Gulgardi
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Gulgardi
''Gulgardi'' is a 1971 painting by Kaapa Mbitjana Tjampitjinpa, an Indigenous Australian artist from Papunya in Australia's Northern Territory. It is notable for being the first work by an Indigenous Australian artist to win a contemporary art award, and the first public recognition of a Papunya painting. Background and creation Kaapa was an Indigenous Australian, born in remote Central Australia around 1920. Kaapa worked on a cattle station at Haasts Bluff before moving to Papunya in the 1960s, having been present during the town's construction in the late 1950s. Once settled at Papunya, according to art historian Vivien Johnson, he was a drinker with a reputation as a troublemaker, cattle thief and grog runner. He was also charismatic and smart. For many years prior to the 1970s, Kaapa had been using traditional designs to create works of art for sale. These had included wooden carvings and watercolour paintings. In 1971 a local official, Jack Cooke, took six of Kaapa's paint ...
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Kaapa Tjampitjinpa
Kaapa Mbitjana Tjampitjinpa ( 1920 – 1989) was a contemporary Indigenous Australian artist of Anmatyerre, Warlpiri and Arrernte heritage. One of the earliest and most significant artists at Papunya in Australia's Northern Territory in the early 1970s, he was a founding member and inaugural chairman of the Papunya Tula artists company, and pivotal to the establishment of modern Indigenous Australian painting. Life Kaapa was born west of Napperby Station in the 1920s. His father was Kwalapa Tjangala, a senior Aboriginal man who had ritual responsibility for a site known as Warlugulong, which would subsequently be portrayed by several different artists in major paintings such as ''Warlugulong'' (1976) and ''Warlugulong'' (1977). Kaapa was initiated on Napperby Station, and was a stockman at nearby Mount Riddock Station. Kaapa later worked on a station at Haasts Bluff. While he moved to Papunya in the 1960s, he also was present during the town's construction in the late 1950s. ...
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Contemporary Indigenous Australian Art
Contemporary Indigenous Australian art (also known as contemporary Aboriginal Australian art) is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west. Contemporary Indigenous artists ha ...
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Acrylic Paint
Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Most acrylic paints are water-based, but become water-resistant when dry. Depending on how much the paint is diluted with water, or modified with acrylic gels, mediums, or pastes, the finished acrylic painting can resemble a watercolor, a gouache, or an oil painting, or have its own unique characteristics not attainable with other media. Water-based acrylic paints are used as latex house paints, as latex is the technical term for a suspension of polymer microparticles in water. Interior latex house paints tend to be a combination of binder (sometimes acrylic, vinyl, pva, and others), filler, pigment, and water. Exterior latex house paints may also be a co-polymer blend, but the best exterior water-based paints are 100% acrylic, because of its elasticity and other factors. Vinyl, however, costs half of what 100% a ...
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Alice Springs
Alice Springs ( aer, Mparntwe) is the third-largest town in the Northern Territory of Australia. Known as Stuart until 31 August 1933, the name Alice Springs was given by surveyor William Whitfield Mills after Alice, Lady Todd (''née'' Alice Gillam Bell), wife of the telegraph pioneer Sir Charles Todd. Known colloquially as 'The Alice' or simply 'Alice', the town is situated roughly in Australia's geographic centre. It is nearly equidistant from Adelaide and Darwin. The area is also known locally as Mparntwe to its original inhabitants, the Arrernte, who have lived in the Central Australian desert in and around what is now Alice Springs for tens of thousands of years. Alice Springs had an urban population of 26,534 Estimated resident population, 30 June 2018. in June 2018, having declined an average of 1.16% per year the preceding five years. The town's population accounts for approximately 10 per cent of the population of the Northern Territory. The town straddles th ...
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Araluen Cultural Precinct
The Araluen Cultural Precinct, formerly the Araluen Centre for Arts & Entertainment, in Alice Springs in the Northern Territory of Australia, is a cultural precinct which includes the Araluen Arts Centre, the Museum of Central Australia (incorporating the Strehlow Research Centre), Central Australian Aviation Museum, Kookaburra Memorial, Yeperenye Sculpture, Central Craft, a cafe, and Aboriginal sacred sites. Art centre The Araluen Arts Centre features four art galleries (including the Albert Namatjira Gallery) and a significant collection of art from across the region. Each year it holds Central Australia's largest First Nations art event, Desert Mob. Live performances of drama, dance and music as well as international and independent movies are shown in the theatre, which seats about five hundred people. The front window to the arts portion of the centre is a massive, locally-made, stained glass work of art. Artists whose work has regularly been exhibited at the Araluen Cent ...
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Papunya, Northern Territory
Papunya (Pintupi-Luritja: ''Warumpi'') is a small Indigenous Australian community roughly northwest of Alice Springs (Mparntwe) in the Northern Territory, Australia. It is known as an important centre for Contemporary Indigenous Australian art, in particular the style created by the Papunya Tula artists in the 1970s, referred to colloquially as dot painting. Its population in 2016 was 404. History Pintupi and Luritja people were forced off their traditional country in the 1930s and moved into Hermannsburg (Ntaria) and Haasts Bluff, where there were government ration depots. There were often tragic confrontations between these people, with their nomadic hunter-gathering lifestyle, and the cattlemen who were moving into the country and over-using the limited water supplies of the region for their cattle. The Australian Government built a water bore and some basic housing at Papunya in the 1950s to provide room for the increasing populations of people in the already-established A ...
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Northern Territory
The Northern Territory (commonly abbreviated as NT; formally the Northern Territory of Australia) is an states and territories of Australia, Australian territory in the central and central northern regions of Australia. The Northern Territory shares its borders with Western Australia to the west (129th meridian east), South Australia to the south (26th parallel south), and Queensland to the east (138th meridian east). To the north, the territory looks out to the Timor Sea, the Arafura Sea and the Gulf of Carpentaria, including Western New Guinea and other islands of the Indonesian archipelago. The NT covers , making it the third-largest Australian federal division, and List of country subdivisions by area, the 11th-largest country subdivision in the world. It is sparsely populated, with a population of only 249,000 – fewer than half as many people as in Tasmania. The largest population center is the capital city of Darwin, Northern Territory, Darwin. The archaeological hist ...
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Australian Aboriginal Kinship
Aboriginal Australian kinship comprises the systems of Aboriginal customary law governing social interaction relating to kinship in traditional Aboriginal cultures. It is an integral part of the culture of every Aboriginal group across Australia, and particularly important with regard to marriages between Aboriginal people. The subsection system Subsection systems are a unique social structure that divide all of Australian Aboriginal society into a number of groups, each of which combines particular sets of kin. In Central Australian Aboriginal English vernacular, subsections are widely known as "skins". Each subsection is given a name that can be used to refer to individual members of that group. Skin is passed down by a person's parents to their children. The name of the groups can vary. There are systems with two such groupings (these are known as ' moieties' in kinship studies), systems with four (sections), six and eight (subsection systems). Some language groups exte ...
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Kinship System
In anthropology, kinship is the web of social relationships that form an important part of the lives of all humans in all societies, although its exact meanings even within this discipline are often debated. Anthropologist Robin Fox says that the study of kinship is the study of what humans do with these basic facts of lifemating, gestation, parenthood, socialization, siblingship etc. Human society is unique, he argues, in that we are "working with the same raw material as exists in the animal world, but ecan conceptualize and categorize it to serve social ends." These social ends include the socialization of children and the formation of basic economic, political and religious groups. Kinship can refer both to the patterns of social relationships themselves, or it can refer to the study of the patterns of social relationships in one or more human cultures (i.e. kinship studies). Over its history, anthropology has developed a number of related concepts and terms in the study ...
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Encyclopaedia Of Aboriginal Australia
''The Encyclopaedia of Aboriginal Australia: Aboriginal and Torres Strait Islander history, society and culture'', edited by David Horton, is an encyclopaedia published by the Aboriginal Studies Press at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) in 1994 and available in two volumes or on CD-ROM covering all aspects of Indigenous Australians lives and world (such as biography, history, art, language, sport, education, archaeology, literature, land ownership, social organisation, health, music, law, technology, media, economy, politics, food and religion). There are 2000 entries and 1000 photographs, with the CD-ROM having 250 sound items and 40 videos. A map showing all of the Aboriginal groups, "based on language, history, self-identification, culture, ndtechnology" as in the ''Encyclopaedia'', was created by Horton in 1996 (and later updated). Description ''The Encyclopaedia of Aboriginal Australia: Aboriginal and Torres Strait Isla ...
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Haasts Bluff, Northern Territory
Haasts Bluff, also known as Ikuntji, is an Aboriginal Australian community in Central Australia, a region of the Northern Territory. The community is located in the MacDonnell Shire local government area, west of Alice Springs. At the 2006 census, the community, including outstations, had a population of 207. History The Haasts Bluff community takes its name from the nearby outcrop, given this name in 1872 by the explorer Ernest Giles, after the German-born New Zealand geologist, Julius von Haast. The locality was established as a Lutheran mission in 1946, and is home to Western Arrernte, Pintupi and Pitjantjatjara people. The term "Finke River Mission" was initially an alternative name for the Hermannsburg Mission, but this name was later often used to include the settlements at Haasts Bluff, Areyonga and, later, Papunya. It now refers to all Lutheran missionary activity in Central Australia since the first mission was established at Hermannsburg in 1877. Art A number of n ...
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Vivien Johnson
Vivien Joan Johnson (born 1949) is an Australian sociologist, writer on Indigenous Australian art, and former editor-in-chief of the Dictionary of Australian Artists Online. Johnson is notable for the publication of several key reference works in the field of contemporary Indigenous Australian art, including ''Western Desert Artists: A Biographical Dictionary'' (1995), ''Lives of the Papunya Tula Artists'' (2008) and ''Once Upon a Time in Papunya'' (2010). In 2005 she was made Professor of New Media Narrative and Theory at the University of New South Wales. she is Adjunct Art and Design Professor. She was a longtime friend of artist Kumantje Jagamara Kumantje Jagamara (1946 – November 2020), also known as Kumantje Nelson Jagamara, Michael Minjina Nelson Tjakamarra, Michael Nelson Tjakamarra and variations (Kumantye, Jagamarra, Jakamara), was an Aboriginal Australian painter. He was one of ..., and spoke at his funeral in March 2021. References 1949 births Living ...
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