Hat-trick (magic Trick)
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Hat-trick (magic Trick)
The hat-trick is a classic magic trick where a performer will produce an object (traditionally a rabbit or a bouquet of flowers) out of an apparently empty top hat. Method In its simplest form, the trick works by placing the hat on a specially made table or chest. Both the hat, and the surface it is placed on, will have a hidden opening in them, through which an object stored in a compartment in the table or chest can be pulled. Alternatively, the performer can produce an item hidden in their sleeve using sleight of hand and misdirection. This eliminates the need to place the hat on a surface, and also allows the performer to give the hat to an audience member for inspection. However, producing a rabbit from a hat using nothing but sleight of hand is a much more difficult trick. This trick is also traditionally performed for children, since it is a basic trick with basic props. It is said that the earliest magician to pull a rabbit out of a hat was Louis Comte, in 1814, t ...
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Zan Zig Performing With Rabbit And Roses, Magician Poster, 1899-2
Zan or ZAN, may refer to: Geography * Zhan, Kurdistan, Iran, also known as Zān * Zhan, Lorestan, Iran, also known as Žān * Zan, Tehran, a village in Tehran Province, Iran Ethnicity and language * Zans, the Zan People, people who speak the Zan languages * Zan Gula language, an Adamawa language of Chad * Zan language, a proposed collective term for the Megrelian and Laz languages in 7th Century Caucasus People * Zan, a soca singer winner of International Soca Monarch in Trinidad in 2006 Given name * Zan Abeyratne, backing singer in ''Models'' * Žan Benedičič (born 1994) Slovenian soccer player * Žan Celar (born 1999) Slovenian soccer player * Zan Ganassa (1540–1584) Italian actor * Zan Wesley Holmes Jr, U.S. minister * Žan Jakše, Slovenian canoeist * Žan Kranjec (born 1992) Slovenian alpine skier * Žan Marolt (1964–2009) Bosnia-Herzegovina actor * Zan Perrion, Canadian pickup artist, founder of the Ars Amorata philosophy * Zan Rowe (born 1978) Australian radi ...
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Coin Magic
Coin magic is the manipulating of coins to entertain audiences. Money Magic, pp. 175-221. Because coins are small, most coin tricks are considered close-up magic or table magic, as the audience must be close to the performer to see the effects. Though stage conjurers generally do not use coin effects, coin magic is sometimes performed onstage using large coins. In a different type of performance setting, a close-up coin magician (or 'coin worker') will use a large video projector so the audience can see the magic on a big screen. Coin magic is generally considered harder to master than other close-up techniques such as card magic, as it requires great skill and grace to perform convincingly, and this requires much practice to acquire. Elements Coin effects include productions, vanishes, transformations, transpositions, teleportations, penetrations, restorations, levitations and mental magic—some are combined in a single routine. A simple effect might involve borrowing a coin, mak ...
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Tarbell Course
The ''Tarbell Course in Magic'' is a notable encyclopedia of magic amongst professional and amateur magicians. It has eight volumes; the first five were part of the original home-study correspondence course compiled in 1928 by Harlan Tarbell, the remaining three volumes being added on later. This magic volume series was originally designed as a correspondence course for budding magicians. Once they were collected and bound, the series has become an unparalleled reference standard for magicians. In its impact on the magic world, it is second perhaps in its influence on the art of magic only to Hoffman's ''Modern Magic'', and many professional magicians have based their careers on the ''Tarbell Course''. __TOC__ Structure The entire collection comprises more than one-hundred lessons in every aspect of magic including micromagic/close-up magic, escapology, mentalism and stage illusions. It is the most comprehensive literary work in magic history. The original five volumes contai ...
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Trick Deck
A trick deck is a deck of playing cards that has been altered in some way to allow magicians to perform certain card tricks where sleight of hand would be too difficult or impractical. Trick decks Stripper deck A stripper deck (also known as a tapered deck, wizard deck, or biseauté deck) allows the magician to control the main location of a card or group of cards easily within the pack. Even after being shuffled into the deck by a spectator, the magician can cut to a selected card. Similarly, even after being lost in different parts of the deck, the magician can move multiple cards to specific locations using basic shuffles. Unlike the invisible or svengali deck, the stripper deck can be handled by an audience member unfamiliar with the concept and can withstand a modest amount of scrutiny without exposing the secret; however, this deck is found in a number of beginners' magic kits, so the secret is well-known, even among non-magicians.Henry Hey (ed.), ''Cyclopedia of Magic'' ...
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Glossary Of Magic (illusion)
This is a glossary of conjuring terms used by magicians. A *Ambitious Card Routine – A common trick where a card seemingly rises to the top of the deck. Also called ACR. *Angles – the lines of vision of people sitting at certain position in the audience which enable a secret to be spotted* usually extreme left or right or behind. If a trick is "angly" it can only be done with limited audience viewpoints. B *Back Palm – to palm in the back of the hand. *Bevel – to slide the top portion of a deck of cards back so that the back of the deck is at an angle, used in some card tricks. *Bicycle Deck – Bicycle Playing Cards. *Black art – the use of a stage fitted with a black velvet curtain background, using assistants and other props that are hidden by black shrouds. Careful lighting helps keep the secret a mystery to the audience. *Blind Shuffle/Blind Cut – A cut or apparent shuffle in which the cards appear mixed but all of the cards are left completely undisturbed ...
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Platform Magic
Platform magic (also known as parlor magic, stand-up magic or cabaret magic) is magic that is done for larger audiences than close-up magic and for smaller audiences than stage magic. It is more intimate than stage magic because it does not require expensive, large-scale stage equipment and can thus be performed closer to the audience and without a stage. Many of the tricks performed by platform magicians are sufficiently angle-sensitive as to make them impossible to perform as micromagic. Most working magicians are parlor/platform magicians. Many magicians consider the term "parlor" to be old-fashioned and limiting, since this type of magic is often done in rooms much larger than the traditional parlor, or even outdoors. According to the ''Encyclopedia of Magic and Magicians'' by T.A. Waters, "The phrase arlor magicis often used as a pejorative to imply that an effect under discussion is not suitable for professional performance." Parlor, or stand-up, magicians generally work w ...
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Street Magic
Street magic falls into two genres; traditional street performance and guerrilla magic. Traditional street performance The first definition of street magic refers to a traditional form of magic performance – that of busking. In this, the magician draws an audience from passers by and performs an entire act for them. In exchange, the magician seeks remuneration either by having a receptacle for tips available throughout the act (known in the parlance as a "trickle show"), or by offering a receptacle for tips at the end of the show. The term "passing the hat" comes from the practice of having the hat passed before the final trick is performed, as opposed to "bottling" the audience at the end of the performance. Street magic most often consists of what has been referred to in the past as "hand" or "pocket" magic, sleight of hand. Whether card magic or magic performed with coins, balls, scarves, or rope, even occasionally mentalism, regardless of the props involved, the ability ...
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Sleight Of Hand
Sleight of hand (also known as prestidigitation or ''legerdemain'' ()) refers to fine motor skills when used by performing artists in different art forms to entertain or manipulate. It is closely associated with close-up magic, card magic, card flourishing and stealing. Because of its heavy use and practice by magicians, sleight of hand is often confused as a branch of magic; however, it is a separate genre of entertainment and many artists practice sleight of hand as an independent skill. Sleight of hand pioneers with worldwide acclaim include Dan and Dave, Ricky Jay, Derek DelGaudio, David Copperfield, Yann Frisch, Norbert Ferré, Dai Vernon, Cardini, Tony Slydini and Helder Guimarães. Etymology and history The word ''sleight'', meaning "the use of dexterity or cunning, especially so as to deceive", comes from the Old Norse. The phrase ''sleight of hand'' means "quick fingers" or "trickster fingers". Common synonyms of Latin and French include ''prestidigitation'' and ' ...
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Mentalism
Mentalism is a performing art in which its practitioners, known as mentalists, appear to demonstrate highly developed mental or intuitive abilities. Performances may appear to include hypnosis, telepathy, clairvoyance, divination, precognition, psychokinesis, mediumship, mind control, memory feats, deduction, and rapid mathematics. Mentalists perform a theatrical act that includes special effects that may appear to employ psychic or supernatural forces but that are actually achieved by "ordinary conjuring means", natural human abilities (i.e. reading body language, refined intuition, subliminal communication, emotional intelligence), and an in-depth understanding of key principles from human psychology or other behavioral sciences. Mentalism is commonly classified as a subcategory of magic and, when performed by a stage magician, may also be referred to as ''mental magic''. However, many professional mentalists today may generally distinguish themselves from magicians, insistin ...
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Magic Castle
The Magic Castle is a clubhouse for magicians and magic enthusiasts, as well as the clubhouse for the Academy of Magical Arts. It is in the Hollywood district of Los Angeles, California and it bills itself as "the most unusual private club in the world". Only members and their guests are allowed entrance, though courtesy invitations can be obtained. During a typical evening there are numerous magic shows and historic displays, as well as a full-service dining room and numerous bars. The atmosphere is reminiscent of classic night club days, and a strict dress code is enforced. Once a private residence, the Castle was declared a Los Angeles Historic-Cultural Monument in 1989. Many celebrities have performed at the Magic Castle, including Orson Welles, Johnny Carson, Steve Martin, and Neil Patrick Harris. One of the Castle's most esteemed performers was the late Dai Vernon, an expert in sleight of hand. Description The Magic Castle is a performance venue, restaurant and priva ...
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List Of Magic Tricks
This article contains a list of magic tricks. In magic literature, tricks are often called effects. Based on published literature and marketed effects, there are millions of effects; a short performance routine by a single magician may contain dozens of such effects. Some students of magic strive to refer to effects using a proper name, and also to properly attribute an effect to its creator. For example, consider an effect in which a magician shows four aces, and then the aces turn face up one at a time in a mysterious fashion. This effect, recognized as ''Twisting the Aces'', is attributed to Dai Vernon, and it is based on a false count invented by Alex Elmsley. Some tricks are listed merely with their marketed name (particularly those sold as stand-alone tricks by retail dealers), whereas others are listed by the name given within magic publications. Magic tricks * Assistant's Revenge * Aztec Lady * Battle of the Barrels *Bill in Lemon *Book test *Bullet Catch * Cabinet Escape ...
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Illusionist
Magic, which encompasses the subgenres of illusion, stage magic, and close up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world. Modern entertainment magic, as pioneered by 19th-century magician Jean-Eugène Robert-Houdin, has become a popular theatrical art form. In the late 19th and early 20th centuries, magicians such as Maskelyne and Devant, Howard Thurston, Harry Kellar, and Harry Houdini achieved widespread commercial success during what has become known as "the Golden Age of Magic." During this period, performance magic became a staple of Broadway theatre, vaudeville, and music halls. Magic retained its popularity in the television age, with magicians such as Paul Daniels, David Copperfield, ...
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