where there is no one source material: Multiple forms of media (in Patlabor's case the anime an ...
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Action Fiction
Action fiction is a literary genre that focuses on stories that involve high-stakes, high-energy, and fast-paced events. This genre includes a wide range of sub-genres, such as spy novels, adventure stories, tales of terror and intrigue ("cloak and dagger") and mysteries. This kind of story utilizes suspense, the tension that is built up when the reader wishes to know how the conflict between the protagonist and antagonist is going to be resolved or what the solution to the puzzle of a thriller is. Genre fiction Action fiction is a form of genre fiction whose subject matter is characterized by emphasis on exciting action sequences. This does not always mean they exclude character development or story-telling. Action fiction is related to other forms of fiction, including action films, action games and analogous media in other formats such as manga and anime. It includes martial arts action, extreme sports action, car chases and vehicles, suspense action, and action come ...
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Studio Deen
is a Japanese animation studio founded in 1975 by Sunrise producer Hiroshi Hasegawa and ex-Sunrise animators. The studio owns three subsidiaries: Danny Donghua (丹尼動画), a Chinese sub-contracting studio; Megumi (め組), a digital work sub-contracting studio; and Umidori (うみどり), a 3DCG sub-contracting studio. Studio Deen has been operating as a subsidiary of IMA Group since 2011. Television series 1984–2000 * ''Urusei Yatsura'' (1984–1986, #107–195) *''Pro Golfer Saru'' (1985–88, co-produced with Shin-Ei Animation) * ''Maison Ikkoku'' (1986–1988) * '' F'' (1988) * ''Ranma ½'' (1989) * '' Ranma ½ Nettōhen'' (1989–1992) * ''DNA²'' (1994, with Madhouse) * ''Zenki'' (1995) * '' You're Under Arrest'' (1996–1997) * ''Violinist of Hameln'' (1996–1997) * ''Rurouni Kenshin'' (1997–1998, #67–95) * ''Eat-Man'' (1997) * ''Haunted Junction'' (1997) * '' Next Senki Ehrgeiz'' (1997) * ''Don't Leave Me Alone, Daisy'' (1997) * ''AWOL -Absent Without Leave-'' ( ...
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Portmanteau
A portmanteau word, or portmanteau (, ) is a blend of wordsGarner's Modern American Usage
, p. 644.
in which parts of multiple words are combined into a new word, as in ''smog'', coined by blending ''smoke'' and ''fog'', or ''motel'', from ''motor'' and ''hotel''. In , a portmanteau is a single morph that is analyzed as representing two (or more) underlying s. When portmanteaus shorten es ...
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The New Files
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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The TV Series
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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Patlabor
, also known as ''Patlabor'' (a portmanteau of "patrol" and "labor") is a Japanese science fiction media franchise created by Headgear, a group consisting of manga artist Masami Yūki, director Mamoru Oshii, screenwriter Kazunori Itō, mecha designer Yutaka Izubuchi, and character designer Akemi Takada. The popular franchise includes a manga, a TV series, two OVA series, three feature-length movies, two light novel series, and a short film compilation, named because of its super deformed (chibi) drawing style. The series has been adapted into video games and licensed products from OST to toys. ''Patlabor'' is known for using mecha – designed by Yutaka Izubuchi – not just for police or military purposes, but also for industrial and municipal jobs. The series is one of the earlier examples of what is called a "media mix" in Japan, where there is no one source material: Multiple forms of media (in Patlabor's case the anime and manga) are worked on at the same time in ...
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Patlabor The Movie 3
is a 2002 Japanese animated science fiction thriller film directed by Fumihiko Takayama and Takuji Endo. The third and final installment of the ''Patlabor'' film trilogy, it takes place in between '' Patlabor: The Movie'' and '' Patlabor 2: The Movie'' and serves as a side story. Written by Miki Tori, it follows two police detectives and SV2 as they investigate a series of mysterious acts of deadly destruction occurring in and around Tokyo Bay that may be connected to a genetic experiment gone wrong. It was animated by Madhouse and produced by Bandai Visual and Tohokushinsha. Plot In 2000, a series of unknown attacks on Labors have led to two police detectives, Shinichiro Hata and Takeshi Kusumi, being assigned to investigate these string of events, assisted by members of the Tokyo Metropolitan Police Department's SV2 unit. As they begin to unravel the mystery behind the attacks, the two detectives find reason to suspect that the attacks may have something to do with the Ameri ...
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The Movie
"The Movie" is the 54th episode of the sitcom ''Seinfeld''. It is the 14th episode of the fourth season, and first aired on January 6, 1993 on NBC. The episode revolves entirely around the characters' struggles to go to see a movie together. Plot Jerry has two stand-up acts scheduled for the same night; due to a delay in one of them, he cannot make both shows. A hopeful comedian, Buckles, hangs around to fill in when somebody drops out. Jerry agrees to lose his moment at the microphone, as he is meeting his friends to see a movie, ''CheckMate'', at 10:30. On his way to the movie theater, Jerry is grabbed by Buckles, who insists on sharing a taxicab. Buckles irritates Jerry by trying out a new comic routine. George has been chosen to buy the movie tickets. At the Paragon Theater, George joins the end of a queue. He taps the shoulder of the man in front of him, confirming that he does not have a ticket, which leads him to conclude he is in the line to purchase tickets. Elaine an ...
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Khara (studio)
is a Japanese animation studio, located in Suginami, Tokyo, best known for its work on the ''Rebuild of Evangelion'' film tetralogy. is the primary animation production studio. It was founded by Hideaki Anno in May 2006, and was shown publicly on 1 August when recruitment notices were posted on his website; Anno remains its president. The name ''khara'' comes from the Greek word χαρά, meaning ''joy''. In 2016, Khara sued Gainax for 100 million yen in unpaid royalties from an agreement that Khara would earn royalties from income received on works and properties that founder Hideaki Anno had worked on. The suit alleged that Gainax delayed on paying royalties and incurred a large debt with Khara, which had loaned 100 million yen in August 2014, but had yet to receive payment on the loan. History Anno left Gainax and transitioned to Khara; as part of his public statements on the ''Rebuild'' films, he wrote: "For this purpose, we are not returning to our roots at Gainax. I hav ...
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Yasuhiro Yoshiura
(born 1980) is a Japanese writer and director of animated short films. Many of his works such as '' Pale Cocoon'' and '' Time of Eve'' have garnered awards and featured at film festivals. His production studio is called Studio Rikka. Biography Yoshiura was born in Hokkaido and was raised in Fukuoka. He majored in art engineering at Kyushu University. In 2002, he released a short film called ''Aquatic Language'' which was broadcast on NHK BS1's ''10 min. theater''. The film won an "Excellent Work Award" at the Tokyo International Anime Fair. In 2006, he released the direct-to-video film '' Pale Cocoon''. After moving to Tokyo he worked on the anime web series '' Time of Eve'' which aired six episodes and later was made into a feature movie. In 2013 he released the film ''Patema Inverted'', which won awards at Edinburgh's Scotland Loves Animation festival, and the Chicago International Film Festival. In 2014, he directed the film ''Harmonie'', which was used for the Anime Mirai ...
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Production I
Production may refer to: Economics and business * Production (economics) * Production, the act of manufacturing goods * Production, in the outline of industrial organization, the act of making products (goods and services) * Production as a statistic, gross domestic product * Production line Arts, entertainment, and media Motion pictures * Production, film distributor of a company * Production, phase of filmmaking * Production, video production Other uses in arts, entertainment, and media * ''Production'' (album), by Mirwais, 2000 * Production, category of illusory magic trick * Production, phase of video games development * Production, Record producer's role * Production, theatrical performance Science and technology * Production, deployment environment where changes go "live" and users interact with it * Production (computer science), formal-grammar concept * Primary production, the production of new biomass by autotrophs in ecosystems * Productivity (ecology), the wider c ...
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Kenji Kamiyama
is a Japanese anime director. Career Kamiyama has worked regularly with the anime studio and production enterprise Production I.G, such as his work on '' Jin-Roh'', ''Patlabor'', '' Blood: The Last Vampire'', and for whom he has directed the '' Ghost in the Shell: Stand Alone Complex'' anime television series, which was followed on into a second season, '' Ghost in the Shell: S.A.C. 2nd GIG'' and a TV movie, '' Ghost in the Shell: Stand Alone Complex - Solid State Society''. After working as a background artist for productions such as '' Akira'' and ''Kiki's Delivery Service'', Kamiyama joined Team Oshii at Production I.G, contributing the screenplay of ''Blood: The Last Vampire'' and working as animation director for ''Jin-Roh''. In 2002, Kamiyama made his directorial debut with ''MiniPato'', followed by ''Ghost in the Shell: Stand Alone Complex'' and ''Ghost in the Shell: S.A.C. 2nd GIG''. In 2007, after almost six years of work on the ''Stand Alone Complex'' world, he directed ...
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