Gustaf Adolf Och Ebba Brahe
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Gustaf Adolf Och Ebba Brahe
''Gustaf Adolf och Ebba Brahe'' is a 1788 Swedish-language opera by Abbé Georg Joseph Vogler. to a libretto by Johan Henric Kellgren.Nordic Art Music: From the Middle Ages to the Third Millennium Frederick Key Smith - 2002 -Kraus's German associate Georg Joseph Vogler (1749-1814) spent more than a decade in Sweden giving organ recitals, building ... During this time, however, he wrote only a single Swedish opera, Gustav Adolf och Ebba Brahe (1788). Recordings *''Gustaf Adolf och Ebba Brahe''. Margareta Hallin, Laila Andersson, Gunilla Slättegård, Gunnar Lundberg, Margareta Bergström, Arne Tyrén, Kåge Jehrlander, Björn Asker, Tord Slättegård, Jonny Blanc, Hans Johansson, Dorrit Kleimert, Busk Margit Jonsson. Royal Swedish Orchestra, Royal Swedish Chorus, conducted Charles Farncombe Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) o ...
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Abbé Georg Joseph Vogler
Abbé Vogler Georg Joseph Vogler, also known as Abbé Vogler (June 15, 1749 – May 6, 1814), was a German composer, organist, teacher and theorist. In a long and colorful career extending over many more nations and decades than was usual at the time, Vogler established himself as a foremost experimenter in baroque and early classic music. His greatest successes came as performer and designer for the organ at various courts and cities around Europe, as well as a teacher, attracting highly successful and devoted pupils such as Carl Maria von Weber. His career as a music theorist and composer however was mixed, with contemporaries such as Mozart believing Vogler to have been a charlatan. Despite his mixed reception in his own life, his highly original contributions in many areas of music (particularly musicology and organ theory) and influence on his pupils endured, and combined with his eccentric and adventurous career, prompted one historian to summarize Vogler as "one of the most ...
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Johan Henric Kellgren
Johan Henrik Kellgren (1 December 1751 – 20 April 1795) was a Swedish poet and critic. Biography He was born at Floby in Västergötland (now part of Falköping Municipality, Västra Götaland County). He studied at the Royal Academy of Turku, and already had some reputation as a poet when he became a "docent" in aesthetics at the school in 1774. Three years later he moved to Stockholm, where in 1778 he began publishing the journal " Stockholms-Posten" with Assessor . Kellgren was sole editor from 1788 onwards. In 1779, he wrote a poem portraying the young and popular actress Ulrica Rosenblad's funeral, a verse quoted in the press. Kellgren was librarian to Gustavus III from 1780, and became his private secretary in 1785. At the establishment of the Swedish Academy in 1786 he was appointed one of its first members. He died at Stockholm. Kellgren was never married, but was at one point the lover of the prima donna Fredrique Löwen. Works His strong satiric tendency led him in ...
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Margareta Hallin
Gunhild Margareta Hallin Ekerot (20 February 1931 – 9 February 2020) was a Swedish opera singer, composer and actress. Early life and debut Hallin was born on 20 February 1931, in Karlskoga. She made her debut during her time as a student at the University College of Opera in 1955 as Rosina in Rossini's '' Barberaren i Sevilla''. Career Hallin joined the Royal Swedish Opera as a full-time employee in 1956, where she performed in roles such as Zerbinetta in '' Ariadne på Naxos'' by Richard Strauss, the title role of Donizetti's ''Lucia di Lammermoor'', Sophie in '' Rosenkavaljeren'' by Strauss, Leonora in Verdi's '' Trubaduren'', Amelia in '' Maskeradbalen'', the title role in ''Aida'', and Gilda in ''Rigoletto''. Hallin was appointed Hovsångerska (Royal Court singer) along with Erik Saedén, in 1966, and was awarded the Jussi Björling Scholarship in 1970. Her last performance at the Opera was in the title role of Cherubini's ''Médée''. Hallin's voice has been desc ...
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Charles Farncombe
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depr ...
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Drottningholm Palace Theatre
The Drottningholm Palace Theatre ( sv , Drottningholms slottsteater) is an opera house located at Drottningholm Palace in Stockholm, Sweden. It is one of the few 18th century theatres in Europe that is still used as a theatre with its original stage machinery. Currently, the reinvigorated theatre has acquired a growing international reputation as a summer opera festival theatre by focusing on works by Haydn, Handel, Gluck and Mozart and emphasis on authentic performance. The theatre has also had guest performances by the Royal Swedish Opera. History The first theatre to be built on the Drottningholm site was built at the behest of the Queen Lovisa Ulrika by the German master builder, Georg Greggenhofer (1718 or 1719–1779). The theatre opened in 1754 and hosted a new troupe of French actors, the Du Londel Troupe, that had been engaged by the court a year earlier and was to use the theatre until 1771. The troupe used the theatre in the summer months to show French theat ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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1788 Operas
Events January–March * January 1 – The first edition of ''The Times'', previously ''The Daily Universal Register'', is published in London. * January 2 – Georgia ratifies the United States Constitution, and becomes the fourth U.S. state under the new government. * January 9 – Connecticut ratifies the United States Constitution, and becomes the fifth U.S. state. * January 18 – The leading ship (armed tender HMS ''Supply'') in Captain Arthur Phillip's First Fleet arrives at Botany Bay, to colonise Australia. * January 22 – the Congress of the Confederation, effectively a caretaker government until the United States Constitution can be ratified by at least nine of the 13 states, elects Cyrus Griffin as its last president.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p167 * January 24 – The La Perouse expedition in the ''Astrolabe'' and '' Boussole'' arrives ...
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