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Günther Groissböck
Günther Groissböck (born 24 September 1976) is an Austrian operatic bass. Anthony Tommasini, chief classical music critic for ''The New York Times'', described Groissböck's "imposing and good-looking" portrayal of Baron Ochs in ''Der Rosenkavalier'' at the Metropolitan Opera, New York, as "a revelation". James Jorden of the New York ''Observer'' praised Groissböck's "innovative take" on the role and his "big, virile sound". A 2018 recording of the Met performance was nominated for Grammy Award in the Best Opera Recording. Early life Groissböck was born in Waidhofen an der Ybbs in Lower Austria to a doctor (father) and a teacher (mother) and was self-motivated to play piano by the age of eight. He received vocal training at the University of Music and Performing Arts Vienna where he was under guidance from Robert Holl and José van Dam. Career From 2002 to 2003, Groissböck was a scholar at the Eliette and Herbert von Karajan Institute and then became bass singer at the Züri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zürich Opera House
The Zürich Opera House (german: Opernhaus Zürich, links=no) is an opera house in the Swiss city of Zürich. Located at the Sechseläutenplatz, it has been the home of the Zürich Opera since 1891, and also houses the Bernhard-Theater Zürich. It is also home to the Zürich Ballet. History The first permanent theatre in Zürich, the , was built in 1834 and it became the focus of Richard Wagner’s activities during his period of exile from Germany. The burnt down in 1890. The new (municipal theatre) was built by the Viennese architects Fellner & Helmer Fellner & Helmer was an architecture studio founded in 1873 by Austrian architects Ferdinand Fellner and Hermann Helmer. They designed over 200 buildings (mainly opera houses and apartment buildings) across Europe in the late 19th century and ear ..., who changed their previous design for the Hessisches Staatstheater Wiesbaden, theatre in Wiesbaden only slightly. It was built in only 16 months and was opened in 1891 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Real
The Teatro Real (Royal Theatre) is an opera house in Madrid, Spain. Located at the Plaza de Oriente, opposite the Royal Palace of Madrid, Royal Palace, and known colloquially as ''El Real'', it is considered the top institution of the performing and musical arts in the country and one of the most prestigious opera houses in Europe. The groundbreaking of the Teatro Real was on 23 April 1818, under the reign of Ferdinand VII of Spain, King Ferdinand VII, and it was formally opened by his daughter Isabella II of Spain, Queen Isabella II on 19 November 1850. It closed in 1925 due to damage to the building and reopened on 13 October 1966 as a symphonic music venue. Beginning in 1991, it underwent major refurbishment and renovation works and finally reopened as an opera house on 11 October 1997 with a floor area of and a maximum capacity of 1,958 seats. Since 1995, the theatre is managed by a public foundation in whose Board of Trustees are represented the Ministry of Culture (Spain), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WDAV
WDAV (89.9 MHz "Classical 89.9") is a non-commercial public radio station licensed to Davidson, North Carolina and serving the Charlotte metropolitan area. The station, licensed to the Board of Trustees of Davidson College, airs classical music and fine arts programming, with news updates from National Public Radio (NPR). WDAV has an effective radiated power (ERP) of 100,000 watts, the maximum for non-grandfathered FM stations. The transmitter is off Old Statesville Road in Huntersville, North Carolina. WDAV is also heard on 250 watt FM translator W217AX at 91.3 MHz in Harrisburg, North Carolina. Programming WDAV programming originates locally for 22 hours each day, and the tempo of the music is based on the time of day, with "upbeat, inspirational" in the morning and "relaxing, kick-back" late in the day. As of 2018, music director Ted Weiner, who recorded the overnight show instead of doing it live, had been a full-time personality since 1986, the longest of anyone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rusalka (opera)
''Rusalka'' (), Op. 114, is an opera ('lyric fairy tale') by Antonín Dvořák. The Czech libretto was written by the poet Jaroslav Kvapil (1868–1950) based on the fairy tales of Karel Jaromír Erben and Božena Němcová. A rusalka is a water sprite from Slavic mythology, usually inhabiting a lake or river. ''Rusalka'' was the ninth opera Dvořák composed. It is one of the most successful Czech operas, and represents a cornerstone of the repertoire of Czech opera houses. Dvořák had played viola for pit orchestras in Prague (the Estates Theatre from 1857 until 1859 while a student, then from 1862 until 1871 at the Provisional Theatre). He thus had direct experience of a wide range of operas by Mozart, Weber, Rossini, Lortzing, Wagner, Verdi and Smetana. For many years unfamiliarity with Dvořák's operas outside the Czech lands helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vodník
In Slavic mythology, vodyanoy or vodyanoi ( rus, водяно́й, p=vədʲɪˈnoj; lit. ' efrom the water' or 'watery') is a water spirit. In Czech and Slovak fairy tales, it is called ''vodník'' (or in Germanized form: ), and it is considered to be the equivalent creature as the Wassermann or nix of German fairy tales. Vodyanoy is said to appear as a naked old man with a frog-like face, greenish beard, and long hair, with his body covered in algae and muck, usually covered in black fish scales; сonsequently, he is often dubbed "grandfather" or "forefather" by the local people. He has webbed paws instead of hands, a fish's tail, and eyes that burn like red-hot coals. He usually rides along his river on a half-sunken log, making loud splashes. Local drownings are said to be the work of the vodyanoy (or rusalkas). When angered, the vodyanoy breaks dams, washes down water mills, and drowns people and animals. Consequently, fishermen, millers, and also bee-keepers make sacrifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayreuth Festival
The Bayreuth Festival (german: link=no, Bayreuther Festspiele) is a music festival held annually in Bayreuth, Germany, at which performances of operas by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle and ''Parsifal''. Performances take place in a specially designed theatre, the Bayreuth Festspielhaus. Wagner personally supervised the design and construction of the theatre, which contained many architectural innovations to accommodate the huge orchestras for which Wagner wrote as well as the composer's particular vision about the staging of his works. The Festival has become a pilgrimage destination for Wagnerians and classical-music enthusiasts. Origins The origins of the Festival itself lie rooted in Richard Wagner's interest in establishing his financial independence. A souring of the relationship with his patron, Ludwig II o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landgrave
Landgrave (german: Landgraf, nl, landgraaf, sv, lantgreve, french: landgrave; la, comes magnus, ', ', ', ', ') was a noble title used in the Holy Roman Empire, and later on in its former territories. The German titles of ', ' ("margrave"), and ' ("count palatine") are in the same class of ranks as ' ("duke") and above the rank of a ' ("count"). Etymology The English language, English word landgrave is the equivalent of the German language, German ''Landgraf'', a compound (linguistics), compound of the words ''Land'' and ''Graf'' (German: Count). Description The title referred originally to a count who had imperial immediacy, or feudal duty owed directly to the Holy Roman Emperor. His jurisdiction stretched over a sometimes quite considerable territory, which was not subservient to an intermediate power, such as a duke, a bishop or count palatine. The title survived from the times of the Holy Roman Empire (first recorded in Lower Lotharingia from 1086: Henry III, Count of Lou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
