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Guillaume Legrant
Guillaume Legrant (Guillaume Lemacherier, Le Grant) (fl. 1405–1449) was a French composer of the early Renaissance, active in Flanders, Italy, and France. He was one of the first composers in writing polyphony to distinguish between passages for solo and multiple voices on each part.Wright, Grove online Life and music Nothing is known about his early life, but his real name (Lemacherier) suggests a French origin. His first appearance in church records is in 1405, when he was a singer at Bourges. In 1407 he became a chaplain there, and he remained in Bourges until 1410. The next eight years contain no record of his activities, but he was in Rome by October 1418, at which time he entered the papal chapel as a singer, at that time under Pope Martin V; he stayed there until 1421. While no musical activity of his has been documented in France, he had been given benefices there, in the diocese of Rouen. Since he kept at least one until 1449 he is presumed to have still been alive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Credo
In Christian liturgy, the credo (; Latin for "I believe") is the Nicene-Constantinopolitan Creed – or its shorter version, the Apostles' Creed – in the Mass, either as a prayer, a spoken text, or sung as Gregorian chant or other musical settings of the Mass. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ...." instead of "we...." The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the octav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Deaths
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive Kingdom of France, French victory over the Kingdom of England, English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII of England, Henry VII at the Battle of Bosworth Field, establishing the House of Tudor, Tudor dynasty in the later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
14th-century Births
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever esta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was the most influential European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—the leading European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other leading composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well known ''Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and less than 10 motets—though the exact numbers vary due to attribution uncertainties. His be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Busnois
Antoine Busnois (also Busnoys; – before 6 November 1492) was a French composer, singer and poet of early Renaissance music. Busnois and colleague Johannes Ockeghem were the leading European composers of the second half the 15th century, and central figures of the early Franco-Flemish School. While also noted as a composer of motets and other sacred music, he was one of the most renowned 15th-century composers of secular polyphonic chansons. Between Guillaume Du Fay and Claudin de Sermisy, Binchois was the most prolific and important French composer of songs. Life and career The details of his Busnois's early life are largely conjectural, and nothing is certain. He was probably from the vicinity of Béthune in the Pas-de-Calais, possibly the hamlet of Busnes, to which his name seems to refer. He may have been related to the aristocratic family of Busnes; in particular, a Philippe de Busnes, canon of Notre-Dame in Lens, could have been a relative. He clearly received an e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondeau (music)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three ''formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formes Fixes
The ''formes fixes'' (; singular: ''forme fixe'', "fixed form") are the three 14th- and 15th-century French poetic forms: the ''ballade'', '' rondeau'', and ''virelai''. Each was also a musical form, generally a ''chanson'', and all consisted of a complex pattern of repetition of verses and a refrain with musical content in two main sections. All three forms can be found in 13th-century sources, but a 15th-century source gives Philippe de Vitry as their first composer while the first comprehensive repertory of these forms was written by Guillaume de Machaut.Fallows The ''formes fixes'' stopped being used in music around the end of the 15th century, although their influence continued (in poetry they, especially the rondeau, continued to be used). Sometimes forms from other countries and periods are referred to as ''formes fixes''. These include the Italian 14th-century madrigal and later ballata and barzelletta, the German bar form, Spanish 13th-century cantiga, and the later ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virelai
A ''virelai'' is a form of medieval French verse used often in poetry and music. It is one of the three ''formes fixes'' (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries. One of the most famous composers of virelai is Guillaume de Machaut (c. 1300–1377), who also wrote his own verse; 33 separate compositions in the form survive by him. Other composers of virelai include Jehannot de l'Escurel, one of the earliest (d. 1304), and Guillaume Dufay (c. 1400–1474), one of the latest. By the mid-15th century, the form had become largely divorced from music, and numerous examples of this form (including the ballade and the rondeau) were written, which were either not intended to be set to music, or for which the music has not survived. A virelai with only a single stanza is also known as a bergerette. Musical virelai The virelai as a song form of the 14t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (liturgy)
Mass is the main Eucharistic liturgical service in many forms of Western Christianity. The term ''Mass'' is commonly used in the Catholic Church, in the Western Rite Orthodox, in Old Catholic, and in Independent Catholic churches. The term is used in some Lutheran churches, as well as in some Anglican churches. The term is also used, on rare occasion, by other Protestant churches. Other Christian denominations may employ terms such as '' Divine Service'' or ''worship service'' (and often just "service"), rather than the word ''Mass''. For the celebration of the Eucharist in Eastern Christianity, including Eastern Catholic Churches, other terms such as ''Divine Liturgy'', '' Holy Qurbana'', ''Holy Qurobo'' and ''Badarak'' (or ''Patarag'') are typically used instead. Etymology The English noun ''mass'' is derived from the Middle Latin . The Latin word was adopted in Old English as (via a Vulgar Latin form ), and was sometimes glossed as ''sendnes'' (i.e. 'a sending, dismiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
