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Hallelujah Hits (London Boys Album)
''Hallelujah Hits'' is the fourth and final album by the London Boys although it was titled to the New London Boys. It was released in 1995. The album consists of the traditional religious anthems in Eurodance arrangements. Both 'Gospel Train To London' and 'Kumbaya' were released as singles in Germany. 'Gospel Train To London' had a promotional video created for the single which would be the last video to feature the duo. Both members Edem Ephraim and Dennis Fuller died in a car crash in January 1996. Track listing All tracks written by Ralf René Maué and traditional. # "Gospel Train to London" (3:54) # "Kumbaya" (4:21) # "Lay Down Your Body" (4:04) # "Wade in the Water" (4:18) # "Hallelujah Hits Pt. II" (3:47) # "Go Down Moses" (4:24) # "Joshua Fit the Battle of Jericho "Joshua Fit the Battle of Jericho" (or alternatively "Joshua Fought de Battle of Jericho", "Joshua Fit the Battle" or just Joshua and various other titles) is a well-known African-American spiritual. The ly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Boys
London Boys were a German-based United Kingdom, British dance-pop Musical duo, duo composed of Edem Ephraim (1 July 1959, London, UK – 21 January 1996) and Dennis Fuller (19 June 1959, Jamaica – 21 January 1996). They are best remembered for the UK Top 5 hits "Requiem (London Boys song), Requiem" and "London Nights (song), London Nights". The duo were killed when their car was hit by a drunk driver in the Eastern Alps, Austria, on 21 January 1996. Ephraim's wife also died in the accident, leaving their three-year-old son orphaned and leaving Fuller's 10-year-old daughter without a father.Verzeanu, Milen"a.k.a The New London Boys" website Retrieved 21 June 2007 Musical career Although they had lived near Glinde (Stormarn), Hamburg, Germany, since 1981, the pair had actually met when they were at school in Greenwich, London, Ephraim having been born in London and Fuller in Jamaica. They were formed in 1986 as a vehicle for songwriter and record producer Ralf-René Maué. They ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polydor
Polydor Records Ltd. is a German-British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. Notable current and past artists signed to the label include ABBA, Cream, The Moody Blues, The Who, Ringo Starr, Bee Gees, The Jam, Bing Crosby, The Shadows, James Brown, Level 42, Ellie Goulding, Juice WRLD, Piri & Tommy, James Last, Eric Clapton, Marie Osmond, Keith O'Conner Murphy, Yngwie Malmsteen, Lana Del Rey, Haim, and Buckingham Nicks. Label history Beginnings Polydor Records was founded on 2 April 1913 by German Polyphon-Musikwerke AG in Leipzig and registered on 25 July 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralf René Maué
Ralph (pronounced ; or ,) is a male given name of English, Scottish and Irish origin, derived from the Old English ''Rædwulf'' and Radulf, cognate with the Old Norse ''Raðulfr'' (''rað'' "counsel" and ''ulfr'' "wolf"). The most common forms are: * Ralph, the common variant form in English, which takes either of the given pronunciations. * Rafe, variant form which is less common; this spelling is always pronounced , as are all other English spellings without "l". * Raife, a very rare variant. * Raif, a very rare variant. Raif Rackstraw from H.M.S. Pinafore * Ralf, the traditional variant form in Dutch, German, Swedish, and Polish. * Ralfs, the traditional variant form in Latvian. * Raoul, the traditional variant form in French. * Raúl, the traditional variant form in Spanish. * Raul, the traditional variant form in Portuguese and Italian. * Raül, the traditional variant form in Catalan. * Rádhulbh, the traditional variant form in Irish. Given name Middle Ages * Ral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love 4 Unity
''Love 4 Unity'' is the third studio album by the London Boys, a British dance pop duo. It was released in 1993. Both "Moonraker" and "Baby Come Back" were released as singles in Germany Germany,, officially the Federal Republic of Germany, is a country in Central Europe. It is the second most populous country in Europe after Russia, and the most populous member state of the European Union. Germany is situated betwe .... Baby Come Back peaked at #27 in Austria. This was the last album from the duo, although '' Hallelujah Hits'' would be released under the name The New London Boys. The album was not successful and the two singles also failed to chart in Germany. Like previous albums, songwriting and production were by Ralf René Maué. Track listing ''All tracks written by Ralf René Maué except track one written by Eddy Grant.'' # Baby Come Back (3:43) # I Have A Dream (4:12) # Philadelphia '69 (3:56) # Knock, Knock, Knock (3:42) # Moonraker (3:53) # Oh, Tracy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumbaya
"''Kum ba yah''" ("''Come by here''") is an African American spiritual song of disputed origin, but known to be sung in the Gullah culture of the islands off South Carolina and Georgia, with ties to enslaved West Africans. The song is thought to have spread from the islands to other Southern states and the North, as well as other places in the world. The first known recording, of someone known only as H. Wylie, who sang in the Gullah dialect, was recorded by folklorist Robert Winslow Gordon in 1926. It later became a standard campfire song in Scouting and summer camps and enjoyed broader popularity during the folk revival of the 1950s and 1960s. The song was originally an appeal to God to come and help those in need. Origins According to Library of Congress editor Stephen Winick, the song almost certainly originated among African Americans in the Southeastern United States, and had a Gullah version early in its history even if it did not originate in that dialect. The two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wade In The Water
"Wade in the Water" (Roud 5439) is an African American jubilee song, a spiritual—in reference to a genre of music "created and first sung by African Americans in slavery." The lyrics to "Wade in the Water" were first co-published in 1901 in ''New Jubilee Songs as Sung by the Fisk Jubilee Singers'' by Frederick J. Work and his brother, John Wesley Work Jr., an educator at the historically black college in Nashville, Tennessee, Fisk University. Work Jr. (1871–1925)—who is also known as John Work II—spent thirty years collecting, promoting, and reviving the songcraft of the original Fisk Jubilee Singers, which included being a member and director of the Fisk Jubilee Quartet. The Sunset Four Jubilee Singers made the first commercial recording of "Wade in the Water" in 1925—released by Paramount Records. W. E. B. Du Bois called this genre of songs the Sorrow Songs. "Wade in the Water" is associated with songs of the Underground Railroad. Fisk Jubilee Singers John Wesl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go Down Moses
"Go Down Moses" is a spiritual phrase that describes events in the Old Testament of the Bible, specifically Exodus 5:1: "And the LORD spake unto Moses, Go unto Pharaoh, and say unto him, Thus saith the LORD, Let my people go, that they may serve me", in which God commands Moses to demand the release of the Israelites from bondage in Egypt. This phrase is the title of one of the most well known African American spirituals of all time. The song discusses themes of freedom, a very common occurrence in spirituals. In fact, the song actually had multiple messages, discussing not only the freedom of the Israelites, but also the freedom of runaway enslaved people, and many enslavers outlawed this song because of those very messages. The opening verse as published by the Jubilee Singers in 1872: The lyrics of the song represent liberation of the ancient Jewish people from Egyptian slavery, a story recounted in the Old Testament. For enslaved African Americans, the story was very powe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua Fit The Battle Of Jericho
"Joshua Fit the Battle of Jericho" (or alternatively "Joshua Fought de Battle of Jericho", "Joshua Fit the Battle" or just Joshua and various other titles) is a well-known African-American spiritual. The lyrics allude to the biblical story of the Battle of Jericho, in which Joshua led the Israelites against Canaan (Joshua 6:15-21). The song is believed to have been composed by slaves in the first half of the 19th century. Some references suggest that it was copyrighted by Jay Roberts in 1865. In 1882, the song was published in ''Jubilee Songs'' by and in ''A Collection of Revival Hymns and Plantation Melodies'' by . The first recorded version was by Harrod's Jubilee Singers, on Paramount Records No. 12116 in 1922 (though some sources suggest 1924). The Online 78 Discography entry for this record credits Jay Roberts as the author. Later recordings include those by Paul Robeson (1925), Mahalia Jackson (1958), Clara Ward, Laurie London, Hugh Laurie (2011) and Elvis Presley (1960 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Low Sweet Chariot
"Swing Low, Sweet Chariot" is an Spiritual (music), African-American spiritual song and one of the best-known Christian hymns. Originating in early oral and musical African-American traditions, the date it was composed is unknown. Performances by the Hampton Singers and the Fisk Jubilee Singers brought the song to the attention of wider audiences in the late 19th century. J. B. T. Marsh includes an early version of text and tune in his 1876 publication ''The Story of the Jubilee Singers, with their Songs''. The earliest known recording of "Swing Low, Sweet Chariot" was recorded in 1894, by the Standard Quartette. The song uses the theme of death to remind the audience of the glory that awaits in Heaven, when Christians believe they will transcend the earthly world of suffering and come to rest in their final home. Specifically, the text refers to the Old Testament account of the Prophet Elijah's ascent into Heaven by chariot. The stylistic elements and thematic content are highly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go Tell It On The Mountain (song)
"Go Tell It on the Mountain" is an African-American spiritual song, compiled by John Wesley Work Jr., dating back to at least 1865, that has been sung and recorded by many gospel and secular performers. It is considered a Christmas carol as its original lyrics celebrate the Nativity of Jesus: An alternate final line omits the reference to the birth of Christ, instead declaring that "Jesus Christ is Lord". Recording artists In 1963, the musical team Peter, Paul and Mary, along with their musical director Milt Okun, adapted and rewrote "Go Tell It on the Mountain" as "Tell It on the Mountain", their lyrics referring specifically to Exodus and using the phrase "Let my people go", but referring implicitly to the civil rights struggle of the early 1960s. This version became a moderately successful single for them (US No. 33 pop, 1964). ''Cash Box'' described it as "a rhythmic, updating of the folk oldie with a plaintive message-song motif." According to religious studies prof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
