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Gábor Faludi
Mr Gabor Faludi was the founder and manager of Vigszinhaz comedy theatre in Budapest. He passed on in May 1932 after sever illness. Mr. Gábor Faludi (1 May 1846– 4 May 1932) was a theatre manager in Budapest, Hungary. He was the founder and manager of the Comedy Theatre of Budapest (VÃgszÃnház) and an influential figure during the Budapest theatre boom at the beginning of the 20th century. Early life Gábor Faludi was born in Tét on 1 May 1846 as Gábor Waltersdorf according to the entry in the Jewish parish register of Téthszentkút (later known as Téth or Tét). His parents were Salamon Waltersdorf and Rozália (Szali) Klein, both local merchants. His sons Miklós, JenÅ‘, and Sándor later became involved in the family theatre business while his daughter, Hermina, married JenÅ‘ Vázsonyi, the President of the Hungarian State Railway. The original family name suggests that the family may have found its roots in the Austrian town of Bad Waltersdorf, located about 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faludi Gábor
Susan Charlotte Faludi (; born April 18, 1959) is an American feminist, journalist, and author. She won a Pulitzer Prize for Explanatory Journalism in 1991, for a report on the leveraged buyout of Safeway Stores, Inc., a report that the Pulitzer Prize committee commended for depicting the "human costs of high finance". She was also awarded the Kirkus Prize in 2016 for '' In the Darkroom'', which was also a finalist for the 2017 Pulitzer Prize in biography. Biographical information Faludi was born in 1959 in Queens, New York, and grew up in Yorktown Heights, New York. She was born to Marilyn (Lanning), a homemaker and journalist, and Stefánie Faludi (then known as Steven Faludi, and born István Friedman), who was a photographer. Stefánie Faludi had emigrated from Hungary, was Jewish, and a survivor of the Holocaust; she eventually came out as a transgender woman and died in 2015. Susan Faludi has dual US-Hungarian citizenship. Faludi's maternal grandfather was also Jewish. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austro-Hungarian Compromise Of 1867
The Austro-Hungarian Compromise of 1867 (german: Ausgleich, hu, Kiegyezés) established the dual monarchy of Austria-Hungary. The Compromise only partially re-established the former pre-1848 sovereignty and status of the Kingdom of Hungary, being separate from, but no longer subject to, the Austrian Empire. The compromise put an end to the 18-year-long military dictatorship and absolutist rule over Hungary which Emperor Franz Joseph had instituted after the Hungarian Revolution of 1848. The territorial integrity of the Kingdom of Hungary was restored. The agreement also restored the old historic constitution of the Kingdom of Hungary. Hungarian political leaders had two main goals during the negotiations. One was to regain the traditional status (both legal and political) of the Hungarian state, which had been lost after the Hungarian Revolution of 1848. The other was to restore the series of reform laws (the so-called April Laws) of the revolutionary parliament of 1848, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Theatre (Budapest)
The National Theatre, located in Budapest originally opened in 1837. Since then, it has occupied several locations, including the original building at Kerepesi Street, the ''People's Theatre'' at Blaha Lujza Square, as well as Hevesi Sándor Square, its longest temporary location. It currently occupies the National Theatre building, which opened March 15, 2002. History The concept of a national theatre in Budapest was born at the turn of the 18th-19th century, promoted by influential thinkers including Ferenc Kazinczy and Baron István Széchenyi. Széchenyi was a major figure in Hungary's reform. He dreamed of a great building on the bank of the Danube that would operate in the form of a joint-stock company. He proposed his plans in his 1832 pamphlet, ''A Magyar JátékszÃnrÅ‘l''. The Hungarian Parliament made the decision to move forward with a national theatre in its 41st article of 1836. Led by Antal Grassalkovich, construction began in 1835 on Kerepesi Street. With a com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Strindberg
Johan August Strindberg (, ; 22 January 184914 May 1912) was a Swedish playwright, novelist, poet, essayist and painter.Lane (1998), 1040. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades. A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his '' The Red Room'' (1879) has frequently been described as the first modern Swedish novel. In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerhart Hauptmann
Gerhart Johann Robert Hauptmann (; 15 November 1862 – 6 June 1946) was a German dramatist and novelist. He is counted among the most important promoters of literary naturalism, though he integrated other styles into his work as well. He received the Nobel Prize in Literature in 1912. Life Childhood and youth Gerhart Hauptmann was born in 1862 in Obersalzbrunn, now known as Szczawno-Zdrój, in Lower Silesia (then a part of the Kingdom of Prussia, now a part of Poland). His parents were Robert and Marie Hauptmann, who ran a hotel in the area. As a youth, Hauptmann had a reputation of being loose with the truth. His elder brother was Carl Hauptmann. Beginning in 1868, he attended the village school and then, in 1874, the Realschule in Breslau for which he had only barely passed the qualifying exam. Hauptmann had difficulties adjusting himself to his new surroundings in the city. He lived, along with his brother Carl, in a somewhat run-down student boarding house before fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herman Heijermans
Herman Heijermans (3 December 1864 Р22 November 1924), was a Dutch writer. Heijermans was born in Rotterdam, into a liberal Jewish family, the fifth of the 11 children of Herman and Matilda (Moses) Spiers. Painter Marie Heijermans was his sister. In the ''Algemeen Handelsblad'' daily, he published a series of sketches of Jewish family life under the pseudonym of Samuel Falkland, which were collected in volume form. His novels and tales include ''Trinette'' (1892), ''Fles'' (1893), ''Kamertjeszonde'' (2 vols, 1896), ''Interieurs'' (1897), ''Diamantstad'' (2 vols, 1903). He created great interest by his play ''Op Hoop van Zegen'' (1900), an indictment of the exploitation of sea fishermen in the Netherlands at the turn of the century, represented at the Th̢̩tre Antoine in Paris, and in English by the Stage Society as ''The Good Hope''. His other plays are: ''Dora Kremer'' (1893), ''Ghetto'' (1898), ''Het zevende Gebod'' (1899), ''Het Pantser'' (1901), ''Ora et labora'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Wedekind
Benjamin Franklin Wedekind (July 24, 1864 – March 9, 1918) was a German playwright. His work, which often criticizes bourgeois attitudes (particularly towards sex), is considered to anticipate expressionism and was influential in the development of epic theatre.See Banham (1998) and Willett (1959). In his ''Messingkauf Dialogues'', Brecht cites Wedekind, along with Büchner and Valentin, as his "chief influences" in his early years: "he", Brecht writes of himself in the third person, "also saw the writer ''Wedekind'' performing his own works in a style which he had developed in cabaret. Wedekind had worked as a ballad singer; he accompanied himself on the lute." (1965, 69). In the English-speaking world, before 2006 Wedekind was best known for the "Lulu" cycle, a two-play series—''Erdgeist'' (''Earth Spirit'', 1895) and '' Die Büchse der Pandora'' (''Pandora's Box'', 1904)—centered on a young dancer/adventuress of mysterious origin. In 2006 his earlier play ''Frü ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Bourdet
Édouard Bourdet (Saint-Germain-en-Laye, 26 October 1887 – Paris, 17 January 1945) was a 20th-century French playwright. He was married to the poet, Catherine Pozzi; their son was Claude Bourdet. Plays *1910: ''Le Rubicon'' *1912: ''La Cage ouverte'', Théâtre Michel (Paris), Théâtre Michel *1922: ''L'Heure du berger'' Play translated into the Portuguese language by Victoriano Braga, under the title ''A Hora do Amor'' *1923: ''L'Homme enchaîné'', play in 3 acts, Théâtre Fémina, 7 Novembre *1926: ''The Captive (play), La Prisonnière'', presented in London, New York and Vienna *1927: ''Vient de paraître (play), Vient de paraître'', comedy in 4 acts, Théâtre de la Michodière, 25 November *1929: ''Le Sexe faible'', comedy in 3 acts which ran for nearly two years at the Théâtre de la Michodière, 10 December, and was also presented in Berlin *1932: ''La Fleur des pois'', comedy in 4 acts, Théâtre de la Michodière, 4 October *1934: ''Les Temps difficiles'', play in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Kistemaeckers (playwright)
Henry Hubert Alexandre Kistemaeckers (October 13, 1872 – January 21, 1938) was a prolific Belgian-born French author and playwright. Early life and career Henry Hubert Alexandre Kistemaeckers was born in Floreffe,Who's Who in the Theatre; Volume 3; 1916; pg. 745 accessed September 29, 2012 a small town some forty-five miles southeast of Brussels. He was the son of Henry Kistemaeckers (1851–1934), a controversial Belgian publisher often at odds with the censorship laws of the day. As a young man, Kistemaeckers attended the Royal Athenaeum at , the |
Georges Feydeau
Georges-Léon-Jules-Marie Feydeau (; 8 December 1862 – 5 June 1921) was a French playwright of the era known as the Belle Époque. He is remembered for his farces, written between 1886 and 1914. Feydeau was born in Paris to middle-class parents and raised in an artistic and literary environment. From an early age he was fascinated by the theatre, and as a child he wrote plays and organised his schoolfellows into a drama group. In his teens he wrote comic monologues and moved on to writing longer plays. His first full-length comedy, ''Tailleur pour dames'' (Ladies' tailor), was well received, but was followed by a string of comparative failures. He gave up writing for a time in the early 1890s and studied the methods of earlier masters of French comedy, particularly Eugène Labiche, Alfred Hennequin and Henri Meilhac. With his technique honed, and sometimes in collaboration with a co-author, he wrote seventeen full-length plays between 1892 and 1914, many of which have become sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaston Arman De Caillavet
Gaston Arman de Caillavet (13 March 1869 Р13 January 1915) was a French playwright. Early life Gaston Arman de Caillavet was born on 13 March 1869. He was the son of Albert Arman de Caillavet and L̩ontine Lippmann. His maternal grandfather, Auguste Lippmann, was a banker of Jewish descent. Career De Caillavet was a playwright. From 1901 to 1915, he collaborated with Robert de Flers on many works, including light and witty operettas or com̩dies de boulevard, many of which were great successes. Personal life In April 1893 he married Jeanne Pouquet. He was a close friend of Marcel Proust who found in him and his fianc̩e, Jeanne Pouquet, a model of the relationship between Robert de Saint-Loup and Gilberte in his famous novel '' In Search of Lost Time''. Gaston and Jeanne had only one daughter, Simone, who married (second wedding) Andr̩ Maurois, future biographer of Proust.Kolbert, Jack (1985)''The Worlds of Andr̩ Maurois'' p. 250. Susquehanna University Press. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert De Flers
Robert Pellevé de La Motte-Ango, marquis de Flers (25 November 1872, Pont-l'Évêque, Calvados – 30 July 1927, Vittel) was a French playwright, opera librettist, and journalist.Pierre Barillet, ''Les Seigneurs du rire: Flers – Caillavet – Croisset'', Paris, Arthème Fayard, 1999 Biography He entered the Lycée Condorcet in 1888 where he studied law with the initial ambition of entering diplomatic service. He met and befriended fellow student and writer Marcel Proust, and that relationship had a great influence upon him. Proust exposed Flers to art, literature, and music and his interests soon switched from law to writing, journalism, and literature. The two men enjoyed a lifelong friendship. After completing his studies, he toured throughout Asia in the mid-1890s. The event inspired his earliest writings: the novel ''La Courtisane Taïa et son singe vert'' (1896), the short story ''Ilsée, princesse de Tripoli'' (1896), and the travel narrative ''Vers l’Orient'' (1897). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
