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Guilmant
Félix-Alexandre Guilmant (; 12 March 1837 – 29 March 1911) was a French organist and composer. He was the organist of La Trinité from 1871 until 1901. A noted pedagogue, performer, and improviser, Guilmant helped found the Schola Cantorum de Paris. He was appointed as Professor of Organ at the Paris Conservatoire in 1896. Biography Guilmant was born in Meudon. A student first of his father Jean-Baptiste and later of the Belgian master Jacques-Nicolas Lemmens, he became an organist and teacher in his place of birth. In 1871 he was appointed to play the organ regularly at la Trinité church in Paris, and this position, ''organiste titulaire'', was one he held for 30 years.Ochse, Orpha Caroline (1994), ''Organists and Organ Playing in Nineteenth-Century France and Belgium'', Indiana University Press, pp. 195–96, Guilmant was known for his improvisations, both in the concert and church setting. His inspiration came from gregorian chants, and he was greatly noted amon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Henry Galloway
Charles Henry Galloway (December 21, 1871 – March 9, 1931) was a St. Louis, Missouri church and concert organist, choral conductor, educator, and composer. At tall, Galloway was a large man with a commanding presence. His hands were so large, in fact, that his reach on the piano was supposedly twelve keys, or just over eleven inches. A child prodigy, Galloway was employed as a church organist by the age of nine. Over the course of his life, he was employed at various churches in St. Louis, including St. Peter's Episcopal Church, where he served as organist and choirmaster for more than thirty-five years. From 1895 to 1898, Galloway studied with the great French organist Alexandre Guilmant, with whom he became lifelong friends. Most notably, Galloway was the official organist for the 1904 Louisiana Purchase Exposition in St. Louis, where he debuted the great organ in Festival Hall (now preserved as the nucleus of the Wanamaker Organ at Macy's Center City in Philadelphia) which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Poillot
Émile André Poillot () (10 March 1886 – 22 June 1948) was a French pianist, organist, and pedagogue. Life Émile Poillot was born in Dijon, Côte-d'Or, France, on . He received his first musical training from his father, Jules Poillot, who has been playing the choir organ of the Saint-Michel church in Dijon during 54 years. In 1895, Émile Poillot joined the choir of the Dijon Cathedral, directed by the Reverend Father René Moissenet, whose brother and assistant, the Reverend Father Joseph Moissenet, gave him piano lessons and introduced him to play the organ. In 1900, he went to the Dijon Conservatory in Adolph Dietrich's piano and harmony classes. He won a first prize in piano performance in 1901 and in harmony in 1902. In October 1903, he entered the Conservatoire de Paris, where he studied piano in Isidor Philipp’s class and received a first prize in piano performance under Philipp's successor, Édouard Risler, in 1907. Then he studied organ with Alexandre Guilmant and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Bonnet
Joseph Élie Georges-Marie Bonnet (17 March 1884 – 2 August 1944) was a French composer and organist. Biography One of the major French pipe organists, Joseph Bonnet was born in Bordeaux. He first studied with his father, an organist at St. Eulalie. At the age of 14, he became official organist, first at St. Nicholas and almost immediately at St. Michael. Bonnet also attended classes with Alexandre Guilmant at the Conservatoire de Paris. A few years later he finished with a first prize and, in 1906 was selected to become the organist at St. Eustache, Paris. In 1911 he had the privilege of succeeding Guilmant as concert organist at the conservatoire. He was actively teaching at this time and one of his notable students from his earlier years was Canadian organist Henri Gagnon. On 28 January 1917 he moved to the United States, where he gave more than 100 concerts around the country until 1919. He was elected an honorary member of Phi Mu Alpha Sinfonia music fraternity in Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Dupont
Gabriel Édouard Xavier Dupont (1 March 1878 – 1 August 1914) was a French composer, known for his operas and chamber music. Biography Dupont was born in Caen. Following after his father who was a teacher at the Malherbe secondary school and the organist at the Church Saint-Étienne in his home town, Dupont began his studies at the Paris Conservatory at the age of 15. There he studied composition with Jules Massenet, harmony with Antoine Taudou, and descant with André Gedalge. In 1895, he was also given instruction on the organ by Alexandre Guilmant. Between 1897 and 1903, he studied composition with Charles-Marie Widor. In 1901, while performing his military service, Dupont competed for the Prix de Rome. He won second prize, behind André Caplet but ahead of Maurice Ravel. He was also named laureate of the Sonzogno competition for his opera ''La Cabrera'', which was later presented with success at La Scala and then at the Théâtre national de l'Opéra-Comique in 1905. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abel Decaux
Abel-Marie Alexis Decaux (11 February 1869 – 19 March 1943) was a French organist, composer, and pedagogue, best known for his piano suite ''Clairs de lune'', some of the earliest pieces of dodecaphonic, yet impressionist music. A student of Théodore Dubois, Jules Massenet, and Charles-Marie Widor, among others, he was the titular organist of the grand organ of the Sacré-Cœur basilica. Decaux was more renowned as a player and professor during his lifetime than a composer. He is popularly known as the "French Schoenberg". Biography Abel-Marie Alexis Decaux was born at 03:00 in Auffay (Seine-Maritime; then named Seine-Inférieure). He was the second son of Louis-Émile Decaux, a mayoral secretary, teacher, and school principal; and Aimé Désiré Picard. His parents married on 17 September 1855 in Mesnières-en-Bray. From his earliest years, he began to display artistic tendencies. His elder brother, Alexis then tutored him in the basics of music. Alexis, an amateur com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Dupré
Marcel Jean-Jules Dupré () (3 May 1886 – 30 May 1971) was a French organist, composer, and pedagogue. Biography Born in Rouen into a wealthy musical family, Marcel Dupré was a child prodigy. His father Aimable Albert Dupré was titular organist of Saint-Ouen Abbey from 1911 til his death and a friend of Aristide Cavaillé-Coll, who built an organ in the family house when Marcel was 10 years old. His mother Marie-Alice Dupré-Chauvière was a cellist who also gave music lessons, and his paternal uncle Henri Auguste Dupré was a violinist and violist. Both of his grandfathers, Étienne-Pierre Chauvière (maître de chapelle at Saint-Patrice in Rouen and an operatic bass) and Aimable Auguste-Pompée Dupré (who was also a friend of Cavaillé-Coll) were also organists. Having already taken lessons from Alexandre Guilmant (due to him appealing to his father), he entered the Paris Conservatoire in 1904, where he studied with Louis Diémer and Lazare Lévy (piano), Guilmant an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schola Cantorum
The Schola Cantorum de Paris is a private conservatory in Paris. It was founded in 1894 by Charles Bordes, Alexandre Guilmant and Vincent d'Indy as a counterbalance to the Paris Conservatoire's emphasis on opera. History La Schola was founded in 1894 and opened on 15 October 1896 as a rival to the Paris Conservatoire. Alexandre Guilmant, an organist at the Conservatoire, was the director of the Schola before d'Indy took over. D'Indy set the curriculum, which fostered the study of late Baroque and early Classical works, Gregorian chant, and Renaissance polyphony. According to the ''Oxford Companion to Music'', "A solid grounding in technique was encouraged, rather than originality, and the only graduates who could stand comparison with the best Conservatoire students were Magnard, Roussel, Déodat de Séverac, and Pierre de Bréville." The school was originally located in Montparnasse; in 1900 it moved to its present site, a former convent in the ''Quartier Latin''. Notable tea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schola Cantorum De Paris
The Schola Cantorum de Paris is a private conservatory in Paris. It was founded in 1894 by Charles Bordes, Alexandre Guilmant and Vincent d'Indy as a counterbalance to the Paris Conservatoire's emphasis on opera. History La Schola was founded in 1894 and opened on 15 October 1896 as a rival to the Paris Conservatoire. Alexandre Guilmant, an organist at the Conservatoire, was the director of the Schola before d'Indy took over. D'Indy set the curriculum, which fostered the study of late Baroque and early Classical works, Gregorian chant, and Renaissance polyphony. According to the ''Oxford Companion to Music'', "A solid grounding in technique was encouraged, rather than originality, and the only graduates who could stand comparison with the best Conservatoire students were Albéric Magnard, Magnard, Albert Roussel, Roussel, Déodat de Séverac, and Pierre de Bréville." The school was originally located in Montparnasse; in 1900 it moved to its present site, a former convent in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques-Nicolas Lemmens
Jacques-Nicolas (Jaak-Nicolaas) Lemmens (3 January 1823 – 30 January 1881), was an organist, music teacher, and composer for his instrument. Biography Born at Zoerle-Parwijs, near Westerlo, Belgium, Lemmens took lessons from François-Joseph Fétis, who wanted to make him into a musician capable of renewing the organ-player's art in Belgium. Fétis sent him to Adolf Friedrich Hesse in Germany to learn Johann Sebastian Bach's tradition. In 1847, Lemmens won the Paris Conservatoire's prestigious ''Prix de Rome'' with his ''Le roi Lear'' ("King Lear"). One year later he published his first work for organ: ''Dix improvisations dans le style sévère et chantant'' ("Ten improvisations in a strict and singing style"). In March 1849 he was appointed organ teacher at the Royal Brussels Conservatoire, aged only 26; and he trained numerous young musicians, including two eminent Frenchmen, Alexandre Guilmant and Charles-Marie Widor. During 1852 he gave organ recitals in Saint Vince ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Hale
Philip Hale (March 5, 1854 in Norwich, Vermont – November 30, 1934 in Boston, Massachusetts) was an American music critic. Hale attended Yale, where he served on the fourth editorial board of ''The Yale Record''. After graduating in 1876, he practiced law, also studying piano with John Kautz and playing the organ in a church. In 1882 Hale abandoned law altogether in favor of music, continuing his studies in Germany with Josef Rheinberger and in Paris with Alexandre Guilmant. After returning to the United States he served as an organist and conductor in various venues for several years. Hale became a critic in 1890, beginning his career by working for the ''Boston Post''. From 1891 until 1903 he was affiliated with the '' Boston Journal'', and from 1903 until his death with the '' Boston Herald''; during his tenure there he became among the most distinguished music critics of the day. However, he was among the severest critics of the music of Johannes Brahms. From ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Eugène Cellier
Alexandre Eugène Cellier (17 June 1883, in Molières-sur-Cèze – 4 March 1968, in Paris) was a French organist and composer. Cellier studied organ with Alexandre Guilmant until 1908. In 1908, he won the first prize for organ at the Conservatoire de Paris. Before that, he also studied with Henri Dallier and Charles-Marie Widor. He was the organist ''Titulaire'' of the Temple de l'Étoile in Paris from 1910 until his death in 1968. The organ he used was a 3-manual Cavaillé-Coll organ with 32 stops, which was extended by Mutin (Cavaillé-Coll) in 1914. In Louis Vierne's biography ''Mes Souvenirs'', he describes Alexandre Cellier as a "cultivated musician" with improvisation skills. He gave concerts abroad. He wrote a book about organ registration and is known as the French translator of the texts of the Bach Chorales. Selected compositions ;Orchestral * ''Paysages cévenols'' (1912) * ''Sur la colline d’Uzès'' (1928) * ''Le chant d’une flûte'' (1930) * ''Chacun son to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
