Guerrilla Theater
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Guerrilla Theater
Guerrilla theatre, generally rendered "guerrilla theater" in the US, is a form of guerrilla communication originated in 1965 by the San Francisco Mime Troupe, who, in spirit of the Che Guevara writings from which the term '' guerrilla'' is taken, engaged in performances in public places committed to "revolutionary sociopolitical change." The group performances, aimed against the Vietnam war and capitalism, sometimes contained nudity, profanity and taboo subjects that were shocking to some members of the audiences of the time. Guerrilla (Spanish for "little war"), as applied to theatrical events, describes the act of spontaneous, surprise performances in unlikely public spaces to an unsuspecting audience. Typically these performances intend to draw attention to a political/social issue through satire, protest, and carnivalesque techniques. Many of these performances were a direct result of the radical social movements of the late 1960s through mid-1970s. Guerrilla Theater, also ref ...
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San Francisco Mime Troupe
The San Francisco Mime Troupe is a theatre of political satire which performs free shows in various parks in the San Francisco Bay Area and around California. The Troupe does not, however, perform silent mime, but each year creates an original musical comedy that combines aspects of Commedia dell'Arte, melodrama, and broad farce with topical political themes. The group was awarded the Regional Theatre Award at the 41st Tony Awards. History Origins The group was founded in 1959 by R. G. Davis as a medium of expression of his divergent theatrical concepts. The group debuted with ''Mime and Word'' (1959) and ''The 11th Hour Mime Show'' (1960). However, by 1961, the group transitioned to the Commedia dell'Arte format to more thoroughly comment on perceived political repression in the United States of America, the growing American Civil Rights Movement and military and covert intervention abroad. In the mid-1960s the group started to rely less on the direct Commedia dell'Arte for ...
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Guerrilla Communication
Guerrilla communication and communication guerrilla refer to an attempt to provoke subversive effects through interventions in the process of communication. It can be distinguished from other classes of political action because it is not based on the critique of the dominant discourses but in the interpretation of the signs in a different way. Its main goal is to make a critical non-questioning of the existing, for reasons ranging from political activism to marketing. In terms of marketing, journalist Warren Berger explains unconventional guerrilla-style advertising as "something that lurks all around, hits us where we live, and invariably takes us by surprise". These premises apply to the entire spectrum of guerrilla communication because each tactic intends to disrupt cognitive schemas and thought processing. The term was created in 1997 by Luther Blissett and Sonja Brünzels, with the publication of ''Kommunication Guerrilla Handbook'' (originally in German, translated in 2001 ...
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The Living Theatre
The Living Theatre is an American theatre company founded in 1947 and based in New York City. It is the oldest experimental theatre group in the United States. For most of its history it was led by its founders, actress Judith Malina and painter/poet Julian Beck. After Beck's death in 1985, company member Hanon Reznikov became co-director with Malina; the two were married in 1988. After Malina's death in 2015, her responsibilities were taken over by her son Garrick Maxwell Beck. The Living Theatre and its founders were the subject of the 1983 documentary ''Signals Through the Flames''. History In the 1950s, the group was among the first in the U.S. to produce the work of influential European playwrights such as Bertolt Brecht (''In The Jungle of Cities'' in New York, 1960) and Jean Cocteau, as well as modernist poets such as T. S. Eliot and Gertrude Stein. One of their first major productions was Pablo Picasso's ''Desire Caught By the Tail''; other early productions were ''Many ...
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Radical Theater
Radical may refer to: Politics and ideology Politics *Radical politics, the political intent of fundamental societal change * Radicalism (historical), the Radical Movement that began in late 18th century Britain and spread to continental Europe and Latin America in the 19th century * Radical Party (other), several political parties * Radicals (UK), a British and Irish grouping in the early to mid-19th century *Radicalization Ideologies *Radical chic, a term coined by Tom Wolfe to describe the pretentious adoption of radical causes * Radical feminism, a perspective within feminism that focuses on patriarchy *Radical Islam, or Islamic extremism * Radical veganism, a radical interpretation of veganism, usually combined with anarchism * Radical Reformation, an Anabaptist movement concurrent with the Protestant Reformation Science and mathematics Science *Radical (chemistry), an atom, molecule, or ion with unpaired valence electron(s) *Radical surgery, where diseased tissue or ...
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Street Art
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art. Street art has evolved from the early forms of defiant graffiti into a more commercial form of art, as one of the main differences now lies with the messaging. Street art is often meant to provoke thought rather than rejection among the general audience through making its purpose more evident than that of graffiti. The issue of permission has also come at the heart of street art, as graffiti is usually done illegally, whereas street art can nowadays be the product of an agreement or even sometimes a commission. However, it remains different from traditional art exposed in public spaces by its explicit use of said space in the conception phase. Background Street art is a form of artwork that is displayed in public on surrounding buildings, on streets, trains and other publicly viewed surfaces. Many ...
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Happening
A happening is a performance, event, or situation art, usually as performance art. The term was first used by Allan Kaprow during the 1950s to describe a range of art-related events. History Origins Allan Kaprow first coined the term "happening" in the spring of 1959 at an art picnic at George Segal's farm to describe the art pieces that were going on. The first appearance in print was in Kaprow's famous "Legacy of Jackson Pollock" essay that was published in 1958 but primarily written in 1956. "Happening" also appeared in print in one issue of the Rutgers University undergraduate literary magazine, ''Anthologist''. The form was imitated and the term was adopted by artists across the U.S., Germany, and Japan. Jack Kerouac referred to Kaprow as "The Happenings man", and an ad showing a woman floating in outer space declared, "I dreamt I was in a happening in my Maidenform brassiere". Happenings are difficult to describe, in part because each one is unique. One definition com ...
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Performance Art
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as ''artistic action'', it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art. It involves four basic elements: time, space, body, and presence of the artist, and the relation between the creator and the public. The actions, generally developed in art galleries and museums, can take place in the street, any kind of setting or space and during any time period. Its goal is to generate a reaction, sometimes with the support of improvisation and a sense of aesthetics. The themes are commonly linked to life experiences of the artist themselves, or the need of denunci ...
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Political Protest
A protest (also called a demonstration, remonstration or remonstrance) is a public expression of objection, disapproval or dissent towards an idea or action, typically a political one. Protests can be thought of as acts of cooperation in which numerous people cooperate by attending, and share the potential costs and risks of doing so. Protests can take many different forms, from individual statements to mass demonstrations. Protesters may organize a protest as a way of publicly making their opinions heard in an attempt to influence public opinion or government policy, or they may undertake direct action in an attempt to enact desired changes themselves. Where protests are part of a systematic and peaceful nonviolent campaign to achieve a particular objective, and involve the use of pressure as well as persuasion, they go beyond mere protest and may be better described as a type of protest called civil resistance or nonviolent resistance. Various forms of self-expr ...
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Procession
A procession is an organized body of people walking in a formal or ceremonial manner. History Processions have in all peoples and at all times been a natural form of public celebration, as forming an orderly and impressive ceremony. Religious and triumphal processions are abundantly illustrated by ancient monuments, e.g. the religious processions of Egypt, those illustrated by the rock-carvings of Boghaz-Keui, the many representations of processions in Greek art, culminating in the great Panathenaic procession of the Parthenon Frieze, and Roman triumphal reliefs, such as those of the arch of Titus. Greco-Roman practice Processions played a prominent part in the great festivals of Greece, where they were always religious in character. The games were either opened or accompanied by more or less elaborate processions and sacrifices, while processions from the earliest times formed part of the worship of the old nature gods, as those connected with the cult of Dionysus and the Ph ...
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Parades
A parade is a procession of people, usually organized along a street, often in costume, and often accompanied by marching bands, floats, or sometimes large balloons. Parades are held for a wide range of reasons, but are usually celebrations of some kind. In British English, the term "parade" is usually reserved for either military parades or other occasions where participants march in formation; for celebratory occasions, the word procession is more usual. The term "parade" may also be used for multiple different subjects; for example, in the Canadian Armed Forces } The Canadian Armed Forces (CAF; french: Forces armées canadiennes, ''FAC'') are the unified military forces of Canada, including sea, land, and air elements referred to as the Royal Canadian Navy, Canadian Army, and Royal Canadian Air Force. ..., "parade" is used both to describe the procession and in other informal connotations. Protest Demonstration (people), demonstrations can also take the form of a parad ...
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Carnival
Carnival is a Catholic Christian festive season that occurs before the liturgical season of Lent. The main events typically occur during February or early March, during the period historically known as Shrovetide (or Pre-Lent). Carnival typically involves public celebrations, including events such as parades, public street parties and other entertainments, combining some elements of a circus. Elaborate costumes and masks allow people to set aside their everyday individuality and experience a heightened sense of social unity.Bakhtin, Mikhail. 1984. ''Rabelais and his world''. Translated by H. Iswolsky. Bloomington: Indiana University Press. Original edition, ''Tvorchestvo Fransua Rable i narodnaia kul'tura srednevekov'ia i Renessansa'', 1965. Participants often indulge in excessive consumption of alcohol, meat, and other foods that will be forgone during upcoming Lent. Traditionally, butter, milk, and other animal products were not consumed "excessively", rather, their stoc ...
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Agitprop
Agitprop (; from rus, агитпроп, r=agitpróp, portmanteau of ''agitatsiya'', "agitation" and ''propaganda'', "propaganda") refers to an intentional, vigorous promulgation of ideas. The term originated in Soviet Russia where it referred to popular media, such as literature, plays, pamphlets, films, and other art forms, with an explicitly political message in favor of communism. The term originated in Soviet Russia as a shortened name for the Department for Agitation and Propaganda (, '), which was part of the central and regional committees of the Communist Party of the Soviet Union. Within the party apparatus, both agitation (work among people who were not Communists) and propaganda (political work among party members) were the responsibility of the ''agitpropotdel'', or APPO. Its head was a member of the MK secretariat, although they ranked second to the head of the ''orgraspredotdel''. Typically Russian agitprop explained the ideology and policies of the Communist Party ...
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