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Hamp And Getz
''Hamp and Getz'' is an album by vibraphonist Lionel Hampton and saxophonist Stan Getz recorded in 1955 and first released on the Norgran label. Reception The ''Billboard'' review published at the end of December 1955 stated: "Hampton is the stronger spirit of the two, and under his spell, Getz plays a guttier, less inhibited horn than usual." The Allmusic review awarded the album 4½ stars, stating: "The cool tenor of Stan Getz and the extroverted vibraphonist Lionel Hampton might have seemed like an unlikely matchup but once again producer Norman Granz showed his talents at combining complementary talents... Classic music from two of the best". Track listing # "Cherokee" (Ray Noble) – 9:15 # "Ballad Medley: Tenderly/ Autumn in New York/East of the Sun (and West of the Moon)/I Can't Get Started" ( Walter Gross, Jack Lawrence/Vernon Duke/Brooks Bowman/Duke, Ira Gershwin) – 8:08 # "Louise" (Leo Robin, Richard A. Whiting) – 6:47 # "Jumpin' at the Woodside" (Count Basie) ...
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Lionel Hampton
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996. Biography Early life Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off-limits because of racial segregation. During the 1920s, while still a teenager, Hampton took xylophone lessons from Jimmy Bertrand and began to play drums. Hampton was raised ...
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East Of The Sun (and West Of The Moon)
"East of the Sun (and West of the Moon)" is a popular song written by Brooks Bowman, an undergraduate member of Princeton University's Class of 1936, for the 1934 production of the Princeton Triangle Club's production of Stags at Bay. It was published in 1934 by Santly Bros. and soon became a hallmark of the Princeton Tigertones, one of Princeton University's all-male a cappella groups. The standard is also sung by the Princeton Nassoons, Princeton University's oldest a cappella group. Recorded versions *"East of the Sun" was first recorded by Hal Kemp for Brunswick Records on Dec. 1, 1934, and has remained a jazz standard since the 1950s. *Another of the first recordings was by Arthur Tracy on September 22, 1935, according to CD jacket of ASV Living Era Hits of '35, CD AJA 5185. *Tommy Dorsey recorded it in 1940 with vocals by Frank Sinatra, a trumpet solo by Bunny Berigan, and backup slang lyrics. *Sarah Vaughan recorded it in a 1949 Columbia session for the album ''Sarah ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ...
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Jumpin' At The Woodside
"Jumpin' at the Woodside" is a song first recorded in 1938 by the Count Basie Orchestra, and considered one of the band's signature tunes. When first released it reached number 11 on the ''Billboard'' charts and remained on them for four weeks. Since then, it has become a frequently recorded jazz standard. Song details The song was recorded on August 22, 1938 for Decca and was released on December 17 of that year. It charted as high as #11 and was on the charts for four weeks. That original 1938 recording features solos by Earle Warren (alto sax), Buck Clayton (trumpet), Lester Young (tenor sax), and Herschel Evans (clarinet). The song is considered one of the Basie band's "signature" tunes, a "favorite", and even "a definition of swing." While many liner notes credit the tune only to Basie, historians and others also credit band member Eddie Durham. Like many Basie numbers of that era, it was a "head arrangement" collaboratively created by the band. Sullivan indicates Durham ...
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Richard A
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * Ri ...
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Leo Robin
Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film ''The Big Broadcast of 1938'', and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe. Biography Robin was born in Pittsburgh, Pennsylvania, United States. His father was Max Robin, a salesman. Leo's mother was Fannie Finkelpearl Robin. He studied at the University of Pittsburgh School of Law and at Carnegie Tech's drama school. He later worked as a reporter and as a publicist. Robin's first hits came in 1926 with the Broadway production ''By the Way'', with hits in several other musicals immediately following, such as ''Bubbling Over'' (1926), ''Hit the Deck, Judy'' (1927), and ''Hello Yourself'' (1928 ...
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Louise (Maurice Chevalier Song)
"Louise" is a song written by Leo Robin and Richard A. Whiting for the 1929 film ''Innocents of Paris'', where it was performed by Maurice Chevalier. The song was Chevalier's first hit in the United States, and was among the best selling records for 10 weeks in the summer of 1929.Jean Pierre Lion, "Bix: The Definitive Biography of a Jazz Legend : Leon "Bix" Beiderbecke (1903–1931)", ''A&C Black'', (2005) pp. 212–213 Chevalier recorded the song again in 1946 with Henri René's Orchestra for RCA Victor. Other recordings *The same year of Chevalier's recording, Bing Crosby also recorded the song. Crosby's version was recorded on March 15, 1929 with Paul Whiteman and his orchestra and was a hit in that summer. Crosby also recorded a comedy version with The Rhythm Boys on April 10, 1929. * Ben Pollack & His Central Park Orchestra, vocal Charles Roberts, (recorded March 1, 1929 for Victor Records – catalog No. 21941A). *Frankie Trumbauer (recorded April 17, 1929 for Okeh Records, ...
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Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ...
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Brooks Bowman
Brooks Bowman (October 21, 1913 – October 17, 1937) composed the song "East of the Sun (and West of the Moon)" which has become a jazz standard. Biography A native of Cleveland, Ohio, he graduated from University School in that city, but had completed his first three years of preparatory school at Asheville School in Asheville, North Carolina. He then attended Stanford University for one year before transferring to Princeton University as a sophomore, in the fall of 1933. While an undergraduate student at Princeton he wrote the songs for the Princeton Triangle Club musical titled ''Stags at Bay'' in 1934, including "East of the Sun" (which almost didn't make it into the play due to a copyright dispute). Other songs he wrote for the show included "Love and a Dime" and "Will Love Find a Way?" For the Triangle Club production of 1936, he wrote ''What a Relief!'' which included the songs "Give Me a Gibson Girl," "Love Will Live On," "A Newspaper Picture of You," and "Then I S ...
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Vernon Duke
Vernon Duke ( 16 January 1969) was a Russian-born American composer/songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), " April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the ''Ziegfeld Follies'' of 1934, also with Harburg. He wrote the words and music for " Autumn in New York" (1934) for the revue '' Thumbs Up!'' In his book, ''American Popular Song, The Great Innovators 1900-1950'', composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn. Early life Vladimir Aleksandrovich Dukelsky (Russian: Владимир Александрович Дукельский) was born in 1903 into a Belarusian noble family in the village of Parfyan ...
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