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Guillaume Le Vinier
Guillaume le Vinier (''c''. 1190–1245) was a cleric and trouvère, one of the most prolific composers in the genre.Theodore Karp, "Le Vinier, Guillaume", ''Grove Music Online'', ''Oxford Music Online'' (accessed 20 September 2008). He has left compositions in all the major subgenres of trouvère poetry: '' chansons d'amour'', '' jeux-partis'', a '' lai'', a ''descort'', a '' chanson de mal mariée'' and a ''ballade''. He wrote Marian songs and even an imaginary dialogue with a nightingale. His work can be dated with some precision: the poem "En tous tens" is quoted in the '' Roman de la violette'', which was written around 1225. Guillaume was born into a wealthy bourgeois family of Arras, the son of Philippe le Vinier and Alent. His younger brother, Gilles le Vinier, was also a trouvère. The two exchanged at least two ''jeux-partis'': "Frere, ki fait mieus" and "Sire frere, fetes m'un jugemen". (The former may have served as a model for the anonymous song "A ce que je vuel com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Le Vinier
Guillaume le Vinier (''c''. 1190–1245) was a cleric and trouvère, one of the most prolific composers in the genre.Theodore Karp, "Le Vinier, Guillaume", ''Grove Music Online'', ''Oxford Music Online'' (accessed 20 September 2008). He has left compositions in all the major subgenres of trouvère poetry: '' chansons d'amour'', '' jeux-partis'', a '' lai'', a ''descort'', a '' chanson de mal mariée'' and a ''ballade''. He wrote Marian songs and even an imaginary dialogue with a nightingale. His work can be dated with some precision: the poem "En tous tens" is quoted in the '' Roman de la violette'', which was written around 1225. Guillaume was born into a wealthy bourgeois family of Arras, the son of Philippe le Vinier and Alent. His younger brother, Gilles le Vinier, was also a trouvère. The two exchanged at least two ''jeux-partis'': "Frere, ki fait mieus" and "Sire frere, fetes m'un jugemen". (The former may have served as a model for the anonymous song "A ce que je vuel com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam De Givenchi
Adam de Givenchi (floruit, fl. 1230–1268) was a trouvère, probably from Givenchy and active in and around Arras. His surname is also spelled Givenci, Gevanche, or Gievenci. Adam appears in charters of May and July 1230 as a clerk (position), clerk of the Bishop of Arras. He was still serving in the household of the bishop in 1232. In 1243 he was named as a priest and chaplain to the bishop. In 1245 he was the ''Dean (religion), doyen'' of Lens, Pas-de-Calais, Lens. In Arras he associated with the poets Simon d’Authie, Pierre de Corbie, Guillaume Le Vinier, and Jehan Bretel. He wrote one ''jeu parti'' with each of the last two, and the composition with Guillaume (''Amis Guillaume, ainc si sage ne vi'') has several surviving melodies. Six other poems survive to his name, four with melodies. Two of these are ''chansons avec des refrains''. All the songs are in AAB form and the melodies are simple. Songs with music *''Amis Guillaume, ainc si sage ne vi'', jeu parti *''Assés p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas De Castel
Thomas may refer to: People * List of people with given name Thomas * Thomas (name) * Thomas (surname) * Saint Thomas (other) * Thomas Aquinas (1225–1274) Italian Dominican friar, philosopher, and Doctor of the Church * Thomas the Apostle * Thomas (bishop of the East Angles) (fl. 640s–650s), medieval Bishop of the East Angles * Thomas (Archdeacon of Barnstaple) (fl. 1203), Archdeacon of Barnstaple * Thomas, Count of Perche (1195–1217), Count of Perche * Thomas (bishop of Finland) (1248), first known Bishop of Finland * Thomas, Earl of Mar (1330–1377), 14th-century Earl, Aberdeen, Scotland Geography Places in the United States * Thomas, Illinois * Thomas, Indiana * Thomas, Oklahoma * Thomas, Oregon * Thomas, South Dakota * Thomas, Virginia * Thomas, Washington * Thomas, West Virginia * Thomas County (other) * Thomas Township (other) Elsewhere * Thomas Glacier (Greenland) Arts, entertainment, and media * ''Thomas'' (Burton novel) 1969 novel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansonnier Cangé
A chansonnier ( ca, cançoner, oc, cançonièr, Galician and pt, cancioneiro, it, canzoniere or ''canzoniéro'', es, cancionero) is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally " song-books"; however, some manuscripts are called chansonniers even though they preserve the text but not the music, for example, the Cancioneiro da Vaticana and Cancioneiro da Biblioteca Nacional, which contain the bulk of Galician-Portuguese lyrics. The most important chansonniers contain lyrics, poems and songs of the troubadours and trouvères used in the medieval music. Prior to 1420, many song-books contained both sacred and secular music, one exception being those containing the work of Guillaume de Machaut. Around 1420, sacred and secular music was segregated into separate sources, with large choirbooks containing sacred music, and smaller chansonniers for more private use by the privileged. Chansonniers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mensural Notation
Mensural notation is the musical notation system used for European vocal polyphonic music from the later part of the 13th century until about 1600. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions between note values. Its modern name is inspired by the terminology of medieval theorists, who used terms like ''musica mensurata'' ("measured music") or ''cantus mensurabilis'' ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to ''musica plana'' or ''musica choralis'', i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neume notation throughout the period. Besides these, some purely instrumental music could be written in various forms of instrument-specific tablature notation. Mensural notation grew out of an earlier, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang'' – 'aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raimon Jordan
Raimon Jordan (fl. c. 1178–1195)Boase, 823. was a Toulousain troubadour and the viscount of Saint-Antonin in the Rouergue near the boundary with Quercy. His poetry was in Old Occitan. There is a '' vida'' of Jordan which exists in several manuscripts, some with an accompanying ''razo''. Like typical ''vidas'', it tell us where he was from and whom he loved. He was from Pena d'Albeges (modern Penne). At some point he had a love affair with Elis (Lucia) de Montfort, wife of Guillem de Gordon (c. 1165) and then Bernart de Casnac (c. 1214). This affair was originally in a ''vida'' of Bertran de Born, but it was cut out and placed in Jordan's own ''vida-razo'' at a later date. Jordan was a contemporary of Bertran and partook with him in the Revolt of 1173–1174 as a partisan of Henry the Young King against Henry Curtmantle, Duke of Aquitaine and King of England.Poe, 316. He may have received a near fatal wound on the same campaign in which the Young King died in 1183.Poe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Occitan
Old Occitan ( oc, occitan ancian, label=Occitan language, Modern Occitan, ca, occità antic), also called Old Provençal, was the earliest form of the Occitano-Romance languages, as attested in writings dating from the eighth through the fourteenth centuries. Old Occitan generally includes Early and Old Occitan. Middle Occitan is sometimes included in Old Occitan, sometimes in Modern Occitan. As the term ' appeared around the year 1300, Old Occitan is referred to as "Romance" (Occitan: ') or "Provençal" (Occitan: ') in medieval texts. History Among the earliest records of Occitan are the ''Tomida femina'', the ''Boecis'' and the ''Cançó de Santa Fe''. Old Occitan, the language used by the troubadours, was the first Romance language with a literary corpus and had an enormous influence on the development of lyric poetry in other European languages. The interpunct was a feature of its orthography and survives today in Catalan and Gascon language, Gascon. The official language of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gace Brulé
Gace Brulé (''c.'' 1160 – ''after'' 1213) was a French nobleman and trouvère from Champagne. His name is simply a description of his blazonry. He owned land in Groslière and had dealings with the Knights Templar, and received a gift from the future Louis VIII. These facts are known from documents from the time. The rest of his history has been extracted from his poetry. It has generally been asserted that he taught Thibaut of Champagne the art of verse, an assumption which is based on a statement in the ''Chroniques de Saint-Denis'': "Si l'est entre lui hibautet Gace Brulé les plus belles chançons et les plus delitables et melodieuses qui onque fussent ales." This has been taken as evidence of collaboration between the two poets. The passage will bear the interpretation that with those of Gace the songs of Thibaut were the best hitherto known. Paulin Paris, in the ''Histoire littéraire de la France'' (vol. xxiii.), quotes a number of facts that fix an earlier date for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jehan Erart
Jehan Erart (or Erars) (''c''.1200/10–1258/9) was a trouvère from Arras, particularly noted for his favouring the ''pastourelle'' genre. He has left behind eleven ''pastourelles'', ten ''grand chants'', and one '' serventois''. Erart's presence at Arras can be deduced from his own writings.Theodore Karp"Erart, Jehan."''Grove Music Online''. ''Oxford Music Online'' (Accessed 13 August 2008), contains a short biographical sketch, plus a discussion of the transmission and style of his work, and a good bibliography. He was patronised by the wealthy middle and upper classes. In his ''serventois'', a ''complainte'' on the death his patron Gherart Aniel, he asked Pierre and Wagon Wion to help him obtain the patronage of the bankers Henri and Robert Crespin. His relationship with two Arras trouvères is apparent in his lyrics, Guillaume le Vinier and Jehan Bretel. He is also mentioned in a work of Guibert Kaukesel, a canon of Arras. The chief characteristic of Erart's poetry is hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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