|
Gustave III (opera)
''Gustave III, ou Le bal masqué'' (''Gustavus III, or The Masked Ball'') is an ''opéra historique'' or grand opera in five acts by Daniel Auber, with a libretto by Eugène Scribe. Performance history It received its first performance at the Salle Le Peletier of the Paris Opéra on 27 February 1833, with costumes designed by Eugène Lami and Paul Lormier, and sets by Léon Feuchère (act 1 and act 5, scene 2), Jules Diéterle (act 2), Alfred (act 3), Pierre-Luc-Charles Ciceri (act 4), René-Humanité Philastre and Charles-Antoine Cambon (act 5, scene 1). The opera was a major success for the composer, with 168 performances until 1853. Ellen Creathorne Clayton has translated French critic Jules Janin's description of the last act, which was often presented separately from the opera, as follows: "I believe ... that never, even at the Opéra, was seen a spectacle more grand, more rich, more curious, more magnificent, that the fifth act of ''Gustave''. It is a fairlyland of beauti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Johan Anckarström
Jacob Johan Anckarström (11 May 1762 – 27 April 1792) was a Swedish military officer who is known as the assassin of King Gustav III of Sweden. He was convicted and executed for regicide. Life He was the son of Jacob Johan Anckarström the Elder and Hedvig Ulrika Drufva. He married Gustaviana Elisabet Löwen (1764-1844) in 1783, and had two daughters and two sons: Gustafva Eleonora Löwenström (1785-1860), Carolina Lovisa, Johan Jacob and Carl David. Anckarström served as a page at court and then as a captain in King Gustav III's regiment between 1778 and 1783. During travels to Gotland, he was accused of slandering the king and fled to Stockholm Stockholm () is the Capital city, capital and List of urban areas in Sweden by population, largest city of Sweden as well as the List of urban areas in the Nordic countries, largest urban area in Scandinavia. Approximately 980,000 people liv ..., where he spent the winter; he was subsequently arrested, brought back, and tri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Prévost
Ferdinand is a Germanic name composed of the elements "protection", "peace" (PIE "to love, to make peace") or alternatively "journey, travel", Proto-Germanic , abstract noun from root "to fare, travel" (PIE , "to lead, pass over"), and "courage" or "ready, prepared" related to Old High German "to risk, venture." The name was adopted in Romance languages from its use in the Visigothic Kingdom. It is reconstructed as either Gothic or . It became popular in German-speaking Europe only from the 16th century, with Habsburg rule over Spain. Variants of the name include , , , and in Spanish, in Catalan, and and in Portuguese. The French forms are , '' Fernand'', and , and it is '' Ferdinando'' and in Italian. In Hungarian both and are used equally. The Dutch forms are and '' Ferry''. There are numerous short forms in many languages, such as the Finnish . There is a feminine Spanish, Portuguese and Italian form, . Royalty Aragón/León/Castile/Spain *Ferd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustaf Mauritz Armfelt
Count Gustaf Mauritz Armfelt (russian: Граф Густав-Маврикий Максимович Армфельт, tr, ; 31 March 1757 – 19 August 1814) was a Finnish-Swedish-Russian courtier and diplomat. In Finland, he is considered one of the greatest Finnish statesmen. His advice to Russia's Tsar Alexander I was of utmost importance for securing the autonomy of the Grand Duchy of Finland. Career Born in Tarvasjoki, Finland, he was the great grandson of Charles XII of Sweden's general, Carl Gustaf Armfeldt. In 1774, Armfelt became an ensign in the guards, but his frivolous behavior involving a duel provoked the displeasure of Gustav III of Sweden. As a result, he thought it prudent to go abroad 1778. Subsequently, however, in 1780, Armfelt met the king again at Spa in the Austrian Netherlands and completely won over the previously disgruntled monarch with his natural amiability, intelligence and social gifts. Henceforth, his fortune was made. At first, he was given t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamberlain (office)
A chamberlain (Medieval Latin: ''cambellanus'' or ''cambrerius'', with charge of treasury ''camerarius'') is a senior royal official in charge of managing a royal household. Historically, the chamberlain superintends the arrangement of domestic affairs and was often also charged with receiving and paying out money kept in the royal chamber. The position was usually honoured upon a high-ranking member of the nobility (nobleman) or the clergy, often a royal favourite. Roman emperors appointed this officer under the title of ''cubicularius''. The Chamberlain of the Holy Roman Church enjoys very extensive powers, having the revenues of the papal household under his charge. As a sign of their dignity, they bore a key, which in the seventeenth century was often silvered, and actually fitted the door-locks of chamber rooms. Since the eighteenth century, it has turned into a merely symbolic, albeit splendid, rank-insignia of gilded bronze. In many countries there are ceremonial posts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Dupont
Alexis Dupont (179629 May 1874) was a French operatic tenor who sang at the Opéra-Comique The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne ... from 1821 to 1823 and the Paris Opera from 1826 to 1841.Kutsch & Riemens 2003, p. 1256; Schulman 1992. Concerning the date of his retirement from the Paris Opera, Kutsch & Riemens and Schulman say Dupont sang there until 1840, after which he retired from further opera performances. However, Théodore Lajarte, Lajarte 1878p. 148 gives the year 1841 for Dupont's appearances in ''Don Juan''. This is confirmed by ''Le Ménestrel'', which mentions that Dupont replaced Marie in ''Don Juan'' in thissue of 18 April 1841 but also mentions the retirement of M. and Mme Alexis Dupont in thissue of 27 June 1841 There he created a number of roles in operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri-Bernard Dabadie
Henri-Bernard Dabadie (19 January 1797 – 20 May 1853) was a French baritone, particularly associated with Rossini and Auber roles. Life and career Born in Pau, Dabadie studied at the Paris Conservatory and made his debut at the Paris Opéra in 1819 as Cinna in Spontini's ''La Vestale''. He was to remain at the Opéra until 1836, creating roles specifically written for him by Rossini – notably the Pharaon in ''Moïse et Pharaon'', Raimbaud in ''Le comte Ory'', and ''Guillaume Tell''. He also created roles in opera by Auber – Pietro in ''La muette de Portici'', Jolicoeur in ''Le Philtre'', and Jean in ''Le Serment''. He also sang in Italy, where he created Belcore in Donizetti's ''L'elisir d'amore'', in Milan on 12 May 1832. On 6 November 1821, Dabadie married soprano Zulmée Leroux (1795–1877), Commons:File:Reconstituted record of marriage 6 Novembre 1821 Bernard Dabadie and Zulmée Leroux V3E-M 247 vue 21-51 archives AD075ER V3E M 00247 00619 C.JPG who began using ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulrica Arfvidsson
Anna Ulrica Arfvidsson (1734–1801) was a professional Swedish fortune-teller during the reign of Gustav III of Sweden. She was commonly known as ''Mamsell Arfvidsson''. Biography Background Ulrica Arfvidsson was the daughter of a caretaker of the royal palace, Erik Lindberg, and Anna Katarina Burgin (d. 1771). After the death of her father, her mother remarried in 1740 to a chef of the royal household, Arfvid Arfvidsson (d. 1767), and Ulrica took the name of her stepfather. Ulrica Arfvidsson grew up comfortably in an environment where she heard many rumours and gossip of the higher circles in society. She became well-informed about things which many people outside of the court would like to know. Ulrica is described as an intelligent, with a sharp talent, well-developed intuition, and always very up-to-date about everything in society. Judging from the school-books from the inventory of her childhood-home, she seem to have been given a good education. She had no siblings. Not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julie Dorus-Gras
Julie Dorus-Gras (born Valenciennes 7 September 1805 – 6 February 1896) was a Belgian operatic soprano. Early life and training She was born Julie-Aimée-Josèphe Van Steenkiste,Forbes, Elizabeth. "Dorus-Gras (née Van Steenkiste), Julie(-Aimée-Josephe oséphine" in Sadie (2001) and Sadie (1992) the daughter of an ex-soldier who was the leader of the theatre orchestra in her native city Valenciennes.Pitou (1990), p. 380. She first studied with her father and began performing as a child, eventually becoming so well known as a vocalist that she received a municipal scholarship which enabled her to continue her studies in Paris. She was admitted to the Paris Conservatoire in 1821 and studied singing in the class conducted by Blangini and Henri. Later she received additional vocal training from Bordogni and Paer. Career To begin her career she made a concert tour which took her to Brussels. Her concert was so successful, that Count de Liederkerke offered her a contract to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornélie Falcon
Cornélie Falcon (28 January 1814 – 25 February 1897) was a French soprano who sang at the Opéra in Paris. Her greatest success was creating the role of Valentine in Meyerbeer's ''Les Huguenots''. She possessed "a full, resonant voice"Warrack and West 1992, p. 230. with a distinctive dark timbreRobinson and Walton 2011. and was an exceptional actress. Based on the roles written for her voice her vocal range spanned from low A-flat to high D, 2.5 octaves. She and the tenor Adolphe Nourrit are credited with being primarily responsible for raising artistic standards at the Opéra, and the roles in which she excelled came to be known as "falcon soprano" parts.Robinson 1992, p. 110. She had an exceptionally short career, essentially ending about five years after her debut, when at the age of 23 she lost her voice during a performance of Niedermeyer's '' Stradella''. Early life and training She was born Marie-Cornélie Falcon in Le Monastier sur Gazeille (Velay) to Pierre Falcon, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Alexis Dupont")
