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Guan Ware
Guan ware or Kuan ware () is one of the Five Famous Kilns of Song dynasty China, making high-status stonewares, whose surface decoration relied heavily on crackled glaze, randomly crazed by a network of crack lines in the glaze. ''Guan'' means "official" in Chinese and Guan ware was, most unusually for Chinese ceramics of the period, the result of an imperial initiative resulting from the loss of access to northern kilns such as those making Ru ware and Jun ware after the invasion of the north and the flight of a Song prince to establish the Southern Song at a new capital at Hangzhou, Zhejiang province. It is usually assumed that potters from the northern imperial kilns followed the court south to man the new kilns. In some Asian sources "Guan ware" may be used in the literally translated sense to cover any "official" wares ordered by the Imperial court. In April 2015, Liu Yiqian paid US$14.7 million for a Guan ware vase from the Southern Song. Dating and kiln sites The ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percival David Collection DSCF3075
Percival (, also spelled Perceval, Parzival), alternatively called Peredur (), was one of King Arthur's legendary Knights of the Round Table. First mentioned by the French author Chrétien de Troyes in the tale ''Perceval, the Story of the Grail'', he is best known for being the original hero in the quest for the Grail, before being replaced in later English and French literature by Galahad. Etymology and origin The earliest reference to Perceval is in Chrétien de Troyes's first Arthurian romance ''Erec et Enide'', where, as "Percevaus li Galois" (Percevaus of Wales), he appears in a list of Arthur's knights; in another of Chrétien's romances, '' Cligés'', he is a "renowned vassal" who is defeated by the knight Cligés in a tournament. He then becomes the protagonist in Chrétien's final romance, ''Perceval, the Story of the Grail''. In the Welsh romance ''Peredur son of Efrawg'', the figure goes by the name Peredur. The name "Peredur" may derive from Welsh ''par'' (spea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantou Kiln
The mantou kiln () or horseshoe-shaped kiln was the most common type of pottery kiln in north China, in historical periods when the dragon kiln dominated south China; both seem to have emerged in the Warring States period of approximately 475 to 221 BC.Wood It is named (in both English and Chinese) after the Chinese mantou bun or roll, whose shape it (very approximately) resembles; the ground plan resembles a horseshoe.Rawson, 365, diagram, 370; Wood The kilns are roughly round, with a low dome covering the central firing area, and are generally only 2 to 3 metres across inside. However it is capable of reaching very high temperatures, up to about 1370°C. There is a door or bricked-up opening at the front for loading and unloading, and one or two short chimneys at the rear. They are one type of "cross-draught" kilns, where the flames travel more or less horizontally, rather than up from or down to the floor. The kilns were normally made of brick; sometimes most of the structure was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Needham
Noel Joseph Terence Montgomery Needham (; 9 December 1900 – 24 March 1995) was a British biochemist, historian of science and sinologist known for his scientific research and writing on the history of Chinese science and technology, initiating publication of the multivolume ''Science and Civilisation in China''. He was elected a fellow of the Royal Society in 1941 and a fellow of the British Academy in 1971. In 1992, Queen Elizabeth II conferred on him the Companionship of Honour, and the Royal Society noted he was the only living person to hold these three titles. Early life Needham's father, Joseph was a doctor, and his mother, Alicia Adelaïde, née Montgomery (1863–1945), was a music composer from Oldcastle, County Meath, Ireland. His father, born in East London, then a poor section of town, rose to became a Harley Street physician, but frequently battled with Needham's mother. The young Needham often mediated. In his early teens, he was taken to hear the Sun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rose Kerr (art Historian)
Rose Kerr (born February 1953) is an English art historian specializing in Chinese art, especially Chinese ceramics, on which she has written a number of books. After studying Mandarin and Chinese art at the School of Oriental and African Studies (1971–75), she worked at the Percival David Foundation (1976–78). She joined the Far Eastern Department of the Victoria and Albert Museum in 1978. She became the Keeper of the Far Eastern Department in 1987, a post she held until her retirement in 2003. In 2015, she was made an honorary citizen of Jingdezhen, China, the historic centre of Chinese porcelain production, in recognition of her academic research on Jingdezhen ceramics, and her promotion of cultural exchange between the United Kingdom and China. She was the first non-Chinese citizen to be so honoured. Early life Rose Kerr was born in February 1953. She graduated in Chinese studies from the School of Oriental and African Studies in London, and was one of a handful of Britis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuan Dynasty
The Yuan dynasty (), officially the Great Yuan (; xng, , , literally "Great Yuan State"), was a Mongol-led imperial dynasty of China and a successor state to the Mongol Empire after its division. It was established by Kublai, the fifth khagan-emperor of the Mongol Empire from the Borjigin clan, and lasted from 1271 to 1368. In orthodox Chinese historiography, the Yuan dynasty followed the Song dynasty and preceded the Ming dynasty. Although Genghis Khan had been enthroned with the Han-style title of Emperor in 1206 and the Mongol Empire had ruled territories including modern-day northern China for decades, it was not until 1271 that Kublai Khan officially proclaimed the dynasty in the traditional Han style, and the conquest was not complete until 1279 when the Southern Song dynasty was defeated in the Battle of Yamen. His realm was, by this point, isolated from the other Mongol-led khanates and controlled most of modern-day China and its surrounding areas, including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jingdezhen Porcelain
Jingdezhen porcelain () is Chinese ceramics, Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China. Jingdezhen may have produced pottery as early as the sixth century CE, though it is named after the reign name of Emperor Zhenzong, in whose reign it became a major kiln site, around 1004. By the 14th century it had become the largest centre of production of Chinese porcelain, which it has remained, increasing its dominance in subsequent centuries. From the Ming dynasty, Ming period onwards, official kilns in Jingdezhen were controlled by the emperor, making imperial porcelain in large quantity for the court and the emperor to give as gifts. Although apparently an unpromising location for potteries, being a remote town in a hilly region, Jingdezhen is close to the best quality deposits of petuntse, or porcelain stone, in China, as well as being surrounded by forests, mostly of pine, providing wood for the kilns. It also has a river leading to rive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cong (jade)
A ''cong'' () is a form of ancient Chinese jade artifact. It was later also used in ceramics. History The earliest ''cong'' were produced by the Liangzhu culture ( 3400- 2250 BC); later examples date mainly from the Shang and Zhou dynasties. Interest in the jade shape developed during the 12th-13th century Song dynasty. The shape continued to be used in ceramic and metalwork for centuries.BBC TV documentary: ''China in Six Easy Pieces'' (2013) presented by Lars Tharp http://www.bbc.co.uk/programmes/b036r5cx Description A ''cong'' is a straight tube with a circular bore and square outer section with more or less convex sides. The outer surface is divided vertically or horizontally such that the whole defines a hollow cylinder embedded in a partial rectangular block. Proportions vary: a ''cong'' may be squat or taller than it is wide. The outer faces are sometimes decorated with mask-like faces, which may be related to the ''taotie'' designs found on later bronze vessels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Ritual Bronze
Sets and individual examples of ritual bronzes survive from when they were made mainly during the Chinese Bronze Age. Ritual bronzes create quite an impression both due to their sophistication of design and manufacturing process, but also because of their remarkable durability. From around 1650 BCE, these elaborately decorated vessels were deposited as grave goods in the tombs of royalty and the nobility, and were evidently produced in very large numbers, with documented excavations finding over 200 pieces in a single royal tomb. They were produced for an individual or social group to use in making ritual offerings of food and drink to his or their ancestors and other deities or spirits. Such ceremonies generally took place in family temples or ceremonial halls over tombs. These ceremonies can be seen as ritual banquets in which both living and dead members of a family were supposed to participate. Details of these ritual ceremonies are preserved through early literary records ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wheel Thrown
In pottery, a potter's wheel is a machine used in the shaping (known as throwing) of clay into round ceramic ware. The wheel may also be used during the process of trimming excess clay from leather-hard dried ware that is stiff but malleable, and for applying incised decoration or rings of colour. Use of the potter's wheel became widespread throughout the Old World but was unknown in the Pre-Columbian New World, where pottery was handmade by methods that included coiling and beating. A potter's wheel may occasionally be referred to as a "potter's lathe". However, that term is better used for another kind of machine that is used for a different shaping process, turning, similar to that used for shaping of metal and wooden articles. The pottery wheel is an important component to create arts and craft products. The techniques of jiggering and jolleying can be seen as extensions of the potter's wheel: in jiggering, a shaped tool is slowly brought down onto the plastic clay body th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sherd
In archaeology, a sherd, or more precisely, potsherd, is commonly a historic or prehistoric fragment of pottery, although the term is occasionally used to refer to fragments of stone and glass vessels, as well. Occasionally, a piece of broken pottery may be referred to as a shard. While the spelling shard is generally reserved for referring to fragments of glass vessels, the term does not exclude pottery fragments. The etymology is connected with the idea of breakage, from Old English ''sceard'', related to Old Norse ''skarð'', "notch", and Middle High German ''schart'', "notch". A sherd or potsherd that has been used by having writing painted or inscribed on it can be more precisely referred to as an ostracon An ostracon (Greek: ''ostrakon'', plural ''ostraka'') is a piece of pottery, usually broken off from a vase or other earthenware vessel. In an archaeological or epigraphical context, ''ostraca'' refer to sherds or even small pieces of ston .... The analysis of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coefficient Of Expansion
Thermal expansion is the tendency of matter to change its shape, area, volume, and density in response to a change in temperature, usually not including phase transitions. Temperature is a monotonic function of the average molecular kinetic energy of a substance. When a substance is heated, molecules begin to vibrate and move more, usually creating more distance between themselves. Substances which contract with increasing temperature are unusual, and only occur within limited temperature ranges (see examples below). The relative expansion (also called strain) divided by the change in temperature is called the material's coefficient of linear thermal expansion and generally varies with temperature. As energy in particles increases, they start moving faster and faster weakening the intermolecular forces between them, therefore expanding the substance. Overview Predicting expansion If an equation of state is available, it can be used to predict the values of the thermal expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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